When in 1492 Christopher Columbus set out for Asia but instead happened upon the Bahamas, Cuba, and Hispaniola, his error inaugurated a specifically colonial modernity. This is, Security and Terror contends, the colonial modernity within which we still live. And its enduring features are especially vivid in the current American century, a moment marked by a permanent War on Terror and pervasive capitalist dispossession. Resisting the assumption that September 11, 2001, constituted a historical rupture, Eli Jelly-Schapiro traces the political and philosophic genealogies of security and terror—from the settler-colonization of the New World to the wars in Afghanistan, Iraq, and beyond. A history of the present crisis, Security and Terror also examines how that history has been registered and reckoned with in significant works of contemporary fiction and theory—in novels by Teju Cole, Mohsin Hamid, Junot Díaz, and Roberto Bolaño, and in the critical interventions of Jean Baudrillard, Giorgio Agamben, Judith Butler, Michael Hardt and Antonio Negri, and others. In this richly interdisciplinary inquiry, Jelly-Schapiro reveals how the erasure of colonial pasts enables the perpetual reproduction of colonial culture.

When in 1492 Christopher Columbus set out for Asia but instead happened upon the Bahamas, Cuba, and Hispaniola, his error inaugurated a specifically colonial modernity. This is, Security and Terror contends, the colonial modernity within which we still live. And its enduring features are especially vivid in the current American century, a moment marked by a permanent War on Terror and pervasive capitalist dispossession. Resisting the assumption that September 11, 2001, constituted a historical rupture, Eli Jelly-Schapiro traces the political and philosophic genealogies of security and terror—from the settler-colonization of the New World to the wars in Afghanistan, Iraq, and beyond. A history of the present crisis, Security and Terror also examines how that history has been registered and reckoned with in significant works of contemporary fiction and theory—in novels by Teju Cole, Mohsin Hamid, Junot Díaz, and Roberto Bolaño, and in the critical interventions of Jean Baudrillard, Giorgio Agamben, Judith Butler, Michael Hardt and Antonio Negri, and others. In this richly interdisciplinary inquiry, Jelly-Schapiro reveals how the erasure of colonial pasts enables the perpetual reproduction of colonial culture.

When in 1492 Christopher Columbus set out for Asia but instead happened upon the Bahamas, Cuba, and Hispaniola, his error inaugurated a specifically colonial modernity. This is, Security and Terror contends, the colonial modernity within which we still live. And its enduring features are especially vivid in the current American century, a moment marked by a permanent War on Terror and pervasive capitalist dispossession. Resisting the assumption that September 11, 2001, constituted a historical rupture, Eli Jelly-Schapiro traces the political and philosophic genealogies of security and terror—from the settler-colonization of the New World to the wars in Afghanistan, Iraq, and beyond. A history of the present crisis, Security and Terror also examines how that history has been registered and reckoned with in significant works of contemporary fiction and theory—in novels by Teju Cole, Mohsin Hamid, Junot Díaz, and Roberto Bolaño, and in the critical interventions of Jean Baudrillard, Giorgio Agamben, Judith Butler, Michael Hardt and Antonio Negri, and others. In this richly interdisciplinary inquiry, Jelly-Schapiro reveals how the erasure of colonial pasts enables the perpetual reproduction of colonial culture.

Undertaken at the interface of critical theory and world literature, Moments of Capital sets out to grasp the unity and heterogeneity of global capital in the postcolonial present. Eli Jelly-Schapiro argues that global capital is composed of three synchronous moments: primitive accumulation, expanded reproduction, and the "synthetic dispossession" facilitated by financialization and privatization. These moments correspond to distinct economic and political forms, and distinct strands of theory and fiction.Moments of Capital integrates various intellectual traditions—from multiple trajectories of Marxist thought, to Weberian inquiries into the "spirit" of capitalism, to anticolonial accounts of racial depredation—to reveal the concurrent interrelation of the three moments of capital. The book's literary readings, meanwhile, make vivid the uneven texture and experience of capitalist modernity at large. Analyzing formally and thematically diverse novels—works by Fiston Mwanza Mujila, Marlon James, Jennifer Egan, Eugene Lim, Rafael Chirbes, Neel Mukherjee, Rachel Kushner, and others—Jelly-Schapiro evinces the different patterns of feeling and consciousness that register, and hypothesize a way beyond, the contradictions of capital. This book develops a new conceptual key for the mapping of contemporary theory, world literature, and global capital itself.

Undertaken at the interface of critical theory and world literature, Moments of Capital sets out to grasp the unity and heterogeneity of global capital in the postcolonial present. Eli Jelly-Schapiro argues that global capital is composed of three synchronous moments: primitive accumulation, expanded reproduction, and the "synthetic dispossession" facilitated by financialization and privatization. These moments correspond to distinct economic and political forms, and distinct strands of theory and fiction.Moments of Capital integrates various intellectual traditions—from multiple trajectories of Marxist thought, to Weberian inquiries into the "spirit" of capitalism, to anticolonial accounts of racial depredation—to reveal the concurrent interrelation of the three moments of capital. The book's literary readings, meanwhile, make vivid the uneven texture and experience of capitalist modernity at large. Analyzing formally and thematically diverse novels—works by Fiston Mwanza Mujila, Marlon James, Jennifer Egan, Eugene Lim, Rafael Chirbes, Neel Mukherjee, Rachel Kushner, and others—Jelly-Schapiro evinces the different patterns of feeling and consciousness that register, and hypothesize a way beyond, the contradictions of capital. This book develops a new conceptual key for the mapping of contemporary theory, world literature, and global capital itself.

When in 1492 Christopher Columbus set out for Asia but instead happened upon the Bahamas, Cuba, and Hispaniola, his error inaugurated a specifically colonial modernity. This is, Security and Terror contends, the colonial modernity within which we still live. And its enduring features are especially vivid in the current American century, a moment marked by a permanent War on Terror and pervasive capitalist dispossession. Resisting the assumption that September 11, 2001, constituted a historical rupture, Eli Jelly-Schapiro traces the political and philosophic genealogies of security and terror—from the settler-colonization of the New World to the wars in Afghanistan, Iraq, and beyond. A history of the present crisis, Security and Terror also examines how that history has been registered and reckoned with in significant works of contemporary fiction and theory—in novels by Teju Cole, Mohsin Hamid, Junot Díaz, and Roberto Bolaño, and in the critical interventions of Jean Baudrillard, Giorgio Agamben, Judith Butler, Michael Hardt and Antonio Negri, and others. In this richly interdisciplinary inquiry, Jelly-Schapiro reveals how the erasure of colonial pasts enables the perpetual reproduction of colonial culture.

When in 1492 Christopher Columbus set out for Asia but instead happened upon the Bahamas, Cuba, and Hispaniola, his error inaugurated a specifically colonial modernity. This is, Security and Terror contends, the colonial modernity within which we still live. And its enduring features are especially vivid in the current American century, a moment marked by a permanent War on Terror and pervasive capitalist dispossession. Resisting the assumption that September 11, 2001, constituted a historical rupture, Eli Jelly-Schapiro traces the political and philosophic genealogies of security and terror—from the settler-colonization of the New World to the wars in Afghanistan, Iraq, and beyond. A history of the present crisis, Security and Terror also examines how that history has been registered and reckoned with in significant works of contemporary fiction and theory—in novels by Teju Cole, Mohsin Hamid, Junot Díaz, and Roberto Bolaño, and in the critical interventions of Jean Baudrillard, Giorgio Agamben, Judith Butler, Michael Hardt and Antonio Negri, and others. In this richly interdisciplinary inquiry, Jelly-Schapiro reveals how the erasure of colonial pasts enables the perpetual reproduction of colonial culture.

When in 1492 Christopher Columbus set out for Asia but instead happened upon the Bahamas, Cuba, and Hispaniola, his error inaugurated a specifically colonial modernity. This is, Security and Terror contends, the colonial modernity within which we still live. And its enduring features are especially vivid in the current American century, a moment marked by a permanent War on Terror and pervasive capitalist dispossession. Resisting the assumption that September 11, 2001, constituted a historical rupture, Eli Jelly-Schapiro traces the political and philosophic genealogies of security and terror—from the settler-colonization of the New World to the wars in Afghanistan, Iraq, and beyond. A history of the present crisis, Security and Terror also examines how that history has been registered and reckoned with in significant works of contemporary fiction and theory—in novels by Teju Cole, Mohsin Hamid, Junot Díaz, and Roberto Bolaño, and in the critical interventions of Jean Baudrillard, Giorgio Agamben, Judith Butler, Michael Hardt and Antonio Negri, and others. In this richly interdisciplinary inquiry, Jelly-Schapiro reveals how the erasure of colonial pasts enables the perpetual reproduction of colonial culture.

Undertaken at the interface of critical theory and world literature, Moments of Capital sets out to grasp the unity and heterogeneity of global capital in the postcolonial present. Eli Jelly-Schapiro argues that global capital is composed of three synchronous moments: primitive accumulation, expanded reproduction, and the "synthetic dispossession" facilitated by financialization and privatization. These moments correspond to distinct economic and political forms, and distinct strands of theory and fiction.Moments of Capital integrates various intellectual traditions—from multiple trajectories of Marxist thought, to Weberian inquiries into the "spirit" of capitalism, to anticolonial accounts of racial depredation—to reveal the concurrent interrelation of the three moments of capital. The book's literary readings, meanwhile, make vivid the uneven texture and experience of capitalist modernity at large. Analyzing formally and thematically diverse novels—works by Fiston Mwanza Mujila, Marlon James, Jennifer Egan, Eugene Lim, Rafael Chirbes, Neel Mukherjee, Rachel Kushner, and others—Jelly-Schapiro evinces the different patterns of feeling and consciousness that register, and hypothesize a way beyond, the contradictions of capital. This book develops a new conceptual key for the mapping of contemporary theory, world literature, and global capital itself.

Undertaken at the interface of critical theory and world literature, Moments of Capital sets out to grasp the unity and heterogeneity of global capital in the postcolonial present. Eli Jelly-Schapiro argues that global capital is composed of three synchronous moments: primitive accumulation, expanded reproduction, and the "synthetic dispossession" facilitated by financialization and privatization. These moments correspond to distinct economic and political forms, and distinct strands of theory and fiction.Moments of Capital integrates various intellectual traditions—from multiple trajectories of Marxist thought, to Weberian inquiries into the "spirit" of capitalism, to anticolonial accounts of racial depredation—to reveal the concurrent interrelation of the three moments of capital. The book's literary readings, meanwhile, make vivid the uneven texture and experience of capitalist modernity at large. Analyzing formally and thematically diverse novels—works by Fiston Mwanza Mujila, Marlon James, Jennifer Egan, Eugene Lim, Rafael Chirbes, Neel Mukherjee, Rachel Kushner, and others—Jelly-Schapiro evinces the different patterns of feeling and consciousness that register, and hypothesize a way beyond, the contradictions of capital. This book develops a new conceptual key for the mapping of contemporary theory, world literature, and global capital itself.