Elizabeth Wilson – författare

Mstislav Rostropovich, internationally recognised as one of the world's finest cellists and musicians, has always maintained that teaching is an important responsibility for great artists. Before his emigration in 1974 from Russia to the West, Rostropovich taught several generations of the brightest Russian talents - as Professor of the Moscow Conservatoire - over a continuous period of two decades. His students included such artists as Jacqueline du Pré, Nataliyia Gutman, Karine Georgian, Ivan Monighetti and many others Rostropovich's teaching represented not only his individual approach to cello repertoire and instrumental technique, but also comprised a philosophy of life. As soon as he returned from his frequent concert tours, he would launch himself with whirlwind energy into his teaching activities. His lessons, which were conducted as open masterclasses , were awaited eagerly as an event of huge importance. Class 19 of the Moscow Conservatoire, where they were held, was usually packed with students (violinists , conductors and pianists as well as cellists). Often other professors dropped in, as did visiting musicians. The lessons were performances in themselves: Rostropovich - usually seated at the piano - cajoled and inspired his students to give the best of themselves. His comments went far beyond correcting the students in making them understand the essence of the work they were playing. Often this was done through striking imagery, and as such the lessons were addressed to the wider audience present in the classroom as well as to the individual student. Drawing from her own vivid reminiscences and those of ex-students, documents from the Moscow Conservatoire and extensive interviews with Rostropovich himself , Elizabeth Wilson's book sets out to define his teaching, and to recapture the atmosphere of the conservatoire and Moscow's musical life.

Shostakovich: A Life Remembered is a unique study of the great composer Dmitri Shostakovich, based on reminiscences from his contemporaries: family members, friends, fellow musicians and other prominent figures of the time. Elizabeth Wilson covers the composer's life from his early successes to his struggles under the Stalinist regime, and his international recognition as one of the leading composers of the 20th century. She builds up a detailed picture of Shostakovich's creative processes, how he was perceived by contemporaries and of the increased contrast between his private life and public image as his fame increased.This revised edition, produced to coincide with the centenary of Shostakovich's birth, draws on many new writings on the composer. This provides both a more detailed and focused image of Shostakovich's life, and a wider view of his cultural background. A particular aspect of Shostakovich which is revealed in this new edition is his sardonic and witty sense of humour, displayed in many of his letters to close friends. Shostakovich: A Life Remembered provides fascinating insight into the complex personality and the musical life of this great composer, and examines his position as one of the major figures of cultural life in 20th century Russia.

 

This book will help to improve confidence and help part-time and distance learning students to build on the skills and experience gained at work.  Throughout the book examples are included using real life case studies drawn from the experiences of students who have been successful in achieving their degree without giving up their job.

The first full biography of the fearless and brilliant Maria Yudina, a legendary pianist who was central to Russian intellectual life  “Playing with Fire is a ground-breaking work—a phenomenal biography of a towering human spirit of everlasting relevance.”—Norman Lebrecht, Wall Street Journal  Maria Yudina was no ordinary musician. An incredibly popular pianist, she lived on the fringes of Soviet society and had close friendships with such towering figures as Boris Pasternak, Pavel Florensky, and Mikhail Bakhtin. Legend has it that she was Stalin’s favorite pianist.  Yudina was at the height of her fame during WWII, broadcasting almost daily on the radio, playing concerts for the wounded and troops in hospitals and on submarines, and performing for the inhabitants of besieged Leningrad. By the last years of her life, she had been dismissed for ideological reasons from the three institutions where she taught. And yet, according to Shostakovich, Yudina remained “a special case. . . . The ocean was only knee-deep for her.”  In this engaging biography, Elizabeth Wilson sets Yudina’s extraordinary life within the context of her times, where her musical career is measured against the intense intellectual and religious ferment of the postrevolutionary period and the ensuing years of Soviet repression.

Study Skills for Foundation Degrees offers a step-by-step guide to the skills needed to successfully complete a Foundation Degree. Filled with activities and useful tips, it will help students to move from nervous novice to confident expert and provide them with the necessary tools to accomplish this. By reading this book, students will be able to learn new skills and enhance existing ones. This third edition has been fully updated and features new chapters on e-learning and dissertations as well as expanded sections on ethics, feedback and referencing. Each chapter includes practical guidance as well as student perspectives that will help students through their course of study. It includes advice on how to support learning, boost motivation and enhance time management, and covers all the essential skills required for successful study, including: Effective reading and note-taking strategies Developing oral skills in a wide range of presentation settings, including what makes a good presentation and how each stage of the process can be prepared for Carrying out well-planned, methodologically sound and well-written research Preparing for examinations and other forms of assessment Producing a professional development portfolio or winning CV Highly accessible, this new edition is an essential resource for all Foundation Degree students who want to get the most out of their course, mature students or anyone with limited or no experience of academic study.

Study Skills for Foundation Degrees offers a step-by-step guide to the skills needed to successfully complete a Foundation Degree. Filled with activities and useful tips, it will help students to move from nervous novice to confident expert and provide them with the necessary tools to accomplish this. By reading this book, students will be able to learn new skills and enhance existing ones. This third edition has been fully updated and features new chapters on e-learning and dissertations as well as expanded sections on ethics, feedback and referencing. Each chapter includes practical guidance as well as student perspectives that will help students through their course of study. It includes advice on how to support learning, boost motivation and enhance time management, and covers all the essential skills required for successful study, including: Effective reading and note-taking strategies Developing oral skills in a wide range of presentation settings, including what makes a good presentation and how each stage of the process can be prepared for Carrying out well-planned, methodologically sound and well-written research Preparing for examinations and other forms of assessment Producing a professional development portfolio or winning CV Highly accessible, this new edition is an essential resource for all Foundation Degree students who want to get the most out of their course, mature students or anyone with limited or no experience of academic study.

Spatial planning has a vital role to play in the move to a low carbon energy future and in adapting to climate change. To do this, spatial planning must develop and implement new approaches. Elizabeth Wilson and Jake Piper explore a wide range of issues in this comprehensive book on the relationship between our changing climate and spatial planning, and suggest ways of addressing the challenges by taking a longer-sighted approach to our preparation for the future. This text includes:an overview of what we know already about future climate change and its impacts, as we attempt both to adapt to these changes and to reduce the emissions which cause themthe role of spatial planning in relation to climate change, offering some theoretical and political explanations for the challenges that planning faces in the coming decadesa review of policy and legislation at international, EU and UK levels in regard to climate change, and the support this gives to the planning systemcase studies detailing what responses the UK and the Netherlands have made so far in light of the evidenceways to help new and existing urban developments to reduce energy use and to adapt to climate change, through strengthening the relationships between urban and rural areas to avoid water shortage, floods or loss of biodiversity.The authors take an evidence-based look at this hugely important topic, providing a well-illustrated text for spatial planning professionals, politicians and the interested public, as well as a useful reference for postgraduate planning, geography, urban studies, urban design and environmental studies students.

Spatial planning has a vital role to play in the move to a low carbon energy future and in adapting to climate change. To do this, spatial planning must develop and implement new approaches. Elizabeth Wilson and Jake Piper explore a wide range of issues in this comprehensive book on the relationship between our changing climate and spatial planning, and suggest ways of addressing the challenges by taking a longer-sighted approach to our preparation for the future. This text includes:an overview of what we know already about future climate change and its impacts, as we attempt both to adapt to these changes and to reduce the emissions which cause themthe role of spatial planning in relation to climate change, offering some theoretical and political explanations for the challenges that planning faces in the coming decadesa review of policy and legislation at international, EU and UK levels in regard to climate change, and the support this gives to the planning systemcase studies detailing what responses the UK and the Netherlands have made so far in light of the evidenceways to help new and existing urban developments to reduce energy use and to adapt to climate change, through strengthening the relationships between urban and rural areas to avoid water shortage, floods or loss of biodiversity.The authors take an evidence-based look at this hugely important topic, providing a well-illustrated text for spatial planning professionals, politicians and the interested public, as well as a useful reference for postgraduate planning, geography, urban studies, urban design and environmental studies students.

Women and the Welfare State approaches the question of welfare policy from an entirely fresh perspective. In it the author argues that an appreciation of the way in which women are defined by welfare policies, and have been since the beginnings of the Industrial Revolution, is essential to a true understanding of the nature of those policies and of the Welfare State. An important, possible the most important, function of welfare policy has been to promote and retain a particular form of the family; indeed, one can define the Welfare State as the State organization of domestic life.To illustrate her arguments the author looks at the development of State welfare intervention from the early nineteenth century to the present day and relates it to the changing position of women, children, and of the family. The traditional Marxist view is modified by a theory of the position of women and by relating changing welfare policies and beliefs about welfare both to the women’s movements of the past century and to the ideas and theories of the contemporary Women’s Liberation Movement.In her approach Elizabeth Wilson argues – uniquely among writers on the Welfare State – for an emphasis on the ideology of welfare.

Elizabeth Wilson's elegant, provocative, and scholarly study uses fiction, essays, film, and art, as well as history and sociology, to look at some of the world's greatest cities - London, Paris, Moscow, New York, Chicago, Lusaka, and Sao Paulo - and presents a powerful critique of utopian planning, anti-urbanism, postmodernism, and traditional architecture. For women the city offers freedom, including sexual freedom, but also new dangers. Planners and reformers have repeatedly attempted to regulate women - and the working class and ethnic minorities - by means of grandiose, utopian plans, nearly destroying the richness of urban culture. City centers have become uninhabited business districts, the countryside suburbanized. There is danger without pleasure, consumerism without choice, safety without stimulation. What is needed is a new understanding of city life and Wilson gives us an intriguing introduction to what this might be.

Authorized by du Pré's husband, Daniel Barenboim, this is the fullest account yet of the life of the brilliant cellist, struck down in her prime by multiple sclerosis. Charting her career from her early identification with the sound of the cello, through her début at sixteen to the achievement of international stardom by her early twenties, Elizabeth Wilson examines the origins and nature of Jackie's prodigious talent - having talked to nearly everyone in musical circles who knew her well - and assesses her lasting importance as an interpreter. She describes her transformation from coltish girl to woman, and her marriage to the brilliant Daniel Barenboim, concluding with a sensitive account of du Pré's decline, when, no longer able to play, she struggled bravely against the ravages of her illness, until her death in 1987.

In this book, one of the most accomplished and thoughtful cultural commentators of the day, considers the contradictory nature of cultural relations. Elizabeth Wilson explores these themes through an examination of fashion, feminism, consumer culture, representation and postmodernism. Debates within feminism on the nature and effects of pornography are used to illustrate a particular kind of cultural contradiction. Wilson recognizes that postmodernism permitted the reappropriation of subjects that were not previously considered worthy of attention, or opposed to the idea of emancipation, chief among these was fashion. She shows that the association of an interest in this culturally significant subject with a revisionist project raises doubts about the coherence of postmodernism itself.

Women and the Welfare State approaches the question of welfare policy from an entirely fresh perspective. In it the author argues that an appreciation of the way in which women are defined by welfare policies, and have been since the beginnings of the Industrial Revolution, is essential to a true understanding of the nature of those policies and of the Welfare State. An important, possible the most important, function of welfare policy has been to promote and retain a particular form of the family; indeed, one can define the Welfare State as the State organization of domestic life.To illustrate her arguments the author looks at the development of State welfare intervention from the early nineteenth century to the present day and relates it to the changing position of women, children, and of the family. The traditional Marxist view is modified by a theory of the position of women and by relating changing welfare policies and beliefs about welfare both to the women�s movements of the past century and to the ideas and theories of the contemporary Women�s Liberation Movement.In her approach Elizabeth Wilson argues � uniquely among writers on the Welfare State � for an emphasis on the ideology of welfare.

When "Adorned in Dreams" was first published in 1985, Angela Carter described the book as 'the best I have read on the subject, bar none'. Elizabeth Wilson traces the social and cultural history of fashion and its complex relationship to modernity. Wilson delights in the power of fashion to mark out identity or to subvert it and this brand new edition of her book follows recent developments to bring the story of fashionable dress up to date, exploring the grunge look inspired by bands like Nirvana, the 'boho chic' of the mid 90's, retro-dressing and the meanings of dress from the veil to Beck's pink-varnished toenails.

Shortlisted for the Association of Dress Historians Book of the Year Award, 2024In 2022, it was reported that plus-sizes accounted for nearly twenty percent of all women’s apparel sales in the United States and was one of the industry’s few growth sectors. For many, this news seemed to herald a remarkably inclusive turn for an industry that long bartered in exclusivity. Yet the recent success of plus-size fashion obscures a rather complicated history–one that can be traced back over a century, and which illuminates the fraught relationship between fashion, fat, and weight bias in American culture.Although many regard fat as a malady of the present, in the early twentieth century it was estimated that more than one-third of American women classified as “overweight.” While modern weight bias had yet to fully cement itself in the American imaginary, the limitations of mass garment manufacturing coupled with the ascendent slender beauty ideal had already relegated larger women to fashion’s peripheries. By 1915, however, fashion forecasters predicted that so-called “stoutwear” was well positioned to become one of the most lucrative subsectors of the burgeoning ready-to-wear trade. In the years that followed, stoutwear manufacturers set out to create more space for the fat woman in fashion but, in doing so, revealed an ancillary motivation: that of how to design fat out of existence altogether.Fashion Before Plus-Size considers what came “before” plus-size fashion while also shedding new light on the ways that the fashion industry not only perpetuates but produces weight bias. By situating stoutwear at the confluence of mass manufacturing, beauty ideals, standardized sizing, health discourse, and consumer culture, this book exposes the flawed foundations upon which the contemporary plus-size fashion industry has been built.

"Fascinating." Perspective “A fascinating, often funny, and eminently stylish personal memoir … I loved it.” - Chris Breward, author of The Suit“Wide-ranging, thought-provoking and important.” - Claire Wilcox, author of Patch WorkElizabeth Wilson is a pioneer of fashion studies, yet she never intended to become an academic. Starting her literary career as a feminist activist writing for the underground press, she went on to explore tennis, ‘bohemians’ and of course fashion – her obsession – along with forays into fiction. Throughout, she has never seen her work as abstract or disengaged from ‘real life’. In her memoir, she traces this relationship between personal experience and her writing, revisiting pivotal moments from childhood, adolescence and adult life to explore her belief that research, by its nature, is always a form of autobiography. She unfolds the garment of her life in a wide-ranging exploration of scenes from her past: her difficult relationship with her mother, fashion in the 60s and gay liberation. In this journey through time she shows how experiences are inseparable from the way we seek to explain and understand them, offering a unique and deeply personal account of her – and our – cultural world.

Shortlisted for the Millia Davenport Publication Award.Experimental Fashion traces the proliferation of the grotesque and carnivalesque within contemporary fashion and the close relation between fashion and performance art, from Lady Gaga's raw meat dress to Leigh Bowery's performance style. The book examines the designers and performance artists at the turn of the 21st century whose work challenges established codes of what represents the fashionable body. These innovative people, the book argues, make their challenges through dynamic strategies of parody, humour and inversion. It explores the experimental work of modern designers such as Georgina Godley, Bernhard Willhelm, Rei Kawakubo and fashion designer, performance artist, and club figure Leigh Bowery. It also discusses the increased centrality of experimental fashion through the pop phenomenon, Lady Gaga.

Filling a gap in Eastern European fashion studies, this book presents middle-class women consuming fashion in the symbolic ‘Little Paris’ of interwar Bucharest, and examines how their material and cultural means supported the city’s modernisation. Combining archival research with personal archaeology, this interdisciplinary work explores Romania’s reinvention as a modern state, focusing on middle-class women as they lived their lives - walking through the streets, at lavish events, at cafes and clubs, shopping, and working. Analysing largely unseen, unused written and visual texts, The Women of 'Little Paris' encourages exploration of new avenues for research, uniting scholars of Romanian culture, history and fashion and guiding readers through a forgotten, little explored world and, in so doing, adds to our understanding and knowledge of the global image of interwar fashion cultures and the emerging field of Romanian fashion studies.

Filling a gap in Eastern European fashion studies, this book presents middle-class women consuming fashion in the symbolic ‘Little Paris’ of interwar Bucharest, and examines how their material and cultural means supported the city’s modernisation. Combining archival research with personal archaeology, this interdisciplinary work explores Romania’s reinvention as a modern state, focusing on middle-class women as they lived their lives - walking through the streets, at lavish events, at cafes and clubs, shopping, and working. Analysing largely unseen, unused written and visual texts, The Women of 'Little Paris' encourages exploration of new avenues for research, uniting scholars of Romanian culture, history and fashion and guiding readers through a forgotten, little explored world and, in so doing, adds to our understanding and knowledge of the global image of interwar fashion cultures and the emerging field of Romanian fashion studies.

Shortlisted for the Association of Dress Historians Book of the Year Award, 2024In 2022, it was reported that plus-sizes accounted for nearly twenty percent of all women’s apparel sales in the United States and was one of the industry’s few growth sectors. For many, this news seemed to herald a remarkably inclusive turn for an industry that long bartered in exclusivity. Yet the recent success of plus-size fashion obscures a rather complicated history–one that can be traced back over a century, and which illuminates the fraught relationship between fashion, fat, and weight bias in American culture.Although many regard fat as a malady of the present, in the early twentieth century it was estimated that more than one-third of American women classified as “overweight.” While modern weight bias had yet to fully cement itself in the American imaginary, the limitations of mass garment manufacturing coupled with the ascendent slender beauty ideal had already relegated larger women to fashion’s peripheries. By 1915, however, fashion forecasters predicted that so-called “stoutwear” was well positioned to become one of the most lucrative subsectors of the burgeoning ready-to-wear trade. In the years that followed, stoutwear manufacturers set out to create more space for the fat woman in fashion but, in doing so, revealed an ancillary motivation: that of how to design fat out of existence altogether.Fashion Before Plus-Size considers what came “before” plus-size fashion while also shedding new light on the ways that the fashion industry not only perpetuates but produces weight bias. By situating stoutwear at the confluence of mass manufacturing, beauty ideals, standardized sizing, health discourse, and consumer culture, this book exposes the flawed foundations upon which the contemporary plus-size fashion industry has been built.

When Adorned in Dreams was first published in 1985, Angela Carter described the book as ‘the best I have read on the subject, bar none.’From haute couture to haberdashery, and ‘deviant’ dress to Dior, Elizabeth Wilson traces the social and cultural history of fashion and its complex relationship to modernity. From the ‘dress reform’ movement to certain strands of feminism, Wilson delights in the power of fashion to mark out identity - or subvert it.Explore topics including fashion and city life, feminism and fashion, and oppositional dress in this authoritative scholarly text on fashion’s pivotal role in modern society.

When Adorned in Dreams was first published in 1985, Angela Carter described the book as ‘the best I have read on the subject, bar none.’From haute couture to haberdashery, and ‘deviant’ dress to Dior, Elizabeth Wilson traces the social and cultural history of fashion and its complex relationship to modernity. From the ‘dress reform’ movement to certain strands of feminism, Wilson delights in the power of fashion to mark out identity - or subvert it.Explore topics including fashion and city life, feminism and fashion, and oppositional dress in this authoritative scholarly text on fashion’s pivotal role in modern society.

In this book, one of the most accomplished and thoughtful cultural commentators of the day, considers the contradictory nature of cultural relations. Elizabeth Wilson explores these themes through an examination of fashion, feminism, consumer culture, representation and postmodernism. Debates within feminism on the nature and effects of pornography are used to illustrate a particular kind of cultural contradiction. Wilson recognizes that postmodernism permitted the reappropriation of subjects that were not previously considered worthy of attention, or opposed to the idea of emancipation, chief among these was fashion. She shows that the association of an interest in this culturally significant subject with a revisionist project raises doubts about the coherence of postmodernism itself.