Elke Krasny - Böcker

A rich exploration of the extraordinary life and work of celebrated architect Yasmeen Lari, winner of the 2023 RIBA Royal Gold Medal.After more than three decades as a renowned global architect, Yasmeen Lari, the first woman to open her own architecture firm in Pakistan in 1964, developed Zero Carbon Architecture, which unites ecological and social justice. This volume, edited by Angelika Fitz, Elke Krasny, and Marvi Mazhar, presents Lari’s trajectory from exemplary modernist to zero carbon revolutionary, with a focus on her remarkable contributions to the global architectural movement to decarbonize and decolonize. The book includes extensive photographs, drawings, and plans from Lari’s archive, most of which have not previously been shown or published.Lari’s architectural thinking and activism have always gone beyond the quest for a singular built solution. Rather, she strategically plans systemic approaches and solutions, be it for housing, a heritage foundation, or zero-carbon shelters with communities at risk. Original essays from diverse international contributors contextualize Lari’s work; investigate architecture and the postimperial, postcolonial, and postpartition condition; and examine the intersections of architecture and human rights, climate change, decolonization, gender, care, activism, and vernacular innovation. More than a tribute to Yasmeen Lari’s extraordinary career, this volume brings her legacy forward and shows how to create change today.Contributors:Abira Ashfaq, Cassandra Cozza, Angelika Fitz, Runa Kahn, Anne Karpf, Elke Krasny, Marvi Mazhar, Chris Moffat, Anila Naeem, Raquel Rolnik, Helen Thomas, Rafia Zakaria

What if architecture were not an instrument of capital? How to imagine and build a non-extractivist and non-exploitative architecture. Capital s voracious appetite forces architecture into a regime of never enough. The current realities of building involve extraction and exploitation, which, in turn, cause climate breakdown, environmental ruin, alienated labor conditions, and the destruction of local construction knowledge. But what if we could do architecture differently? What does non-extractivist architecture look like? In this book, Angelika Fitz and Elke Krasny introduce the concept of abundance to call for a paradigm shift in architecture. Using as its example the exceptional work of architect Anupama Kundoo, this book shows that non-extractivist and non-exploitative architecture is undeniably possible. Kundoo, born in Pune, India, weaves together innovative technological experimentation and traditional crafts. With careful consideration of local resources, building skills, climate, and environment, she makes buildings that embody spatial beauty and graceful materiality. Abundance Not Capital is a manifesto for creating a future-forward, alternative architecture. Contributors: Shumi Bose, Jordan Carver, Peggy Deamer, Madhavi Desai, Angelika Fitz, Rupali Gupte, Ranjit Hoskote, Elke Krasny, Charlotte Malterre-Barthes, Shannon Mattern, and Laurie Parsons. Copublished with Architekturzentrum Wien.

What makes curating feminist organizing? How do curators relate to contemporary feminist concerns in their local conditions and the globalized artworld? The book brings together twenty curatorial case studies from diverse regions of the globe.Reflecting their own curatorial projects or analyzing feminist-inspired exhibitions, the authors in this book elaborate feminist curating as that which is inspired to challenge gender politics not only within but also beyond the doors of the museum and gallery. Connecting their wider feminist politics to their curatorial practices, the book provides case studies of curatorial practice that address the legacies of racialized and ethnic violence, including colonialism; which seek to challenges the state's regulation of citizenship and sexuality; and which realize the drive for economic justice in the organizations and roles in which curators work. The settings in which this work is done range from university art galleries to artist-run spaces and educational or activist programmes.This collection will be enjoyed by those studying and researching curating, exhibitions, socially and ecologically engaged contemporary art practices, and feminist transnational movements in diverse geographic contexts. The essays are of relevance to practicing curators, critical cultural practitioners, and artists.

This book presents over 20 authors’ reflections on ‘curating care’ – and presents a call to give curatorial attention to the primacy of care for all life and for more ‘caring curating’ that responds to the social, ecological and political analysis of curatorial caregiving.Social and ecological struggles for a different planetary culture based on care and respect for the dignity of life are reflected in contemporary curatorial practices that explore human and non-human interdependence. The prevalence of themes of care in curating is a response to a dual crisis: the crisis of social and ecological care that characterizes global politics and the professional crisis of curating under the pressures of the increasingly commercialized cultural landscape. Foregrounding that all beings depend on each other for life and survival, this book collects theoretical essays, methodological challenges and case studies from curators working in different global geographies to explore the range of ways in which curatorial labour is rendered as care. Practising curators, activists and theorists situate curatorial labour in the context of today’s general care crisis. This volume answers to the call to more fully understand how their transformative work allows for imagining the future of bodily, social and environmental care and the ethics of interdependency differently.

This book presents over 20 authors’ reflections on ‘curating care’ – and presents a call to give curatorial attention to the primacy of care for all life and for more ‘caring curating’ that responds to the social, ecological and political analysis of curatorial caregiving.Social and ecological struggles for a different planetary culture based on care and respect for the dignity of life are reflected in contemporary curatorial practices that explore human and non-human interdependence. The prevalence of themes of care in curating is a response to a dual crisis: the crisis of social and ecological care that characterizes global politics and the professional crisis of curating under the pressures of the increasingly commercialized cultural landscape. Foregrounding that all beings depend on each other for life and survival, this book collects theoretical essays, methodological challenges and case studies from curators working in different global geographies to explore the range of ways in which curatorial labour is rendered as care. Practising curators, activists and theorists situate curatorial labour in the context of today’s general care crisis. This volume answers to the call to more fully understand how their transformative work allows for imagining the future of bodily, social and environmental care and the ethics of interdependency differently.

What makes curating feminist organizing? How do curators relate to contemporary feminist concerns in their local conditions and the globalized artworld? The book brings together twenty curatorial case studies from diverse regions of the globe.Reflecting their own curatorial projects or analyzing feminist-inspired exhibitions, the authors in this book elaborate feminist curating as that which is inspired to challenge gender politics not only within but also beyond the doors of the museum and gallery. Connecting their wider feminist politics to their curatorial practices, the book provides case studies of curatorial practice that address the legacies of racialized and ethnic violence, including colonialism; which seek to challenges the state's regulation of citizenship and sexuality; and which realize the drive for economic justice in the organizations and roles in which curators work. The settings in which this work is done range from university art galleries to artist-run spaces and educational or activist programmes.This collection will be enjoyed by those studying and researching curating, exhibitions, socially and ecologically engaged contemporary art practices, and feminist transnational movements in diverse geographic contexts. The essays are of relevance to practicing curators, critical cultural practitioners, and artists.

How are art, architecture, critical research, and activism entangled with the politics of urban transformation under the regimes of modern capitalist colonialism and contemporary neoliberalism? Accelerated developments heighten classed, gendered, and radicalized urban injustices.Addressing these issues, Urban Curating is concerned with the interconnectedness of economy, ecology, and labor in urban history as well as practices of remembrance. Drawing on the author's work as an urban curator in cities such as Hong Kong, Vancouver, and Vienna, the focus is on caring repair, refusal, and resistance – fighting the spatialization of injustice by building feminist solidarities and emancipatory imaginaries.

»We must declare war on the virus,« stated UN chief António Guterres on March 13, 2020, just two days after the WHO had characterized the outbreak of the novel Covid-19 virus as a pandemic. Elke Krasny introduces feminist worry in order then to develop a feminist cultural theory on pandemic frontline ontologies, which give rise to militarized care essentialism and forced heroism. Feminist hope is gained through the attentive reading of feminist recovery plans and their novel care feminism, with the latter's insistence that recovery from patriarchy is possible.