Elizabeth R. Macaulay – författare

Chicago's Columbian Exposition of 1893 celebrated the quadricentennial of Columbus's 'discovery" of the Americas by creating a fantastical white city composed of Roman triumphal arches and domes, Corinthian colonnades, and Egyptian obelisks. World's fairs were among the most important cultural, socio-economic, and political phenomena of the nineteenth and twentieth centuries: millions visited hoping to understand the modernity and progress of these cities and the nascent superpower of the United States. But what they found was often a representation of the past. From 1893 to 1915, ancient Greco-Roman and Egyptian architecture was deployed to create immersive environments at Chicago, Nashville, Omaha, St. Louis, and San Francisco. The seemingly endless adaptations of ancient architecture at these five fairs demonstrated that ancient architecture can symbolize and transmit the complex-and often paradoxical or contradictory-ideas that defined the United States at the turn of the twentieth century and still endure today.

Chicago's Columbian Exposition of 1893 celebrated the quadricentennial of Columbus's 'discovery" of the Americas by creating a fantastical white city composed of Roman triumphal arches and domes, Corinthian colonnades, and Egyptian obelisks. World's fairs were among the most important cultural, socio-economic, and political phenomena of the nineteenth and twentieth centuries: millions visited hoping to understand the modernity and progress of these cities and the nascent superpower of the United States. But what they found was often a representation of the past. From 1893 to 1915, ancient Greco-Roman and Egyptian architecture was deployed to create immersive environments at Chicago, Nashville, Omaha, St. Louis, and San Francisco. The seemingly endless adaptations of ancient architecture at these five fairs demonstrated that ancient architecture can symbolize and transmit the complex-and often paradoxical or contradictory-ideas that defined the United States at the turn of the twentieth century and still endure today.

This book investigates why nations with rich archaeological pasts like Egypt, Greece, and Jordan gave important antiquities—often unique, rare, and highly valued monuments—to New York City, New York Institutions, and the United States from 1879 to 1965. In addition to analyzing the givers’ motivations, the author examines why New Yorkers and Americans coveted such objects. The book argues that these gifted antiquities function as archaeological ambassadors and that the objects given were instruments of cultural diplomacy. These gifts sought to advance the goals of Egypt, Greece, and Jordan—all states that had rich cultural and archaeological heritages—with the United States, once an ascendent nation and then a global superpower, to strengthen cultural, economic, and political relations.