Elizabeth DeLaney Hoffman – författare

Americans are still fascinated by the romantic notion of the "noble savage," yet know little about the real Native peoples of North America. This two-volume work seeks to remedy that by examining stereotypes and celebrating the true cultures of American Indians today.The two-volume American Indians and Popular Culture seeks to help readers understand American Indians by analyzing their relationships with the popular culture of the United States and Canada. Volume 1 covers media, sports, and politics, while Volume 2 covers literature, arts, and resistance. Both volumes focus on stereotypes, detailing how they were created and why they are still allowed to exist.In defining popular culture broadly to include subjects such as print advertising, politics, and science as well as literature, film, and the arts, this work offers a comprehensive guide to the important issues facing Native peoples today. Analyses draw from many disciplines and include many voices, ranging from surveys of movies and discussions of Native authors to first-person accounts from Native perspectives. Among the more intriguing subjects are the casinos that have changed the economic landscape for the tribes involved, the controversy surrounding museum treatments of American Indians, and the methods by which American Indians have fought back against pervasive ethnic stereotyping.

Starting with the premise that American Indians have been colonized, Horne outlines the dangers of colonial mimicry. She proposes a theory of subversive mimicry through which writers can use the language of the colonial power to subvert it and inscribe diverse First Nations voices. Drawing on select works by Thomas King, Beatrice Culleton, Ruby Slipperjack, Jeannette Armstrong, Lee Maracle, and Tomson Highway, the study also elucidates decolonizing strategies with which readers can collaborate.

Ever since European settlers stumbled upon the eighteenth-century mounds, explanations and interpretations of them – often ridiculous and seldom Native American – have appeared as sober scholarship. Today, the Native American Graves Protection and Repatriation Act of 1990 (NAGPRA) has intensified the debate over who «owns» the mounds – modern descendants of the Mound builders or Western archaeologists. Native Americans, Archaeologists, and the Mounds is the first cogent look at all the issues surrounding the mounds, their history, their preservation, and their interpretation. Using the traditions of those Natives descended from the Mound Builders as well as historical and archaeological evidence, Barbara Alice Mann placed the mounds in their native cultural context as she examines the fraught issues enveloping them in the twenty-first century.

Americans are still fascinated by the romantic notion of the "noble savage," yet know little about the real Native peoples of North America. This two-volume work seeks to remedy that by examining stereotypes and celebrating the true cultures of American Indians today.The two-volume American Indians and Popular Culture seeks to help readers understand American Indians by analyzing their relationships with the popular culture of the United States and Canada. Volume 1 covers media, sports, and politics, while Volume 2 covers literature, arts, and resistance. Both volumes focus on stereotypes, detailing how they were created and why they are still allowed to exist.In defining popular culture broadly to include subjects such as print advertising, politics, and science as well as literature, film, and the arts, this work offers a comprehensive guide to the important issues facing Native peoples today. Analyses draw from many disciplines and include many voices, ranging from surveys of movies and discussions of Native authors to first-person accounts from Native perspectives. Among the more intriguing subjects are the casinos that have changed the economic landscape for the tribes involved, the controversy surrounding museum treatments of American Indians, and the methods by which American Indians have fought back against pervasive ethnic stereotyping.

Roanoke and Wampum: Topics in Native American Heritage and Literatures focuses on the discourses about selected legacies and writings predominantly of eastern Native North America. Ron Welburn skillfully approaches diverse subjects through scholarly and personal modes. More specifically, the book begins with the author reflecting on the sign talk of fifties television’s Pahoo-Ka-Ta-Wah, and it concludes with a discussion of a narrative by thirties Chippewa author Thomas Whitecloud. Other essays inquire about the southeastern Blackfoot, Jeffrey Amherst, and literary theories. Still others discuss Indian slaves, the Great Seal of the United States, Mildred Haun’s Melungeon novel, and nineteenth-century Indian interviewers. A section on William Apess features poetry and a scholarly essay.