Elisa Bricco - Böcker
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2 produkter
365 kr
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The current volume brings together a collection of essays from the conference "The Postmodern Condition: Forty Years Later" held at University of Genova on December 2019. Taking advantage of the fortieth anniversay of The Postmodern Condition by Jean-François Lyotard, a book that initiated the cultural explosion of postmodern philosophy, in order to relaunch and further investigate the ongoing debate around the essential meaning of postmodernity, the end of postmodernism and the advent of new aesthetics, philosophy and social "structure of feelings" that have (or tried to) overcome the postmodern paradigm. The book thus brings together two interwoven but often separated themes: on the one hand, the analysis of the vitality, legacy, topicality and historicizing process of postmodernity and postmodernism; on the other, the analysis of the debate around the crisis of the postmodern paradigm and of the advent of new conceptual frameworks, often born out of a direct refusal of postmodern critical discourse and philosophy. Through the filters of different philosophical and aesthetic paradigms, the book thus offers a complex description of contemporary society from the 1980s down to the present moment, dwelling on crucial topics such as the relationship between humanity and technology, the digital revolution, the social role of representations, the dialectics between image and reality, and the vitality of postmodern stylistic features (quotation, metafiction, appropriation etc.).
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Les mini-phototextes sont des objets hybrides où les photographies interagissent avec le texte pour raconter des histoires personnelles ou fictionnelles. Cette forme intermédiale est pratiquée depuis les années 60 par des auteur·e·s et des artistes : Martine Aballéa, Christian Boltanski, Sophie Calle, Patrick Devresse, Jean Le Gac, Paul Léger, Valérie Mréjen, Anne-James Chaton, Jérôme Game, Christian Garcin, Claire Legendre et Jérôme Bonetto, Benoît Peeters et Marie-Claire Plissart, Lucien Suel. L’analyse de leurs œuvres fournira une illustration approfondie des possibilités de la création par les connexions entre images et textes en régime minimal et numérique. Tout le monde peut créer des mini phototextes sur les réseaux sociaux et dans ce livre vous trouverez des pistes de lecture pour les affronter d’un point de vue narratif.Mini phototexts are hybrid objects where photographs interact with text to tell personal or fictional stories. This intermedial form has been practiced since the 1960s by authors and artists: Martine Aballéa, Christian Boltanski, Sophie Calle, Patrick Devresse, Jean Le Gac, Paul Léger, Valérie Mréjen, Anne-James Chaton, Jérôme Game, Christian Garcin, Claire Legendre and Jérôme Bonetto, Benoît Peeters and Marie-Claire Plissart, Lucien Suel. The analysis of their works will provide an in-depth illustration of the possibilities of creation through the connections between images and texts in a minimal and digital regime. Everyone can create mini phototexts on social networks and in this book you will find reading ideas to tackle them from a narrative point of view.