Eleanor Drage – författare

Feminist AI: Critical Perspectives on Algorithms, Data and Intelligent Machines is the first volume to bring together leading feminist thinkers from across the disciplines to explore the impact of artificial intelligence (AI) and related data-driven technologies on human society. Recent years have seen both an explosion in AI systems and a corresponding rise in important critical analyses of these technologies. Central to these analyses has been feminist scholarship, which calls upon the AI sector to be accountable for designing and deploying AI in ways that further, rather than undermine, the pursuit of social justice. This book aims to be a touchstone text for AI researchers concerned with the social impact of their systems, as well as theorists, students and educators in the field of gender and technology. It demonstrates the importance of an intersectional understanding of the risks and benefits of AI, approaching feminism as a political project that aims to challenge various interlocking forms of injustice, social inequality and structural relations of power. Feminist AI showcases the vital contributions of feminist scholarship to thinking about AI, data, and intelligent machines as well as laying the groundwork for future feminist scholarship on AI. It brings together scholars from a variety of disciplinary backgrounds, from computer science, software engineering, and medical sciences to political theory, anthropology, and literature. It provides an entry point for scholars of AI, science and technology into the diversity of feminist approaches to AI, and creates a rich dialogue between scholars and practitioners of AI to examine the powerful congruences and generative tensions between different feminist approaches to new and emerging technologies. It features original and essential works specially selected to span multiple generations of practitioners and scholars.These contributors are also attuned to conversations at industry-level around the risks and possibilities that frame the drive to adopt AI. This collection reflects the increasingly blurred divide between the academy, industry and corporate research groups and brings interdisciplinary feminist insights together with postcolonial studies, disability theory, and critical race studies to confront ageism, racism, sexism, ableism, and class-based oppressions in AI. This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations.

The Planetary Humanism of European Women’s Science Fiction argues that utopian science fiction written by European women has, since the seventeenth century, played an important role in exploring the racial and gender possibilities of the outer limits of the humanist imagination. This book focuses on six works of science fiction from the UK, France, Spain, and Italy: Jennifer Marie Brissett’s Elysium; Nicoletta Vallorani’s Sulla Sabbia di Sur and Il Cuore Finto di DR; Aliette de Bodard’s Xuya Universe series; Elia Barcelo’s Consecuencias Naturales; and Historias del Crazy Bar, a collection of stories by Lola Robles and Maria Concepcion Regueiro. It sets these in conversation with key gender and critical race scholars: Judith Butler, Rosi Braidotti, Gayatri Chakravorty Spivak, Paul Gilroy, and Jack Halberstam. It asserts that a key concern for feminism, anti- racism, and science fiction now is to seek inventive ways of returning to the question of the human in the context of increasing racial and gender divisions.Offering unique access to contemporary and historical women writers who have mobilised the utopian imagination to rethink the human, this book is of use to those conducting research in Gender Studies, Philosophy, History, and Literature.

The Planetary Humanism of European Women’s Science Fiction argues that utopian science fiction written by European women has, since the seventeenth century, played an important role in exploring the racial and gender possibilities of the outer limits of the humanist imagination. This book focuses on six works of science fiction from the UK, France, Spain, and Italy: Jennifer Marie Brissett’s Elysium; Nicoletta Vallorani’s Sulla Sabbia di Sur and Il Cuore Finto di DR; Aliette de Bodard’s Xuya Universe series; Elia Barcelo’s Consecuencias Naturales; and Historias del Crazy Bar, a collection of stories by Lola Robles and Maria Concepcion Regueiro. It sets these in conversation with key gender and critical race scholars: Judith Butler, Rosi Braidotti, Gayatri Chakravorty Spivak, Paul Gilroy, and Jack Halberstam. It asserts that a key concern for feminism, anti- racism, and science fiction now is to seek inventive ways of returning to the question of the human in the context of increasing racial and gender divisions.Offering unique access to contemporary and historical women writers who have mobilised the utopian imagination to rethink the human, this book is of use to those conducting research in Gender Studies, Philosophy, History, and Literature.

What is good technology? Is ‘good’ technology even possible? And how can feminism help us work towards it? The Good Robot addresses these crucial questions through the voices of leading feminist thinkers, activists and technologists. Each thinker provides a snapshot of key challenges, questions and provocations in the field of feminism and technology.While the question of whether various AI and technological advances can be ethical is not new, the embedded nature of feminist perspectives pulls out whether this perceived ‘goodness’ or ‘wrongness’ might actually impact our lives in the 21st century. This book explores both the radical possibilities of technology to disrupt practices of patriarchy, colonialism, racism and beyond but also provides a significant critique of how we can contain the ethical possibilities of entities we cannot predict. In exploring unjust technological practices and engaging critical voices in the tech industry, the existing moral issues are brought to light as well as the possible ethical quagmires.This book opens a new space of discussion on digital technologies – one that insists that the future of AI is an urgent feminist issue.

What is good technology? Is ‘good’ technology even possible? And how can feminism help us work towards it? The Good Robot addresses these crucial questions through the voices of leading feminist thinkers, activists and technologists. Each thinker provides a snapshot of key challenges, questions and provocations in the field of feminism and technology.While the question of whether various AI and technological advances can be ethical is not new, the embedded nature of feminist perspectives pulls out whether this perceived ‘goodness’ or ‘wrongness’ might actually impact our lives in the 21st century. This book explores both the radical possibilities of technology to disrupt practices of patriarchy, colonialism, racism and beyond but also provides a significant critique of how we can contain the ethical possibilities of entities we cannot predict. In exploring unjust technological practices and engaging critical voices in the tech industry, the existing moral issues are brought to light as well as the possible ethical quagmires.This book opens a new space of discussion on digital technologies – one that insists that the future of AI is an urgent feminist issue.

Love is a curse. Dark, nostalgic, funny, and tragic – Heart-Shaped Curse is a supernatural romance for anyone who knows how much being a teenager can suck. For fans of Adam Silvera and Erik J. Brown.Since 1994, Alyssa has been cursed.Cursed to be eternally sixteen.Cursed to feed off the emotional pain of others.Cursed to never be able to let go of her obsession with Nirvana.That is, until she meets Polly. Polly isn’t like anyone else. She’s immune to the effects of the curse. Realising this could be the key to a cure, Alyssa tries desperately to grow close to her. But when their relationship begins to blossom into something more than just friendship, Alyssa realises that love might not be the antidote she needs. It might just be a different kind of poison.