Elizabeth Hardwick - Böcker

Sally Rooney: 'High intelligence and beauty.'Margo Jefferson: 'Extraordinary'Rediscover a lost American classic in this kaleidoscopic scrapbook of one woman's memories, with a new introduction by Eimear McBride. I am alone here in New York, no longer a we ... First published in 1979, Sleepless Nights is a unique collage of fiction and memoir, letters and essays, portraits and dreams. It is more than the story of a life: it is Elizabeth Hardwick's experience of womanhood in the twentieth century. Escaping her childhood home of Kentucky, the narrator arrives at a bohemian hotel in Manhattan filled with 'drunks, actors, gamblers ... love and alcohol and clothes on the floor.' Here begin the erotic affairs and dinner parties, the abortions and heartbreaks, the friendships and 'people I have buried'. Here are luminous sketches of characters she has met that illuminate the era's racism, sexism, and poverty. Above all, here is prose blurring into poetry, language to lose - and perhaps to find - yourself in.Society tries to write these lives before they are lived. It does not always succeed.

ONE OF THE WHITE REVIEW'S BEST BOOKS OF 2019Elizabeth Hardwick's iconic essay collection Seduction and Betrayal is a radical portrait of women and literature, reissued with a new introduction by Deborah Levy.'Hardwick's sentences are burned in my brain.' - Susan SontagSidelined. Betrayed. Killed off. Elizabeth Hardwick dissects the history of women and literature. In her most virtuoso work of criticism, she explores the lives of the Brontës, Woolf, Eliot and Plath; the fate of literary wives such as Zelda Fitzgerald and Jane Carlyle; and the destinies of fictional heroines from Richardson's Clarissa to Ibsen's Nora. With fierce empathy and biting wit, Hardwick mines their childhoods, families, and personalities to probe the costs of sex, love, and marriage. Shattering the barrier between writing and life, she asks who is the seducer and who the seduced; who the victim and who the victor.First published in 1974, yet both urgently timely and timeless, Seduction and Betrayal explodes the conventions of the essay: and the result is nothing less than a reckoning.

WINNER OF THE PEGASUS AWARD FOR POETRY CRITICISMThe Dolphin Letters offers an unprecedented portrait of Robert Lowell and Elizabeth Hardwick during the last seven years of Lowell's life (1970 to 1977), a time of personal crisis and creative innovation for both writers. Centred on the letters they exchanged with each other and with other members of their circle - writers, intellectuals, friends and publishers, including Elizabeth Bishop, Caroline Blackwood, Mary McCarthy and Adrienne Rich - this book has the narrative sweep of a novel, telling the story of the dramatic breakup of Lowell and Hardwick's twenty-one-year marriage and their extraordinary, but late, reconciliation.Lowell's sonnet sequence The Dolphin (for which he controversially adapted Hardwick's letters as a source) and his last book, Day by Day, were written during this period, as were Hardwick's influential books Seduction and Betrayal: Women and Literature and Sleepless Nights. Lowell and Hardwick are acutely intelligent observers of marriage, children, friends and the feelings that their personal tribulations gave rise to.The Dolphin Letters, edited by Saskia Hamilton, is a debate about the limits of art - what occasions a work of art, and what moral and artistic licence artists have to make use of their lives and the lives of others as material. The crisis of Lowell's The Dolphin was profoundly affecting to everyone around him, and Bishop's warning that 'art just isn't worth that much' haunts us today.