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2 produkter
300 kr
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Posters are ubiquitous. They hang on office walls, bedroom doors and bus shelters. But what relevance do they have today in our age of image saturation, of prolific social media and electronic devices?In Posters: A Global History Elizabeth Guffey tells the story of this ephemeral art form, from its birth in the nineteenth century to its place in contemporary culture. She argues that even among today’s burgeoning digital media, few forms of graphic design can rival posters for their tangibility and sheer spatial presence. From London to Ramallah, Los Angeles to Lagos, posters provide new opportunities to communicate across public spaces that are themselves increasingly transformed by digital media.This book re-examines the roots of the poster, charting its rise from the revolutionary lithographs that papered nineteenth-century London and Paris to twentieth-century works of propaganda, advertising, pop culture and protest. It considers the lives of posters: where and why posters were made, and why and how they endured. It examines posters from today’s world, including posters of Palestinian martyrs and West African examples describing voodoo activities, and offers a rich variety of both familiar and lesser-known examples from the Soviet Union, China, Eastern and Western Europe, the U.S. and elsewhere.Beautifully illustrated, Posters provides a fresh history of the nineteenth- and twentieth-century poster as well as revealing insights into the designs and creative practices of our twenty-first-century world.
310 kr
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Flares are in. Flares are out. Flares are back again. Fads constantly cycle and recycle through popular culture, each time in a slightly new incarnation. The term ‘retro’ has become the buzz word for describing such trends, but what does it mean? Elizabeth Guffey explores here the ambiguous cultural meanings of the term and reveals why some trends just never seem to stay dead.Drawing upon a wealth of original research and entertaining anecdotal material, Guffey unearths the roots of the term retro and chronicles its evolving manifestations in culture and art throughout the last century. Whether in art, design, fashion or music, the idea of retro has often meant a re-emergence of styles and sensibilities that evoke familiar touchstones of memory from the not-so-distant past. Guffey explores how and why the past keeps coming back to haunt us in a variety of forms, from the comeback of Art Nouveau nearly fifty years after its original decline, to the infusion of Art Deco into the kitsch glamour of Pop art, to the recent popularity over 1980s vogue. She also considers how advertisers and media have employed the power of such cultural nostalgia, using recycled television jingles, familiar old slogans and famous art to sell a surprising range of products.An engrossing and wholly unprecedented study, Retro reveals how the past is embedded in the future of contemporary art and culture.