Elena Andreeva – författare

This book examines the Russian explorers and officials in the nineteenth and early twentieth century who came into contact with Iran as a part of the Great Game. It demonstrates the development of Russia's own form of Orientalism, a phenomenon that has previously been thought to be exclusive to the West.

This book examines the Russian explorers and officials in the nineteenth and early twentieth century who came into contact with Iran as a part of the Great Game. It demonstrates the development of Russia's own form of Orientalism, a phenomenon that has previously been thought to be exclusive to the West.

What is the nature of slavery as practiced and at times reintroduced over the past two centuries in the Middle East and North Africa? In spite of the rich regional diversity of the areas studied – from Morocco to the Indian Ocean to Iran – this anthology demonstrates clear commonalities across the super-region. These include the regulation of slavery by Islam and local traditions, the absence of a rigid racial hierarchy as in North American slavery, the management of the sexuality and reproductive capacity of female slaves, and views on identity and heritage among descendants of slaves. Authors also examine the economic and theological underpinnings of contemporary slavery and human trafficking.The book is among the first to focus on slavery across the Islamic world from the 19th century to the present – a period constituting the endgame of institutionalized slavery in the region but also the persistence of forms of de facto enslavement. Each chapter scrutinizes from a different vantage point – institutions, economics, the abolitionist movement, literature, folklore, and the moving image – creating a multi-dimensional picture of the phenomenon.The authors have mined government archives and statistics, memoirs, interviews, photographs, drawings, songs, cinema and television. Not only are Arabic, Persian and Turkish sources leveraged, but a variety of materials in minor and endangered languages, such as Soqotri, Balochi and Sorani Kurdish, in addition to European languages.

What is the nature of slavery as practiced and at times reintroduced over the past two centuries in the Middle East and North Africa? In spite of the rich regional diversity of the areas studied – from Morocco to the Indian Ocean to Iran – this anthology demonstrates clear commonalities across the super-region. These include the regulation of slavery by Islam and local traditions, the absence of a rigid racial hierarchy as in North American slavery, the management of the sexuality and reproductive capacity of female slaves, and views on identity and heritage among descendants of slaves. Authors also examine the economic and theological underpinnings of contemporary slavery and human trafficking.The book is among the first to focus on slavery across the Islamic world from the 19th century to the present – a period constituting the endgame of institutionalized slavery in the region but also the persistence of forms of de facto enslavement. Each chapter scrutinizes from a different vantage point – institutions, economics, the abolitionist movement, literature, folklore, and the moving image – creating a multi-dimensional picture of the phenomenon. The authors have mined government archives and statistics, memoirs, interviews, photographs, drawings, songs, cinema and television. Not only are Arabic, Persian and Turkish sources leveraged, but a variety of materials in minor and endangered languages, such as Soqotri, Balochi and Sorani Kurdish, in addition to European languages.

What is the nature of slavery as practiced and at times reintroduced over the past two centuries in the Middle East and North Africa? In spite of the rich regional diversity of the areas studied – from Morocco to the Indian Ocean to Iran – this anthology demonstrates clear commonalities across the super-region. These include the regulation of slavery by Islam and local traditions, the absence of a rigid racial hierarchy as in North American slavery, the management of the sexuality and reproductive capacity of female slaves, and views on identity and heritage among descendants of slaves. Authors also examine the economic and theological underpinnings of contemporary slavery and human trafficking.The book is among the first to focus on slavery across the Islamic world from the 19th century to the present – a period constituting the endgame of institutionalized slavery in the region but also the persistence of forms of de facto enslavement. Each chapter scrutinizes from a different vantage point – institutions, economics, the abolitionist movement, literature, folklore, and the moving image – creating a multi-dimensional picture of the phenomenon. The authors have mined government archives and statistics, memoirs, interviews, photographs, drawings, songs, cinema and television. Not only are Arabic, Persian and Turkish sources leveraged, but a variety of materials in minor and endangered languages, such as Soqotri, Balochi and Sorani Kurdish, in addition to European languages.

What is the nature of slavery as practiced and at times reintroduced over the past two centuries in the Middle East and North Africa? In spite of the rich regional diversity of the areas studied – from Morocco to the Indian Ocean to Iran – this anthology demonstrates clear commonalities across the super-region. These include the regulation of slavery by Islam and local traditions, the absence of a rigid racial hierarchy as in North American slavery, the management of the sexuality and reproductive capacity of female slaves, and views on identity and heritage among descendants of slaves. Authors also examine the economic and theological underpinnings of contemporary slavery and human trafficking.The book is among the first to focus on slavery across the Islamic world from the 19th century to the present – a period constituting the endgame of institutionalized slavery in the region but also the persistence of forms of de facto enslavement. Each chapter scrutinizes from a different vantage point – institutions, economics, the abolitionist movement, literature, folklore, and the moving image – creating a multi-dimensional picture of the phenomenon.The authors have mined government archives and statistics, memoirs, interviews, photographs, drawings, songs, cinema and television. Not only are Arabic, Persian and Turkish sources leveraged, but a variety of materials in minor and endangered languages, such as Soqotri, Balochi and Sorani Kurdish, in addition to European languages.

This study represents the most comprehensive review of fiscal federalism in the Russian Federation, presenting a strong case for greater decentralization. Given its vast size, immense diversity including economic, geographic, cultural, ethnic, and historical differences across regions Russia is a prime candidate for decentralization. In this work, De Silva et al make a strong case for greater decentralization in Russia based not only on the traditional economic benefits of fiscal federalism but also on the political benefits from local government competition.

This book examines the Russian explorers and officials in the nineteenth and early twentieth century who came into contact with Iran as a part of the Great Game. It demonstrates the development of Russia''s own form of Orientalism, a phenomenon that has previously been thought to be exclusive to the West.

This book examines the Russian explorers and officials in the nineteenth and early twentieth century who came into contact with Iran as a part of the Great Game. It demonstrates the development of Russia''s own form of Orientalism, a phenomenon that has previously been thought to be exclusive to the West.

Russians in Iran seeks to challenge the traditional narrative regarding Russian involvement Iran and to show that whilst Russia's historical involvement in Iran is longstanding it is nonetheless much misunderstood. Russia's influence in Iran between 1800 and the middle of the twentieth century is not simply a story of inexorable intrusion and domination: rather, it is a complex and interactive process of mostly indirect control and constructive engagement. Drawing on fresh archival material, the contributors provide a window into the power and influence wielded in Iran not just by the Russian government through it traditional representatives but by Russian nationals operating in Iran in a variety of capacities, including individuals, bankers, and entrepreneurs. Russians in Iran reveals the multifaceted role that Russians have played in Iranian history and provides an original and important contribution to the history and international relations of Iran, Russia and the Middle East.

Russians in Iran seeks to challenge the traditional narrative regarding Russian involvement Iran and to show that whilst Russia's historical involvement in Iran is longstanding it is nonetheless much misunderstood. Russia's influence in Iran between 1800 and the middle of the twentieth century is not simply a story of inexorable intrusion and domination: rather, it is a complex and interactive process of mostly indirect control and constructive engagement. Drawing on fresh archival material, the contributors provide a window into the power and influence wielded in Iran not just by the Russian government through it traditional representatives but by Russian nationals operating in Iran in a variety of capacities, including individuals, bankers, and entrepreneurs. Russians in Iran reveals the multifaceted role that Russians have played in Iranian history and provides an original and important contribution to the history and international relations of Iran, Russia and the Middle East.

Russians in Iran seeks to challenge the traditional narrative regarding Russian involvement Iran and to show that whilst Russia's historical involvement in Iran is longstanding it is nonetheless much misunderstood. Russia's influence in Iran between 1800 and the middle of the twentieth century is not simply a story of inexorable intrusion and domination: rather, it is a complex and interactive process of mostly indirect control and constructive engagement. Drawing on fresh archival material, the contributors provide a window into the power and influence wielded in Iran not just by the Russian government through it traditional representatives but by Russian nationals operating in Iran in a variety of capacities, including individuals, bankers, and entrepreneurs. Russians in Iran reveals the multifaceted role that Russians have played in Iranian history and provides an original and important contribution to the history and international relations of Iran, Russia and the Middle East.

“This book provides a deep reading of Nikolai Karazin’s works and his relationship with Central Asia. Elena Andreeva shows how Karazin’s prolific creations have much to tell us about Russian imperialism, colonial and local society as well as Russians’ self-identity as colonizers and Europeans.  The work offers an original contribution to the scholarship on Russian imperial history and that of Central Asia, and Russian literary history also.  Karazin’s importance—at the time and now—is appropriately highlighted.”  -       Jeff Sahadeo, Associate Professor, Carleton University, Canada“Elena Andreeva’s book resurrects a vital if forgotten figure from the Russian past: Nikolai Karazin, Russia’s Kipling, a multifaceted participant in Russian imperial expansion, whose fiction, journalism, ethnography and visual representations may well have done more than any agent of the Russian state to represent and popularize Russia’s conquest of Central Asia to a newly literate Russian public beyond the educated elites. Archivally based and carefully argued, Andreeva’s study of Karazin reveals the absence of any singular logic to Russian imperial expansion. In her analysis Karazin emerges as a vernacular enthusiast of empire who was able to reconcile a skeptical attitude towards tsarist autocracy with an idealized view of Russia’s 'civilizing' mission in the East.” -       Harsha Ram, Associate Professor, University of California, Berkeley, USAThis book is dedicated to the literary and visual images of Central Asia in the works of the popular Russian artist Nikolai Karazin.  It analyzes the ways Karazin’s discourse inflected, and was inflected by, the expansion of the Russian empire – and therefore sheds light on the place of art and culture in the Russian colonial enterprise.  It is the first attempt to interpret Karazin’s images of Central Asia within Russian imperial networks and within the maze of the Russian national identity that informed them.

“This book provides a deep reading of Nikolai Karazin’s works and his relationship with Central Asia. Elena Andreeva shows how Karazin’s prolific creations have much to tell us about Russian imperialism, colonial and local society as well as Russians’ self-identity as colonizers and Europeans.  The work offers an original contribution to the scholarship on Russian imperial history and that of Central Asia, and Russian literary history also.  Karazin’s importance—at the time and now—is appropriately highlighted.” 

-       Jeff Sahadeo, Associate Professor, Carleton University, Canada

“Elena Andreeva’s book resurrects a vital if forgotten figure from the Russian past: Nikolai Karazin, Russia’s Kipling, a multifaceted participant in Russian imperial expansion, whose fiction, journalism, ethnography and visual representations may well have done more than any agent of the Russian state to represent and popularize Russia’s conquest of Central Asia to a newly literate Russian public beyond the educated elites. Archivally based and carefully argued, Andreeva’s study of Karazin reveals the absence of any singular logic to Russian imperial expansion. In her analysis Karazin emerges as a vernacular enthusiast of empire who was able to reconcile a skeptical attitude towards tsarist autocracy with an idealized view of Russia’s ''civilizing'' mission in the East.”

-       Harsha Ram, Associate Professor, University of California, Berkeley, USA

This book is dedicated to the literary and visual images of Central Asia in the works of the popular Russian artist Nikolai Karazin.  It analyzes the ways Karazin’s discourse inflected, and was inflected by, the expansion of the Russian empire – and therefore sheds light on the place of art and culture in the Russian colonial enterprise.  It is the first attempt to interpret Karazin’s images of Central Asia within Russian imperial networks and within the maze of the Russian national identity that informed them.