Elize Mazadiego – författare
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3 produkter
3 produkter
1 264 kr
Skickas inom 5-8 vardagar
By the late 1960s cartographic formats and spatial information had become a regular feature in many conceptual artworks. This volume offers a rich study of conceptualisms’ mapping practices that includes more expanded forms of spatial representation.The book presents twelve in-depth case studies that address artists’ engagement with matters of space at a time when space was garnering new significance in art, theory and culture. The chapters shed fresh light on an evident ‘spatial turn’ that took place from the postwar to the contemporary period, revealing how it was influenced by larger historical, social and cultural contexts.In addition to raising questions about conceptualism’s relationship to the world, the contributors illustrate how artists’ cartographies served as critical sites for formulating their politics, upsetting prevailing systems and graphing new, heterogenous spaces.
362 kr
Skickas inom 5-8 vardagar
By the late 1960s cartographic formats and spatial information had become a regular feature in many conceptual artworks. This volume offers a rich study of conceptualisms’ mapping practices that includes more expanded forms of spatial representation.The book presents twelve in-depth case studies that address artists’ engagement with matters of space at a time when space was garnering new significance in art, theory and culture. The chapters shed fresh light on an evident ‘spatial turn’ that took place from the postwar to the contemporary period, revealing how it was influenced by larger historical, social and cultural contexts.In addition to raising questions about conceptualism’s relationship to the world, the contributors illustrate how artists’ cartographies served as critical sites for formulating their politics, upsetting prevailing systems and graphing new, heterogenous spaces.
Del 62 - Foro Hispánico
Dematerialization and the Social Materiality of Art
Experimental forms in Argentina, 1955-1968
Inbunden, Engelska, 2021
1 610 kr
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Award winner: Best Book in Latin American Visual Culture Studies from the Latin American Studies AssociationDematerialization and the Social Materiality of Art reconceptualizes mid-twentieth-century avant-garde practices in Argentina with a focus on the changing material status of the art object in relation to the country’s intense period of modernization. Elize Mazadiego presents Oscar Masotta’s notion of dematerialization as a concept for interpreting experimental art practices that negated the object’s primacy, while identifying their promise within the sociopolitical transformations of the 1950s and 1960s. She argues that, in abandoning the traditional art object, the avant-garde developed new materialities rooted in Buenos Aires’ changing social life. A critical examination of art’s materiality and its social role within Argentina, this important study paves the way for broader investigations of postwar Latin American art.