Perhaps there is no other region in the world that has been more radically altered in terms of human and botanic migration, transplantation, and settlement than the Caribbean. Theorists such as Edouard Glissant argue that the dialectic between Caribbean ""nature"" and ""culture,"" engendered by this unique and troubled history, has not heretofore been brought into productive relation. ""Caribbean Literature and the Environment"" redresses this omission by gathering together eighteen essays that consider the relationship between human and natural history. The result is the first volume to examine the literatures of the Caribbean from an ecocritical perspective in all language areas of the region. In its exploration of the relationship between nature and culture, this collection focuses on four overlapping themes: how Caribbean texts inscribe the environmental impact of colonial and plantation economies; how colonial myths of edenic and natural origins are revisioned; what the connections are between histories of biotic and cultural creolization; and how a Caribbean aesthetics might usefully articulate a means to preserve sustainability in the context of tourism and globalization. By creating a dialogue between the growing field of ecological literary studies, which has primarily been concerned with white settler narratives, and Caribbean cultural production, especially the region's negotiation of complex racial and ethnic legacies, these essays explore the ways in which the history of transplantation and settlement has provided unique challenges and opportunities for establishing a sense of place and an environmental ethic in the Caribbean. The volume includes an extensive introduction by the editors and essays by Antonio Benitez-Rojo, Derek Walcott, Wilson Harris, Cyril Dabydeen, Helen Tiffen, Hena Maes-Jelinek, and Lizabeth Paravisini-Gebert, among others, as well as interviews with Walcott and Raphael Confiant. It will appeal to all those interested in Caribbean, literary, and ecocritical studies.

In Allegories of the Anthropocene Elizabeth M. DeLoughrey traces how indigenous and postcolonial peoples in the Caribbean and Pacific Islands grapple with the enormity of colonialism and anthropogenic climate change through art, poetry, and literature. In these works, authors and artists use allegory as a means to understand the multiscalar complexities of the Anthropocene and to critique the violence of capitalism, militarism, and the postcolonial state. DeLoughrey examines the work of a wide range of artists and writers-including poets Kamau Brathwaite and Kathy JetÑil-Kijiner, Dominican installation artist Tony CapellÁn, and authors Keri Hulme and Erna Brodber-whose work addresses Caribbean plantations, irradiated Pacific atolls, global flows of waste, and allegorical representations of the ocean and the island. In examining how island writers and artists address the experience of finding themselves at the forefront of the existential threat posed by climate change, DeLoughrey demonstrates how the Anthropocene and empire are mutually constitutive and establishes the vital importance of  allegorical art and literature in understanding our global environmental crisis.

Perhaps there is no other region in the world that has been more radically altered in terms of human and botanic migration, transplantation, and settlement than the Caribbean. Theorists such as Edouard Glissant argue that the dialectic between Caribbean ""nature"" and ""culture,"" engendered by this unique and troubled history, has not heretofore been brought into productive relation. ""Caribbean Literature and the Environment"" redresses this omission by gathering together eighteen essays that consider the relationship between human and natural history. The result is the first volume to examine the literatures of the Caribbean from an ecocritical perspective in all language areas of the region. In its exploration of the relationship between nature and culture, this collection focuses on four overlapping themes: how Caribbean texts inscribe the environmental impact of colonial and plantation economies; how colonial myths of edenic and natural origins are revisioned; what the connections are between histories of biotic and cultural creolization; and how a Caribbean aesthetics might usefully articulate a means to preserve sustainability in the context of tourism and globalization. By creating a dialogue between the growing field of ecological literary studies, which has primarily been concerned with white settler narratives, and Caribbean cultural production, especially the region's negotiation of complex racial and ethnic legacies, these essays explore the ways in which the history of transplantation and settlement has provided unique challenges and opportunities for establishing a sense of place and an environmental ethic in the Caribbean. The volume includes an extensive introduction by the editors and essays by Antonio Benitez-Rojo, Derek Walcott, Wilson Harris, Cyril Dabydeen, Helen Tiffen, Hena Maes-Jelinek, and Lizabeth Paravisini-Gebert, among others, as well as interviews with Walcott and Raphael Confiant. It will appeal to all those interested in Caribbean, literary, and ecocritical studies.

In Allegories of the Anthropocene Elizabeth M. DeLoughrey traces how indigenous and postcolonial peoples in the Caribbean and Pacific Islands grapple with the enormity of colonialism and anthropogenic climate change through art, poetry, and literature. In these works, authors and artists use allegory as a means to understand the multiscalar complexities of the Anthropocene and to critique the violence of capitalism, militarism, and the postcolonial state. DeLoughrey examines the work of a wide range of artists and writers-including poets Kamau Brathwaite and Kathy JetÑil-Kijiner, Dominican installation artist Tony CapellÁn, and authors Keri Hulme and Erna Brodber-whose work addresses Caribbean plantations, irradiated Pacific atolls, global flows of waste, and allegorical representations of the ocean and the island. In examining how island writers and artists address the experience of finding themselves at the forefront of the existential threat posed by climate change, DeLoughrey demonstrates how the Anthropocene and empire are mutually constitutive and establishes the vital importance of  allegorical art and literature in understanding our global environmental crisis.