Elizabeth Parker – författare

Originally published in 1977, the chapters in this volume offer a concise review of the research and new direction in the study of alcohol and cognition at the time. Each chapter has been prepared by an eminent researcher who was currently involved in investigating human cognitive behaviour. The chapters contain not just a dry summary of work done in the field, but descriptions of the impetus for the work that was done, problems in doing such work, knowledge that was gained, and suggestions for future research.

Many new approaches are presented for the study of alcohol and memory, and for the understanding of results of studies already done. This was a forward-looking volume not only about directions for future research, but with solid contributions that review and integrate major areas of inquiry on the influence of alcohol on memory and behaviour at the time.

Originally published in 1977, the chapters in this volume offer a concise review of the research and new direction in the study of alcohol and cognition at the time. Each chapter has been prepared by an eminent researcher who was currently involved in investigating human cognitive behaviour. The chapters contain not just a dry summary of work done in the field, but descriptions of the impetus for the work that was done, problems in doing such work, knowledge that was gained, and suggestions for future research.

Many new approaches are presented for the study of alcohol and memory, and for the understanding of results of studies already done. This was a forward-looking volume not only about directions for future research, but with solid contributions that review and integrate major areas of inquiry on the influence of alcohol on memory and behaviour at the time.

In August 2009, former madam Dalia Dippolito conspired with a hit man to arrange her ex-con husband’s murder. Days later, it seemed as if all had gone according to plan. The beautiful young Dalia came home from her health club to an elaborate crime scene, complete with yellow tape outlining her townhome and police milling about. When Sgt. Frank Ranzie of the Boynton Beach, Florida, police informed her of her husband Michael’s apparent murder, the newlywed Dippolito can be seen on surveillance video collapsing into the cop’s arms, like any loving wife would do. The only thing missing from her performance were actual tears.

And the only thing missing from the murder scene was an actual murder.

Tipped off by one of Dalia’s lovers, an undercover detective posing as a hit man met with Dalia to plot her husband’s murder while his team planned, then staged, the murder scenario—brazenly inviting the reality TV show Cops along for the ride. The Cops video went viral, sparking a media frenzy: twisted tales of illicit drugs, secret boyfriends, sex-for-hire, a cuckolded former con man, and the defense’s ludicrous claim that the entire hit had been staged by the intended victim for reality TV fame.

In Poison Candy, case prosecutor Elizabeth Parker teams with bestselling crime writer Mark Ebner to take listeners behind and beyond the courtroom scenes with astonishing never-before-revealed facts, whipsaw plot twists, and exclusive details far too lurid for the trial that led to twenty years in state prison for Dalia Dippolito.

This book offers the first full length study on the pervasive archetype of The Gothic Forest in Western culture. The idea of the forest as deep, dark, and dangerous has an extensive history and continues to resonate throughout contemporary popular culture. The Forest and the EcoGothic examines both why we fear the forest and how exactly these fears manifest in our stories. It draws on and furthers the nascent field of the ecoGothic, which seeks to explore the intersections between ecocriticism and Gothic studies. In the age of the Anthropocene, this work importantly interrogates our relationship to and understandings of the more-than-human world. This work introduces the trope of the Gothic forest, as well as important critical contexts for its discussion, and examines the three main ways in which this trope manifests: as a living, animated threat; as a traditional habitat for monsters; and as a dangerous site for human settlement. This book will appeal to students and scholars with interests in horror and the Gothic, ecohorror and the ecoGothic, environmentalism, ecocriticism, and popular culture more broadly. The accessibility of the subject of ‘The Deep Dark Woods’, coupled with increasingly mainstream interests in interactions between humanity and nature, means this work will also be of keen interest to the general public.