Elizabeth Ludlow – författare

The Routledge Companion to Elizabeth Gaskell brings together twenty-five chapters by emerging and established scholars that address Gaskell’s works, networks, contexts, and legacies. Contributors draw on a range of approaches including ecocriticism, queer theory, and studies in emotion. Particular attention is paid to the intersections between race, class, gender and religion in Gaskell’s fiction, as well as to the ongoing afterlife of her work in fiction, film, web-series, and fanfiction. The Companion is divided into three parts. The first, ‘Texts’, showcases innovative readings of individual works, including well-known and much-studied novels, the biography of Charlotte Brontë, and less-familiar texts such as shorter tales, non-fiction pieces, and letters. The second part, ‘Themes’, features chapters that connect Gaskell’s novels, short fiction, journalism, and life writing in various combinations to present cutting-edge perspectives on the writer’s oeuvre in relation to many cultural and literary concerns including the built environment, material and visual culture, abolition, and the rituals of mourning. The final part, ‘Legacies’, considers the reception of Gaskell’s writings from the late nineteenth century to the present day, addressing their adaptation into multiple forms and media.With its international and comprehensive scope, this volume offers an invaluable resource which attests that Gaskell continues to be a writer worthy of substantial critical attention and signals new directions in Gaskell studies and Victorian studies more widely.

The Routledge Companion to Elizabeth Gaskell brings together twenty-five chapters by emerging and established scholars that address Gaskell's works, networks, contexts, and legacies. Contributors draw on a range of approaches including ecocriticism, queer theory, and studies in emotion. Particular attention is paid to the intersections between race, class, gender and religion in Gaskell's fiction, as well as to the ongoing afterlife of her work in fiction, film, web-series, and fanfiction. The Companion is divided into three parts. The first, 'Texts', showcases innovative readings of individual works, including well-known and much-studied novels, the biography of Charlotte Bronte, and less-familiar texts such as shorter tales, non-fiction pieces, and letters. The second part, 'Themes', features chapters that connect Gaskell's novels, short fiction, journalism, and life writing in various combinations to present cutting-edge perspectives on the writer's oeuvre in relation to many cultural and literary concerns including the built environment, material and visual culture, abolition, and the rituals of mourning. The final part, 'Legacies', considers the reception of Gaskell's writings from the late nineteenth century to the present day, addressing their adaptation into multiple forms and media.With its international and comprehensive scope, this volume offers an invaluable resource which attests that Gaskell continues to be a writer worthy of substantial critical attention and signals new directions in Gaskell studies and Victorian studies more widely.

The Routledge Companion to Elizabeth Gaskell brings together twenty-five chapters by emerging and established scholars that address Gaskell's works, networks, contexts, and legacies. Contributors draw on a range of approaches including ecocriticism, queer theory, and studies in emotion. Particular attention is paid to the intersections between race, class, gender and religion in Gaskell's fiction, as well as to the ongoing afterlife of her work in fiction, film, web-series, and fanfiction. The Companion is divided into three parts. The first, 'Texts', showcases innovative readings of individual works, including well-known and much-studied novels, the biography of Charlotte Bronte, and less-familiar texts such as shorter tales, non-fiction pieces, and letters. The second part, 'Themes', features chapters that connect Gaskell's novels, short fiction, journalism, and life writing in various combinations to present cutting-edge perspectives on the writer's oeuvre in relation to many cultural and literary concerns including the built environment, material and visual culture, abolition, and the rituals of mourning. The final part, 'Legacies', considers the reception of Gaskell's writings from the late nineteenth century to the present day, addressing their adaptation into multiple forms and media.With its international and comprehensive scope, this volume offers an invaluable resource which attests that Gaskell continues to be a writer worthy of substantial critical attention and signals new directions in Gaskell studies and Victorian studies more widely.

Through theologically-engaged close readings of her poetry and devotional prose, this book explores how Christina Rossetti draws on the Bible and encourages her Victorian readers to respond to its radical message of grace. Structured chronologically, each chapter investigates her participation in the formation of Tractarian theology and details how her interpretative strategies changed over the course of her lifetime. Revealing how her encounter with the biblical text is informed by devotional classics, Christina Rossetti and the Bible highlights the influence of Thomas a’ Kempis, John Bunyan, George Herbert and John Donne and describes how Rossetti adapted the teaching of the Ancient and Patristic Fathers and medieval mystics. It also considers the interfaces that are established between her devotional poems and the anthology and periodical pieces alongside which they were published throughout the second half of the nineteenth-century.

In the 19th century, an era that saw a reconfiguration of the relationship between the self, the world and the divine, women writers probed the theological depths of embodied faith in new ways through poetry, fiction, devotional prose and life writing.Elizabeth Ludlow explores how, through this process, they articulated what it means to pray, and thereby understand one’s place in a world of individual and communal bodies. The eight women writers discussed – Elizabeth Barrett Browning, Josephine Butler, George Eliot, Elizabeth Gaskell, Dora Greenwell, Felicia Hemans, Adelaide Procter and Christina Rossetti – provide accounts of prayer that stress that the only way to experience and respond to something of the transcendent is through embracing lived experience and through a recognition of the connectedness of all bodies.In detailing how these writers engage with new ways of thinking about faith, desire and the material world, Ludlow argues that they offer models for ethical modes of being in the world and pave the way for later theologies of embodiment.

In the 19th century, an era that saw a reconfiguration of the relationship between the self, the world and the divine, women writers probed the theological depths of embodied faith in new ways through poetry, fiction, devotional prose and life writing.Elizabeth Ludlow explores how, through this process, they articulated what it means to pray, and thereby understand one''s place in a world of individual and communal bodies. The eight women writers discussed – Elizabeth Barrett Browning, Josephine Butler, George Eliot, Elizabeth Gaskell, Dora Greenwell, Felicia Hemans, Adelaide Procter and Christina Rossetti – provide accounts of prayer that stress that the only way to experience and respond to something of the transcendent is through embracing lived experience and through a recognition of the connectedness of all bodies. In detailing how these writers engage with new ways of thinking about faith, desire and the material world, Ludlow argues that they offer models for ethical modes of being in the world and pave the way for later theologies of embodiment.

In the 19th century, an era that saw a reconfiguration of the relationship between the self, the world and the divine, women writers probed the theological depths of embodied faith in new ways through poetry, fiction, devotional prose and life writing.Elizabeth Ludlow explores how, through this process, they articulated what it means to pray, and thereby understand one''s place in a world of individual and communal bodies. The eight women writers discussed – Elizabeth Barrett Browning, Josephine Butler, George Eliot, Elizabeth Gaskell, Dora Greenwell, Felicia Hemans, Adelaide Procter and Christina Rossetti – provide accounts of prayer that stress that the only way to experience and respond to something of the transcendent is through embracing lived experience and through a recognition of the connectedness of all bodies. In detailing how these writers engage with new ways of thinking about faith, desire and the material world, Ludlow argues that they offer models for ethical modes of being in the world and pave the way for later theologies of embodiment.

In the 19th century, an era that saw a reconfiguration of the relationship between the self, the world and the divine, women writers probed the theological depths of embodied faith in new ways through poetry, fiction, devotional prose and life writing.Elizabeth Ludlow explores how, through this process, they articulated what it means to pray, and thereby understand one’s place in a world of individual and communal bodies. The eight women writers discussed – Elizabeth Barrett Browning, Josephine Butler, George Eliot, Elizabeth Gaskell, Dora Greenwell, Felicia Hemans, Adelaide Procter and Christina Rossetti – provide accounts of prayer that stress that the only way to experience and respond to something of the transcendent is through embracing lived experience and through a recognition of the connectedness of all bodies.In detailing how these writers engage with new ways of thinking about faith, desire and the material world, Ludlow argues that they offer models for ethical modes of being in the world and pave the way for later theologies of embodiment.

Through theologically-engaged close readings of her poetry and devotional prose, this book explores how Christina Rossetti draws on the Bible and encourages her Victorian readers to respond to its radical message of grace. Structured chronologically, each chapter investigates her participation in the formation of Tractarian theology and details how her interpretative strategies changed over the course of her lifetime. Revealing how her encounter with the biblical text is informed by devotional classics, Christina Rossetti and the Bible highlights the influence of Thomas a'' Kempis, John Bunyan, George Herbert and John Donne and describes how Rossetti adapted the teaching of the Ancient and Patristic Fathers and medieval mystics. It also considers the interfaces that are established between her devotional poems and the anthology and periodical pieces alongside which they were published throughout the second half of the nineteenth-century.

Through theologically-engaged close readings of her poetry and devotional prose, this book explores how Christina Rossetti draws on the Bible and encourages her Victorian readers to respond to its radical message of grace. Structured chronologically, each chapter investigates her participation in the formation of Tractarian theology and details how her interpretative strategies changed over the course of her lifetime. Revealing how her encounter with the biblical text is informed by devotional classics, Christina Rossetti and the Bible highlights the influence of Thomas a’ Kempis, John Bunyan, George Herbert and John Donne and describes how Rossetti adapted the teaching of the Ancient and Patristic Fathers and medieval mystics. It also considers the interfaces that are established between her devotional poems and the anthology and periodical pieces alongside which they were published throughout the second half of the nineteenth-century.

Through theologically-engaged close readings of her poetry and devotional prose, this book explores how Christina Rossetti draws on the Bible and encourages her Victorian readers to respond to its radical message of grace. Structured chronologically, each chapter investigates her participation in the formation of Tractarian theology and details how her interpretative strategies changed over the course of her lifetime. Revealing how her encounter with the biblical text is informed by devotional classics, Christina Rossetti and the Bible highlights the influence of Thomas a'' Kempis, John Bunyan, George Herbert and John Donne and describes how Rossetti adapted the teaching of the Ancient and Patristic Fathers and medieval mystics. It also considers the interfaces that are established between her devotional poems and the anthology and periodical pieces alongside which they were published throughout the second half of the nineteenth-century.

The nineteenth-century present explores the multiple ways in which history was understood, structured, and reassessed in literary, theological, and political contexts across the nineteenth century. While the scope of the book is wide, ranging from the representations of geological time and ancient history to the writing of the recent past, and covering the work of writers from Walter Scott to G.K. Chesterton, each chapter reveals how present concerns intrude on and shape every view of history. Ultimately, the collection emphasises that issues raised regarding historicity in recent methodological debates were already concerns in the nineteenth century.

The nineteenth-century present explores the multiple ways in which history was understood, structured, and reassessed in literary, theological, and political contexts across the nineteenth century. While the scope of the book is wide, ranging from the representations of geological time and ancient history to the writing of the recent past, and covering the work of writers from Walter Scott to G.K. Chesterton, each chapter reveals how present concerns intrude on and shape every view of history. Ultimately, the collection emphasises that issues raised regarding historicity in recent methodological debates were already concerns in the nineteenth century.

This book is an interdisciplinary collection of essays that explores the variety ofways in which the interface between understanding the figure of Christ, theplace of the cross, and the contours of lived experience, was articulated throughthe long nineteenth century. Collectively, the chapters respond to thetheological turn in postmodern thought by asking vital questions about the wayin which representations of Christ shape understandings of personhood and ofthe divine.