Elspeth Huxley – författare

When Elspeth Huxley’s pioneer father buys a remote plot of land in Kenya, the family sets off to discover their new home: five hundred acres of Kenyan scrubland, infested with ticks and white ants, and quavering with heat. What they lack in know-how they make up for in determination: building a grass house, employing local Kikuyu tribe members and painstakingly transforming their patch of wilderness into a working farm. Huxley’s unforgettable childhood memoir is a sensitive account of settler life at the turn of the twentieth century and a love song to the harshness and beauty of East Africa.

Growing up in Kenya in the early twentieth century, the brothers Matu and Muthegi are raised according to customs that, they are told, have existed since the beginning of the world. But when the 'red' strangers come, sunburned Europeans who seek to colonize their homeland, the lives of the two Kikuyu tribesmen begin to change in dramatic new ways. Soon, their people are overwhelmed by unknown diseases that traditional magic seems powerless to control. And as the strangers move across the land, the tribe rapidly finds itself forced to obey foreign laws that seem at best bizarre, and that at worst entirely contradict the Kikuyu's own ancient ways, rituals and beliefs.

Growing up in Kenya in the early twentieth century, the brothers Matu and Muthegi are raised according to customs that, they are told, have existed since the beginning of the world. But when the 'red' strangers come, sunburned Europeans who seek to colonize their homeland, the lives of the two Kikuyu tribesmen begin to change in dramatic new ways. Soon, their people are overwhelmed by unknown diseases that traditional magic seems powerless to control. And as the strangers move across the land, the tribe rapidly finds itself forced to obey foreign laws that seem at best bizarre, and that at worst entirely contradict the Kikuyu's own ancient ways, rituals and beliefs.

In this sequel to The Flame of Thika, Elspeth Huxley takes up her story after the family returns to Kenya after the First World War. Her family and friends, their home and their travels, the glorious wildlife and scenery, described in rich and loving detail, all spring to life in this enchanting book. 'She knows East Africa and she loves it. . . with a critical and understanding sympathy. ' The Times 'What a marvellous writer. . . and what a Kenya it was. ' Financial Times

In this sequel to The Flame of Thika, Elspeth Huxley takes up her story after the family returns to Kenya after the First World War. Her family and friends, their home and their travels, the glorious wildlife and scenery, described in rich and loving detail, all spring to life in this enchanting book. 'She knows East Africa and she loves it. . . with a critical and understanding sympathy. ' The Times 'What a marvellous writer. . . and what a Kenya it was. ' Financial Times

Elspeth Huxley captivated readers throughout the world with her 'memories of an African childhood' in THE FLAME TREES OF THIKA and THE MOTTLED LIZARD. In this final volume of her trilogy she tells the story of her adult life in Africa, in which the vigorously evoked personalities - from the pioneer Lord Delamere and Baroness Blixen to Jomo Kenyatta - blend with her supurb description of the social, cultural and political upheavals of the time. 'An accomplished story-teller, she weaves anecdotes, character sketches, political history together without losing her thread or the readers momentum. ' SUNDAY TIMES 'She evokes it all lovingly but astringently, especially the glittering, often scandelous life of the young aristocrats who lived in Happy Valley. ' DAILY EXPRESS

In this marvelous anthology, Elspeth Huxley, our best and most popular writer on Africa, has drawn on her unparalleled knowledge of Kenya and its literature to present a fully rounded portrait of one of the most fascinating countries in the world. In nine sections focusing on exploration, travel, settlement, war, hunting, wildlife, environment, life-styles, and legend and poetry, using only first-hand accounts, she guides the reader through the story of Kenya from AD100 to the present with her characteristic candour and directness.