Elmore Leonard – författare

“The greatest crime writer of our time, perhaps ever!”—New York Times Book Review

When the all-time greats of mystery/noir/crime fiction are mentioned (John D. MacDonald, Dashiell Hammett, James M. Cain, Robert Parker, etc.), Elmore Leonard’s name invariably tops the list. A true Leonard classic, The Big Bounce showcases all of the Grand Master’s acclaimed skills—twisty plotting, unforgettable characters, dialogue so razor sharp it could draw blood—as he chronicles the misadventures of a larcenous young man in a Michigan resort town who’s irresistibly drawn to a dangerous femme fatale, a rich man’s plaything, and the nasty little caper they plan to pull off together—if they can somehow manage to survive each other. The acclaimed creator of Raylan (aka U.S. Marshal Raylan Givens, lately of TV’s smash hit Justified), Leonard has never lost the mojo that makes him “the King Daddy of crime writers” (Seattle Times).

Carl Webster, the hot kid of the marshals service, is polite, respects his elders, and can shoot a man driving away in an Essex at four hundred yards. Carl works out of the Tulsa, Oklahoma, federal courthouse in the 1930s, the period of America''s most notorious bank robbers. Dillinger, Baby Face Nelson, those guys.

Carl wants to be America''s most famous lawman. He shot his first felon when he was fifteen years old. With a Winchester.

Jack Belmont wants to rob banks, become public enemy number one, and show his dad, an oil millionaire, he can make it on his own.With tommy guns, hot cars, speakeasies, cops and robbers, and a former lawman who believes in vigilante justice, all played out against the flapper period of gun molls and Prohibition, The Hot Kid is Elmore Leonard -- the true master -- at his best.

Performed by Arliss Howard

Get Shorty’s Chili Palmer is back in Be Cool, a classic novel of suspense from New York Times bestselling author Elmore Leonard. But this time it’s no more Mr. Nice Guy.

After a smash hit and a flop, B-movie-producer Chili Palmer is looking for another score. Lunching with a record company executive, Chili's exploring a hot new idea—until the exec, a former "associate" from Chili's Brooklyn days, gets whacked.

Segue from real life to reel life. Chili's found his plot. It's a slam-bang opener: the rubout of a record company mogul. Cut to an ambitious wannabe singer named Linda Moon. She has attitude and a band. She's perfect. Zoom in to reality. Linda's manager thinks Chili's poaching and he's out to get even, with the help of his switch-hitting Samoan bodyguard.

But somebody else beat them to the punch, as Chili discovers when he gets home and finds a corpse at his desk. Somebody made a mistake...

The Odd Thingabout Walter Schoen, German born but now running a butcher shop in Detroit, he''s a dead ringer for Heinrich Himmler, head of the SS and the Gestapo. Honey Deal, Walter''s American wife, doesn''t know that Walter is a member of a spy ring and gives shelter to escaped German POWs. But she''s tired of telling him jokes he doesn''t understand—it''s time for a divorce.

Along comes Carl Webster, the Hot Kid of the Marshals Service. He''s looking for Jurgen Schrenk. Carl''s pretty sure Walter''s involved with keeping Schrenk hidden so he gets to know Honey, hoping she''ll lead him to Walter. Honey likes the hot kid marshal and doesn''t much care that he''s married. But all Carl wants is to get Jurgen without getting shot. Next, Carl meets Vera Mezwa, the Ukrainian head of the spy ring, and her lover Bohdan, with a sly way of killing. And then there''s Otto—the Waffen-SS major who runs away with a nice Jewish girl. It''s Elmore Leonard''s world—gritty, funny, and full of surprises.

From Elmore Leonard, the author who has influenced more writers than any other, comes a thrilling story of law in the Old West, upheld by the barrel of a six-gun.

Deputy Paul Scallen will earn his one hundred fifty dollars if he can get his prisoner Jim Kidd on the train to Yuma Prison. But the members of Kidd''s gang have determined that Scallen won''t live long enough to make the Three-Ten to Yuma.

Performed by Henry Rollins, this classic of bullets and bad men demonstrate the superb talent for language and gripping narrative that made Elmore Leonard one of the most acclaimed writers of our time.

“The greatest crime writer of our time, perhaps ever!”—New York Times Book Review

When the all-time greats of mystery/noir/crime fiction are mentioned (John D. MacDonald, Dashiell Hammett, James M. Cain, Robert Parker, etc.), Elmore Leonard’s name invariably tops the list. A true Leonard classic, The Big Bounce showcases all of the Grand Master’s acclaimed skills—twisty plotting, unforgettable characters, dialogue so razor sharp it could draw blood—as he chronicles the misadventures of a larcenous young man in a Michigan resort town who’s irresistibly drawn to a dangerous femme fatale, a rich man’s plaything, and the nasty little caper they plan to pull off together—if they can somehow manage to survive each other. The acclaimed creator of Raylan (aka U.S. Marshal Raylan Givens, lately of TV’s smash hit Justified), Leonard has never lost the mojo that makes him “the King Daddy of crime writers” (Seattle Times).

The New York Times-bestselling Grand Master of suspense deftly displays the other side of his genius, with seven classic western tales of destiny and fatal decision . . . and trust as essential to survival as it is hard-earned.

Trust was rare and precious in the wide-open towns that sprung up like weeds on America''s frontier—with hustlers and hucksters arriving in droves by horse, coach, wagon, and rail, and gunmen working both sides of the law, all too eager to end a man''s life with a well-placed bullet. In these classic tales that span more than five decades—including the first story he ever published, “The Trail of the Apache”—Elmore Leonard once again demonstrates the superb talent for language and gripping narrative that have made him one of the most acclaimed and influential writers of our time.

“No one is Leonard’s equal,” declares the Chicago Tribune—and anyone who might doubt it would only have to read Elmore Leonard’s riveting noir classic, Unknown Man #89, to become a true believer.

The twisty tale of a Detroit process server whose search for a missing stockholder leads him into more serious peril than he ever imagined possible, Unknown Man #89 is a gourmet stew of mystery, suspense, and double and triple cross, peppered with the razor sharp dialogue for which Grand Master Leonard is justifiably famous.

Exhilarating old-school crime fiction that the late, great John D. MacDonald, Dashiell Hammett, James M. Cain, and Robert Parker would have been proud to call their own, Unknown Man #89 is a gem—nothing less than we’d expect from the man who created the incomparable U.S. Marshal Raylan Givens of the hit TV series Justified.

52 Pickup is a rip-roaring thriller from master of crime fiction Elmore Leonard, the New York Times bestselling author of Raylan, Get Shorty, Killshot, and other novels of suspense.

Detroit businessman Harry Mitchell has had only one affair in his twenty-two years of happy matrimony. Unfortunately, someone caught his indiscretion on film and now wants Harry to fork over one hundred grand to keep his infidelity a secret. And if Harry doesn’t pay up, the blackmailer and his associates plan to press a lot harder—up to and including homicide, if necessary.

But the psychos picked the wrong pigeon for their murderous scam. Because Harry Mitchell doesn’t get mad...he gets even.

“Leonard delivers a certifiable masterpiece of such twisted ingenuity that he transcends even his own bad self….Tishomingo Blues is that good.”

—Baltimore Sun

Crime fiction Grand Master Elmore Leonard heads to the Deep South for a bracing dose of Tishomingo Blues—a wild, Leonard-esque ride featuring gamblers, mobsters, murderers, high divers, and Civil War re-enactors that the New York Times Book Review calls, “Leonard’s best work since Get Shorty.” Sparkling with trademark “Dutch” Leonard dialogue so sharp it could cut you, Tishomingo Blues is classic mystery, mayhem, and gritty noir fun from “the coolest, hottest thriller writer in America” (Chicago Tribune).

Get Shorty’s Chili Palmer is back in Be Cool, a classic novel of suspense from New York Times bestselling author Elmore Leonard. But this time it’s no more Mr. Nice Guy.

After a smash hit and a flop, B-movie-producer Chili Palmer is looking for another score. Lunching with a record company executive, Chili's exploring a hot new idea—until the exec, a former "associate" from Chili's Brooklyn days, gets whacked.

Segue from real life to reel life. Chili's found his plot. It's a slam-bang opener: the rubout of a record company mogul. Cut to an ambitious wannabe singer named Linda Moon. She has attitude and a band. She's perfect. Zoom in to reality. Linda's manager thinks Chili's poaching and he's out to get even, with the help of his switch-hitting Samoan bodyguard.

But somebody else beat them to the punch, as Chili discovers when he gets home and finds a corpse at his desk. Somebody made a mistake...

“A Hollywood hit….Taut, inimitable prose and characters who could have only sprung from the mind of Elmore Leonard.” —Detroit News

The Chicago Tribune has dubbed Elmore Leonard, “the coolest, hottest writer in America.” In the same league as the legendary great ones—John D. MacDonald, Dashiell Hammett, James M. Cain—the “King Daddy of crime writers” (Seattle Times) demonstrates his remarkable mastery with Get Shorty, one of the most adored of his forty-plus novels. The basis of the hit movie starring John Travolta and Danny DeVito, Get Shorty chronicles the over-the-top, sometimes violent Hollywood misadventures of a Florida mob loan shark who chases a deadbeat client all the way to Tinseltown and decides to stick around and make movies. Get Shorty’s shylock protagonist, Chili Palmer, is a truly inspired creation—as memorable as another unforgettable Leonard hero, U.S. Marshal Raylan Givens of the hit TV series Justified—and readers will relish his moves and countermoves in this electrifying, funny, bullet train-paced winner from “the greatest crime writer of our time, perhaps ever!” (New York Times Book Review)

The odd thing about Walter Schoen, German born but now running a butcher shop in Detroit, he''s a dead ringer for Heinrich Himmler, head of the SS and the Gestapo. They even share the same birthday.

Honey Deal, Walter''s American wife, doesn''t know that Walter is a member of a spy ring that sends U.S. war production data to Germany and gives shelter to escaped German prisoners of war. But she''s tired of telling him jokes he doesn''t understand—it''s time to get a divorce.

Along comes Carl Webster, the hot kid of the Marshals Service. He''s looking for Jurgen Schrenk, a former Afrika Korps officer who escaped from a POW camp in Oklahoma. Carl''s pretty sure Walter''s involved with keeping Schrenk hidden, so Carl gets to know Honey, hoping she''ll take him to Walter. Carl then meets Vera Mezwa, the nifty Ukrainian head of the spy ring who''s better looking than Mata Hari, and her tricky lover Bohdan with the Buster Brown haircut and a sly way of killing.

Honey''s a free spirit; she likes the hot kid marshal and doesn''t much care that he''s married. But all Carl wants is to get Jurgen Schrenk without getting shot. And then there''s Otto—the Waffen-SS major who runs away with a nice Jewish girl. It''s Elmore Leonard''s world—gritty, funny, and full of surprises.

The unrivaled master of crime’s first collection of noir stories. . . . “If you thought you knew all the places Elmore Leonard could take you, think again.”—Mike Lupica

In more than 30 books spanning half a century, Elmore Leonard has captured the imagination of millions as few writers can. A literary icon praised by the New York Times Book Review as “the greatest crime writer of our time, perhaps ever, ” he has influenced many contemporary writers and is known for both the quality and accessibility of his writing.

In this first collection of short pieces, including two novella-length works, since his western anthology Tonto Woman, Leonard demonstrates the superb characterization, dead-on dialogue, vivid atmosphere, and driving plotting that have made him a household name.