Elena Coda – författare

Scipio Slataper is one of the most prominent writers from the Italian town of Trieste. Before the onslaught of World War One, Trieste was a unique urban environment and the largest port in the Austro-Hungarian Empire. It was a financially powerful city and a cosmopolitan centre where Slavic, Germanic, and Italian cultures intersected. Much of Slataper’s oeuvre is highly influenced by Trieste’s cultural complexity and its multi-ethnic environment.Slataper’s major literary achievement, My Karst and My City – a fictionalized, lyrical autobiography, translated here in its entirety – offers a unique example of an Italian modernist narrative, one that is influenced both by Slataper’s collaboration with the Florentine journal La Voce, and by the Germanic and Scandinavian literature that he absorbed while living in Trieste. My Karst and My City, together with the excerpts from his reflections on Ibsen and other critical essays included here, adds a new voice and a different dimension to our understanding of European modernism.

Re-Visioning Terrorism: A Humanistic Perspective is an interdisciplinary collection of essays that aims to offer a plurality of visions on terrorism, expanding its meaning across time and space and raising new questions that explore its multifaceted occurrences. The different ideological, philosophical, and cultural perspectives emerging from the essays and the variety of humanistic disciplines involved intend to provide a complex and even contradictory picture that emphasizes the fact that there cannot be a univocal conception and response to terrorism, in either the practical or the intellectual domain.The editors borrow the concept of rack focus response from cinema to create an innovative and flexible interpretative approach to terrorism. Rack focus refers to the change of focus of a lens so that one image can come into focus while another moves out of focus. Though the focal distance changes, the reality has not changed. Both items and events coexist, but given the nature of optics we can only see clearly one or the other. This occurs not just with lenses, but also with human perceptions, be they emotional or intellectual. The rack focus response requires that we try to shift focus from the depth of field that is absolutely clear and familiar to the “other” that is unclear and unfamiliar. This exercise will lead us to reflect on terroristic events in a more nuanced, nondogmatic, and flexible manner.The essays featured in this volume range from philosophical interpretations of terrorism, to historical analysis of terror through the ages, to cinematic, artistic, and narrative representations of terroristic events that are not limited to 9/11.

Re-Visioning Terrorism: A Humanistic Perspective is an interdisciplinary collection of essays that aims to offer a plurality of visions on terrorism, expanding its meaning across time and space and raising new questions that explore its multifaceted occurrences. The different ideological, philosophical, and cultural perspectives emerging from the essays and the variety of humanistic disciplines involved intend to provide a complex and even contradictory picture that emphasizes the fact that there cannot be a univocal conception and response to terrorism, in either the practical or the intellectual domain. The editors borrow the concept of rack focus response from cinema to create an innovative and flexible interpretative approach to terrorism. Rack focus refers to the change of focus of a lens so that one image can come into focus while another moves out of focus. Though the focal distance changes, the reality has not changed. Both items and events coexist, but given the nature of optics we can only see clearly one or the other. This occurs not just with lenses, but also with human perceptions, be they emotional or intellectual. The rack focus response requires that we try to shift focus from the depth of field that is absolutely clear and familiar to the "other" that is unclear and unfamiliar. This exercise will lead us to reflect on terroristic events in a more nuanced, nondogmatic, and flexible manner. The essays featured in this volume range from philosophical interpretations of terrorism, to historical analysis of terror through the ages, to cinematic, artistic, and narrative representations of terroristic events that are not limited to 9/11.

Re-Visioning Terrorism: A Humanistic Perspective is an interdisciplinary collection of essays that aims to offer a plurality of visions on terrorism, expanding its meaning across time and space and raising new questions that explore its multifaceted occurrences. The different ideological, philosophical, and cultural perspectives emerging from the essays and the variety of humanistic disciplines involved intend to provide a complex and even contradictory picture that emphasizes the fact that there cannot be a univocal conception and response to terrorism, in either the practical or the intellectual domain. The editors borrow the concept of rack focus response from cinema to create an innovative and flexible interpretative approach to terrorism. Rack focus refers to the change of focus of a lens so that one image can come into focus while another moves out of focus. Though the focal distance changes, the reality has not changed. Both items and events coexist, but given the nature of optics we can only see clearly one or the other. This occurs not just with lenses, but also with human perceptions, be they emotional or intellectual. The rack focus response requires that we try to shift focus from the depth of field that is absolutely clear and familiar to the "other" that is unclear and unfamiliar. This exercise will lead us to reflect on terroristic events in a more nuanced, nondogmatic, and flexible manner. The essays featured in this volume range from philosophical interpretations of terrorism, to historical analysis of terror through the ages, to cinematic, artistic, and narrative representations of terroristic events that are not limited to 9/11.

This revised and expanded edition of Re-Visioning Terrorism: A Humanistic Perspective builds on the original volume's interdisciplinary exploration of terrorism by incorporating new essays, broader global perspectives, and updated critical approaches that reflect the evolving nature of political violence and its representations. The collection offers a plurality of visions on terrorism, expanding its meaning across time, space, and cultural contexts while raising new questions that explore its multifaceted manifestations.The different ideological, philosophical, and cultural perspectives emerging from the essays, together with the variety of humanistic disciplines represented, provide a complex and at times contradictory picture that emphasizes the impossibility of a single, univocal conception of terrorism or response to it, whether in practical, political, or intellectual terms.The editors borrow the cinematic concept of the "rack focus response" to develop an innovative and flexible interpretative framework. In cinema, rack focus refers to the shifting of visual focus from one image to another within the same frame: although the focal distance changes, reality itself does not. Both elements coexist, but only one can be clearly perceived at a given moment. Extending this concept to emotional and intellectual perception, the editors argue that understanding terrorism requires shifting focus away from dominant and familiar narratives toward perspectives that may appear distant, unclear, or unfamiliar. This "rack focus response" encourages readers to engage with terrorism in a more nuanced, nondogmatic, and critically flexible manner.The essays featured in this volume range from philosophical interpretations of terrorism and historical analyses of terror across different eras to cinematic, artistic, literary, and media representations of political violence that move beyond an exclusive focus on 9/11. Together, they present terrorism as a global, historical, and cultural phenomenon examined through a wide range of interdisciplinary methodologies and perspectives.