Elizabeth Horodowich – författare

While historians typically describe the state as emerging through a wide variety of processes and structures such as armies, bureaucracies, and administrative organizations, this book demonstrates that a crucial but unrecognized component of statebuilding in Renaissance Venice was the management of public speech: controlling foul language. Ideas about language were deeply embedded in Venetian political culture. Instead of studying the history of language through literary, printed texts, Horodowich examines the speech of everyday people on the streets of Renaissance Venice by looking at their actual words as recorded in archival documents. By weaving together a variety of historical sources, including literature, statutes, laws, chronicles, trial testimony, and punitive sentences, Horodowich shows that the Venetian state constructed a normative language - a language based not only on grammatical correctness, but on standards of politeness, civility, and piety - to protect and reinforce its civic identity.

While historians typically describe the state as emerging through a wide variety of processes and structures such as armies, bureaucracies, and administrative organizations, this book demonstrates that a crucial but unrecognized component of statebuilding in Renaissance Venice was the management of public speech: controlling foul language. Ideas about language were deeply embedded in Venetian political culture. Instead of studying the history of language through literary, printed texts, Horodowich examines the speech of everyday people on the streets of Renaissance Venice by looking at their actual words as recorded in archival documents. By weaving together a variety of historical sources, including literature, statutes, laws, chronicles, trial testimony, and punitive sentences, Horodowich shows that the Venetian state constructed a normative language - a language based not only on grammatical correctness, but on standards of politeness, civility, and piety - to protect and reinforce its civic identity.

Italians became fascinated by the New World in the early modern period. While Atlantic World scholarship has traditionally tended to focus on the acts of conquest and the politics of colonialism, these essays consider the reception of ideas, images and goods from the Americas in the non-colonial states of Italy. Italians began to venerate images of the Peruvian Virgin of Copacabana, plant tomatoes, potatoes, and maize, and publish costume books showcasing the clothing of the kings and queens of Florida, revealing the powerful hold that the Americas had on the Italian imagination. By considering a variety of cases illuminating the presence of the Americas in Italy, this volume demonstrates how early modern Italian culture developed as much from multicultural contact - with Mexico, Peru, Brazil, and the Caribbean - as it did from the rediscovery of classical antiquity.

Few Renaissance Venetians saw the New World with their own eyes. As the print capital of early modern Europe, however, Venice developed a unique relationship to the Americas. Venetian editors, mapmakers, translators, writers, and cosmographers represented the New World at times as a place that the city's mariners had discovered before the Spanish, a world linked to Marco Polo's China, or another version of Venice, especially in the case of Tenochtitlan. Elizabeth Horodowich explores these various and distinctive modes of imagining the New World, including Venetian rhetorics of 'firstness', similitude, othering, comparison, and simultaneity generated through forms of textual and visual pastiche that linked the wider world to the Venetian lagoon. These wide-ranging stances allowed Venetians to argue for their different but equivalent participation in the Age of Encounters. Whereas historians have traditionally focused on the Spanish conquest and colonization of the New World, and the Dutch and English mapping of it, they have ignored the wide circulation of Venetian Americana. Horodowich demonstrates how with their printed texts and maps, Venetian newsmongers embraced a fertile tension between the distant and the close. In doing so, they played a crucial yet heretofore unrecognized role in the invention of America.

Few Renaissance Venetians saw the New World with their own eyes. As the print capital of early modern Europe, however, Venice developed a unique relationship to the Americas. Venetian editors, mapmakers, translators, writers, and cosmographers represented the New World at times as a place that the city's mariners had discovered before the Spanish, a world linked to Marco Polo's China, or another version of Venice, especially in the case of Tenochtitlan. Elizabeth Horodowich explores these various and distinctive modes of imagining the New World, including Venetian rhetorics of 'firstness', similitude, othering, comparison, and simultaneity generated through forms of textual and visual pastiche that linked the wider world to the Venetian lagoon. These wide-ranging stances allowed Venetians to argue for their different but equivalent participation in the Age of Encounters. Whereas historians have traditionally focused on the Spanish conquest and colonization of the New World, and the Dutch and English mapping of it, they have ignored the wide circulation of Venetian Americana. Horodowich demonstrates how with their printed texts and maps, Venetian newsmongers embraced a fertile tension between the distant and the close. In doing so, they played a crucial yet heretofore unrecognized role in the invention of America.

In this colourful new history of Venice, Elizabeth Horodowich, one of the leading experts on Venice, tells the story of the place from its ancient origins, and its early days as a multicultural trading city where Christians, Jews and Muslims lived together at the crossroads between East and West. She explores the often overlooked role of Venice, alongside Florence and Rome, as one of the principal Renaissance capitals. Now, as the resident population falls and the number of tourists grows, as brash new advertisements disfigure the ancient buildings, she looks at the threat from the rising water level and the future of one of the great wonders of the world.