Elizabeth Stuckey-French – författare

More than a quarter million copies sold!A creative writer’s shelf should hold at least three essential books: a dictionary, a style guide, and Writing Fiction. Janet Burroway’s best-selling classic is the most widely used creative writing text in America, and for more than three decades it has helped hundreds of thousands of students learn the craft. Now in its tenth edition, Writing Fiction is more accessible than ever for writers of all levels—inside or outside the classroom.This new edition continues to provide advice that is practical, comprehensive, and flexible. Burroway’s tone is personal and nonprescriptive, welcoming learning writers into the community of practiced storytellers. Moving from freewriting to final revision, the book addresses “showing not telling,” characterization, dialogue, atmosphere, plot, imagery, and point of view. It includes new topics and writing prompts, and each chapter now ends with a list of recommended readings that exemplify the craft elements discussed, allowing for further study. And the examples and quotations throughout the book feature a wide and diverse range of today’s best and best-known creators of both novels and short stories.This book is a master class in creative writing that also calls on us to renew our love of storytelling and celebrate the skill of writing well. There is a very good chance that one your favorite authors learned the craft with Writing Fiction. And who knows what future favorite will get her start reading this edition?

With the stories in her first collection, Elizabeth Stuckey-French establishes herself as a smart new voice in American fiction and stakes her claim to a territory somewhere on the edge of stability, where normal is not just boring but nearly impossible, and where standing out in a crowd may just cause isolation.Her characters, mostly Midwesterners, are bizarre but endearing. A reform school graduate is placed in the care of her psychic aunt and in the servitude of a lucrative dog retrieval scheme. A mother who has accepted her son’s modest employment selling blue jeans bemoans the above-board lifestyle she discovers him leading as a wanted criminal. A rehab counselor lives vicariously through her already pregnant stepdaughter’s love affair with a drunk who spends his days in recovery and his nights in the bar.Full of wry wit, tender sympathy, and heartland attitude, The First Paper Girl in Red Oak, Iowa is as strange, funny, and poignant as the real world it resembles.From the Trade Paperback edition.

This lively, intricately plotted, laugh-out-loud funny, and surprisingly touching family drama combines the wit of Carl Hiaasen with the southern charm of Jill McCorkle. Seventy-seven-year-old Marylou Ahearn is going to kill Dr. Wilson Spriggs come hell or high water. In 1953, he gave her a radioactive cocktail without her consent as part of a secret government study that had horrible consequences. Marylou has been plotting her revenge for fifty years. When she accidentally discovers his whereabouts in Florida, her plans finally snap into action. She high tails it to hot and humid Tallahassee, moves in down the block from where a now senile Spriggs lives with his daughter’s family, and begins the tricky work of insinuating herself into their lives. But she has no idea what a nest of yellow jackets she is stum­bling into. Before the novel is through, someone will be kidnapped, an unlikely couple will get engaged, someone will nearly die from eating a pineapple upside-down cake laced with anti-freeze, and that’s not all . . . Told from the varied perspectives of an incredible cast of endearing oddball characters and written with the flair of a native Floridian, this dark comedy does not disappoint.From the Hardcover edition.