Elisabeth Chaghafi – författare

English Literary Afterlives traces life narratives of early modern authors created for them after their deaths by readers or publishers, who retrospectively tried to make sense of the author’s life and works. In a series of case-studies of the reception history of major poets – Sidney, Spenser, Donne, Herbert, as well as Robert Greene, the first ‘celebrity author’ – within a generation of their deaths, it shows how those authors were posthumously fashioned and refashioned. It argues that during the early modern period there is a gradual movement towards biographical readings that attempt to find the author in the works, which in turn led to the emergence of written lives that consider poets not in terms of their ‘public’ lives but in terms of their poetic activity, i.e. the beginnings of literary biography.Will be of interest to students and scholars of several canonical early modern authors.

English Literary Afterlives traces life narratives of early modern authors created for them after their deaths by readers or publishers, who retrospectively tried to make sense of the author’s life and works. In a series of case-studies of the reception history of major poets – Sidney, Spenser, Donne, Herbert, as well as Robert Greene, the first ‘celebrity author’ – within a generation of their deaths, it shows how those authors were posthumously fashioned and refashioned. It argues that during the early modern period there is a gradual movement towards biographical readings that attempt to find the author in the works, which in turn led to the emergence of written lives that consider poets not in terms of their ‘public’ lives but in terms of their poetic activity, i.e. the beginnings of literary biography.Will be of interest to students and scholars of several canonical early modern authors.

English Literary Afterlives traces life narratives of early modern authors created for them after their deaths by readers or publishers, who retrospectively tried to make sense of the author’s life and works. In a series of case-studies of the reception history of major poets – Sidney, Spenser, Donne, Herbert, as well as Robert Greene, the first ‘celebrity author’ – within a generation of their deaths, it shows how those authors were posthumously fashioned and refashioned. It argues that during the early modern period there is a gradual movement towards biographical readings that attempt to find the author in the works, which in turn led to the emergence of written lives that consider poets not in terms of their ‘public’ lives but in terms of their poetic activity, i.e. the beginnings of literary biography.Will be of interest to students and scholars of several canonical early modern authors.

Modern readers mostly know Sir Philip Sidney’s Arcadia in its complete ‘old’ version, but it is the New Arcadia (published in 1590), a revised version of his pastoral romance The Countess of Pembroke’s Arcadia, that was the most influential and most widely imitated literary text of the sixteenth century. Preserving the basic plot, New Arcadia adds further narrative strands and introduces ambitious revisions, demonstrating Sidney’s brilliance as a prose writer.This edition of the New Arcadia is the first in nearly four decades, preserving the text of Victor Skretkowicz’ celebrated 1987 edition, whilst making the text accessible through modern spelling and supplementing it with a substantially expanded scholarly commentary, an updated glossary, and additional long notes on the book’s history and Sidney’s use of rhetorical devices, as well as his contributions to the English language.