Elizabeth James – författare

The Life and Adventures of Nicholas Nickleby, the second volume of the new Oxford Edition of Charles Dickens, is Dickens''s third novel, originally published in monthly parts between March 1838 and September 1839. Brilliantly comic, the novel quickly developed a strong strand of social criticism, exploring themes such as love and family, selfishness, work, and charity. It showcases a host of characters, from the earnest and passionate young hero Nicholas, the pathetic Smike, and the brutal schoolmaster Wackford Squeers, to sparkling minor players like John Browdie, Mrs. Squeers, Mr. Mantalini, Mr. Crummles, and the infuriatingly inept Mrs. Nickleby. Solidifying the reputation for comedy and pathos Dickens had established with The Pickwick Papers and Oliver Twist, this novel reached—and delighted—the widest audience Dickens had yet known. The manuscript of Nicholas Nickleby survives only in fragments, with the British Library, the Charles Dickens Museum, and The Rosenbach library holding substantial portions, and the Victoria and Albert Museum, the Free Library of Philadelphia, and the Morgan Library also holding pages. This edition is presented in two volumes: the text in Volume I and Essay on the Text and Notes in Volume 2. The editors have closely examined all the surviving manuscript, recovering scores of deletions and recording all variants of wording in the textual apparatus. The text is based on that of the original serial instalments; all emendations from that text are fully documented. All lifetime British editions (the Cheap, the Library, the Illustrated Library, the People''s and the Charles Dickens) have been carefully collated, and all verbal variants are recorded.

The collected papers in this volume present a unique introduction both to the history of women, of men and eunuchs, or the third sex, in Byzantium and to the various theoretical and methodological approaches through which the topic can be examined. The contributors use evidence from both texts and images to give a wide-ranging picture of the place of women and Byzantine society and the perceptions of women held by that society.Women, Men and Eunuchs offers a unique and valuable exploration of the issue of gender in Byzantium, which will fascinate anyone interested in ancient and medieval history and gender studies.

The collected papers in this volume present a unique introduction both to the history of women, of men and eunuchs, or the third sex, in Byzantium and to the various theoretical and methodological approaches through which the topic can be examined. The contributors use evidence from both texts and images to give a wide-ranging picture of the place of women and Byzantine society and the perceptions of women held by that society.Women, Men and Eunuchs offers a unique and valuable exploration of the issue of gender in Byzantium, which will fascinate anyone interested in ancient and medieval history and gender studies.

A comprehensive bibliography and exhibition chronology of the world''s greatest museum of the decorative arts and design. The Victoria and Albert Museum, or South Kensington Museum as it used to be known, was founded by the British Government in 1852, out of the proceeds from the Great Exhibition of 1851. Like the Exhibition, it aimed to improve the expertise of designers, and the taste of the public, by exposing them to examples of good design from all countries and periods. 2,500 publications have to date been produced by, for, or in association with the V&A. The National Art Library, which is part of the Museum, has prepared this detailed catalogue, supplemented by a secondary list of 500 other books closely related to the V&A. The 1,500 exhibitions and displays recorded include those held in the main Museum and at its branches, the Bethnal Green Museum (now the National Museum of Childhood) and the Theatre Museum, Covent Garden, and additionally those it has organized at external venues, in Great Britain and abroad. The exhibitions and publications are fully cross-referenced, and there are name, title and subject indexes to the whole work, as well as an explanatory introduction.

A comprehensive bibliography and exhibition chronology of the world''s greatest museum of the decorative arts and design. The Victoria and Albert Museum, or South Kensington Museum as it used to be known, was founded by the British Government in 1852, out of the proceeds from the Great Exhibition of 1851. Like the Exhibition, it aimed to improve the expertise of designers, and the taste of the public, by exposing them to examples of good design from all countries and periods. 2,500 publications have to date been produced by, for, or in association with the V&A. The National Art Library, which is part of the Museum, has prepared this detailed catalogue, supplemented by a secondary list of 500 other books closely related to the V&A. The 1,500 exhibitions and displays recorded include those held in the main Museum and at its branches, the Bethnal Green Museum (now the National Museum of Childhood) and the Theatre Museum, Covent Garden, and additionally those it has organized at external venues, in Great Britain and abroad. The exhibitions and publications are fully cross-referenced, and there are name, title and subject indexes to the whole work, as well as an explanatory introduction.

This is the continuing story of two men, alike in many ways, who travel far from their native land but are both drawn back to Durham, the spectacular mediaeval city that dominates the northeastern counties of England. But there is a difference. Six hundred years separates the lives of the two men. Oswald, who has seen action in France and England, is loyal to his King, Edward III, who is also called Plantagenet. When Oswald sees that the lives of Edward and his son, John of Lancaster (called John of Gaunt by many modern historians), are in jeopardy, he calls to his descendent, James Simpson, for help. James Simpson is a scientist of world renown who turns his talents to writing historical fiction. After returning to his native Durham, he settles into a quiet village hoping to continue his writing. But when Oswald contacts him, he realizes that they are closer in relationship and behavior that he had believed. Simpson is surprised to find that Oswald is reaching out to him from the past. He is also surprised that Oswald has a mission for him that requires being transported back into the fourteenth century. Simpson cannot resist being personally drawn into the mystery. With the exception of the main fictional characters in the story, the book is a historically accurate account of life in the fourteenth century and the politics that surrounded the throne of England.