Elizabeth Stephens – författare

He’s a villain looking for a hero rebrand. She’s the marketing genius who can make it happen in this fantastical romantic comedy by the author of the Beasts of Gatamora series.

Over two decades ago, forty-eight young, gifted superheroes fell to Earth and were eventually marketed as opposing brands: heroes and villains. Now, one exceptionally gruff bad guy is looking to hop teams. Hello, PR director Vanessa Theriot.

His real name is Roland Casteel a.k.a. the Pyro. First, swap that with the less incinerating the Wyvern. Next, put him in spandex to highlight that near-godlike body. Finally, give that hero in training a heroine—if Vanessa will play the part in a pretend romance guaranteed to make the city swoon. She’s game. As shy as Vanessa is, it’s her job to be Roland’s very own Lois Lane. Who knew that fake dating would change their worlds?

But falling head over heels for real makes for a dangerous shift in the narrative. A monstrous supervillain is bringing out Roland’s bad side again. This time, it’s to save a woman who, against all the odds, is becoming the human love of his superhero life.

What is ‘life’ and how do we define its boundaries? Is life immeasurable or are there levels of ‘liveliness’? How should we relate to entities that are not technically alive at all? As the world becomes increasingly technologized, questions about what counts as ‘life’ and ‘living’ have become a key field of inquiry in contemporary philosophical and arts discourse. As Mel Chen acknowledges in Animacies (2012), the "continued rethinking of life and death’s proper boundaries" has increasingly been recognized as a priority in twenty-first-century North American, European and Australasian critical theory. Indeed, the contributors of this volume go as far as to argue that the question of life has become the central problematic of recent feminist biopolitics, alongside discussions of scientific ethics and technological/organic power relationships.

This volume explores points of intersection and divergence between critical conceptions of time and technology, drawing on a range of perspectives and approaches to examine our mediated and material embodied entanglements with key questions about life and death. It is a significant new contribution to the study of corporeality in gender studies and feminism, and will be of interest to academics, researchers and advanced students of philosophy, gender studies, literary theory, and politics.

It was originally published as a special issue of Australian Feminist Studies.

What is ‘life’ and how do we define its boundaries? Is life immeasurable or are there levels of ‘liveliness’? How should we relate to entities that are not technically alive at all? As the world becomes increasingly technologized, questions about what counts as ‘life’ and ‘living’ have become a key field of inquiry in contemporary philosophical and arts discourse. As Mel Chen acknowledges in Animacies (2012), the "continued rethinking of life and death’s proper boundaries" has increasingly been recognized as a priority in twenty-first-century North American, European and Australasian critical theory. Indeed, the contributors of this volume go as far as to argue that the question of life has become the central problematic of recent feminist biopolitics, alongside discussions of scientific ethics and technological/organic power relationships.

This volume explores points of intersection and divergence between critical conceptions of time and technology, drawing on a range of perspectives and approaches to examine our mediated and material embodied entanglements with key questions about life and death. It is a significant new contribution to the study of corporeality in gender studies and feminism, and will be of interest to academics, researchers and advanced students of philosophy, gender studies, literary theory, and politics.

It was originally published as a special issue of Australian Feminist Studies.