Elizabeth Willis – författare

LONGLISTED FOR THE 2024 NATIONAL BOOK AWARD FOR POETRY“To disrupt the relationship of predator and prey, to reshape one’s relation to power, is to renovate the lived and living world,” Elizabeth Willis writes in her visionary work that delves deep into the ancient enchantments and disciplinary displays of the circus. Liontaming in America investigates the utopian aspirations fleetingly enacted in the polyamorous life of a nineteenth-century Mormon community, interweaving archival and personal threads with the histories of domestic labor, extraction economies, and the performance of family in theater, film, and everyday life.Lines reverberate between worldliness and devotion, between Peter Pan and Close Encounters, between Paul Robeson and Maude Adams, between leaps of faith and passionate alliances, between everyday tragedy and imaginative social possibility. As Willis writes in her afterword to the book, “The repeated unmaking and remaking of America, as a concept and as an ongoing textual project, is not impossible. It is happening all the time.”

Elizabeth Willis's new collection is a stunning collision of the pastoral tradition with the politics of the post-industrial age. These poems are allusive and tough. While they celebrate the pleasures of the natural world-mutability, desire, and the flowering of things-they are compounded by a critical awareness of contemporary culture. As we traverse their associative leaps, we discover a linguistic landscape that is part garden, part wilderness, where a poem can perform its own natural history. Divided into four cantos interrupted by lyrics and errata, Meteoric Flowers mirrors the form of Erasmus Darwin's 18th-century scientific pastorals. In attending to poetry's investigative potential, Willis shifts our attention from product to process, from commodity to exchange, from inherited convention to improvisational use.

Australians have always loved a good show, as this new collection of essays demonstrates. The significance of exhibitions goes beyond mere entertainment. From the 1850s to the present, exhibitions have been a marketing tool for Australia’s advancements in global trade, migration and tourism. They have also been powerful vehicles for conspicuous consumption, civic progress, social status, and identity – be it local, national or international.This multi-disciplinary collection presents new research on a fascinating variety of exhibitions from nineteenth-century World Fairs to late twentieth-century Expos. Contributors are leading museum professionals and academics from a range of disciplines including art history, the history of design, literary studies, indigenous history, cultural and social history and the history of science.Seize the Day examines the complex role of exhibitions within Australia’s cultural, commercial and artistic histories. Exhibitions are dynamic sites for the construction of national identities and international collaborations, the showcasing of collecting and exhibiting practices, and the expression and contestation of race and gender. Detailed case studies explore the many facets of exhibitions – from ethnographic display to artistic competition to intercolonial rivalry – to reveal their politics, personalities and astonishingly rich material culture.As the first book to address the exhibition movement in Australia in the nineteenth and twentieth centuries, Seize the Day will become the standard collection on this topic for years to come.