Eleni Kefala - Böcker

By 1920, Buenos Aires was the largest and most cosmopolitan city of Latin America due to mass immigration from Europe. Unbridled urban expansion had drastic effects on the social and cultural topography of the Argentine capital, raising ideological and aesthetic issues that shaped the modernist landscape of the country. Artists across disciplines responded to these changes with conflicting depictions of urban space. Centering these conflicts as a cognitive map of modernity’s new realities in the city and in understandings of the city itself, Buenos Aires and the Arts looks at the interaction between modernity and modernism in literature, photography, film, and painting during the interwar period. This was a time of profound change and heightened cultural activity in Argentina. Eleni Kefala analyzes works by Jorge Luis Borges, Oliverio Girondo, José Ferreyra, Xul Solar, Roberto Arlt, and Horacio Coppola, with a focus on the city of Buenos Aires as a playground of modernity.

The ecological crisis is the result of modernity's coloniality. The Moderns considered the Earth as 'natural resources' at their disposal. Their colonial vision of nature was complemented by that of nonmodern cultures like Byzantium and pre-Columbian America as passive or primitive, respectively. For the Moderns, the Byzantines were the 'librarians of humanity,' an inert repository of Greco-Roman knowledge, unable to produce their own. Byzantium's inertia was matched by that of nature, both reservoirs of epistemic and material resources. Thanks to those “librarians,” the supposedly inexhaustible supply of natural resources, and the epistemic and material riches of indigenous America, the Moderns believed they were inaugurating an epoch of intellectual maturity and infinite growth. Today, the enduring negative view of Byzantium and the ecological crisis confirm that we remain entangled in modernity's coloniality. We should decolonize both history and nature. To mitigate humanity's existential threat, modernity must be rethought and overcome.

The ecological crisis is the result of modernity's coloniality. The Moderns considered the Earth as 'natural resources' at their disposal. Their colonial vision of nature was complemented by that of nonmodern cultures like Byzantium and pre-Columbian America as passive or primitive, respectively. For the Moderns, the Byzantines were the 'librarians of humanity,' an inert repository of Greco-Roman knowledge, unable to produce their own. Byzantium's inertia was matched by that of nature, both reservoirs of epistemic and material resources. Thanks to those “librarians,” the supposedly inexhaustible supply of natural resources, and the epistemic and material riches of indigenous America, the Moderns believed they were inaugurating an epoch of intellectual maturity and infinite growth. Today, the enduring negative view of Byzantium and the ecological crisis confirm that we remain entangled in modernity's coloniality. We should decolonize both history and nature. To mitigate humanity's existential threat, modernity must be rethought and overcome.

Negotiating Difference in the Hispanic World invites us to rethink the complex dialogical process of identity formation and self-definition in Latin America from the Conquest to the present day. Essays from an international scholarship provide an important theoretical contribution to debates on identity. Explores the various instances of cultural encounters in Latin America from the Conquest to the present dayThis volume is singularly wide in its breadth, covering sixteenth-century Aztec heraldry and Sahagún's Universal History of the Things of New Spain, to eighteenth-century notions of culture, nineteenth-century theatre, turn-of-the-century degeneration theory, and contemporary literature and culture.The book’s interdisciplinary approach combines literary and cultural studies, cultural history, art history, translation studies and cultural anthropologyA broad geographical scope covers Mexico, Colombia, Chile, Argentina, Spain, Cuba and the United States.The book makes an important theoretical contribution to the debates on identity through its innovative approaches, maintaining a fine balance between theoretical argument and empirical studyThe essays are written by specialists of different nationalities based in the United Kingdom, the United States, Norway and Argentina, providing an international cutting-edge scholarship

Winner of the State Prize for Poetry in Cyprus, these experimental linked poem-threads move across time, linking a young Cypriot to ancestors, contemporaries, and descendants through striking, disparate polyphony.In this bilingual collection of linked poems, Kefala creates a tapestry of motifs that transcend time and identity across early 20th Century Cyprus, 16th Century Scotland, a sailor on Christopher Columbus’ ship La Pinta, and more. As the poem threads draw together, it is as if the protagonist, in his travels through the twentieth century, encounters Odysseus, Cervantes, Columbus, Rembrandt, and others, all moving in multidimensional synchronicity. In this way, the readers take part in the production of meaning by pulling the threads together, stitching together their own reading of the story. Through the reading of these threads, time remains fluid, creating a masterful declaration about the function of poetry: perhaps history is nothing more than the presence of innumerable human voices, some more and some less powerful, coexisting in an eternal present.