Elvira Dyangani Ose – författare
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3 produkter
3 produkter
565 kr
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An expansive look at more than a century of Pan-Africanist art and the ways it embodies the movement’s principles and global ambitions Since the term Pan-Africanism was coined around 1900, the movement’s promise has been to foster liberation and solidarity for Black peoples worldwide. Focusing on its cultural expression, this book presents a rich selection of the visual, sonic, and other creative forms that have emerged throughout Pan-Africanism’s evolution. Among the nearly two hundred artists represented from across the continent and the African diaspora are Beauford Delaney, Ibrahim El-Salahi, Hoyt William Fuller, Wifredo Lam, Simone Leigh, Ernest Mancoba, Zanele Muholi, Kawira Mwirichia, Cauleen Smith, Alma Thomas, and George Albert Yon. Reflecting Pan-Africanism’s ideals of diversity and dialogue as well as its aspirations to egalitarianism, essays from more than a dozen scholars, artists, and practitioners speak to a range of themes and places, while discussing works in all media made or circulated outside the infrastructure of fine art, including LP albums, illustrated magazines, and manifestos. Distributed for The Art Institute of Chicago Exhibition Schedule: The Art Institute of Chicago(December 15, 2024–March 30, 2025) MACBA Museu d’Art Contemporani, Barcelona(November 6, 2025–April 6, 2026)Barbican Centre, London(June 10–September 6, 2026) KANAL–Centre Pompidou, Brussels(Fall 2026–Winter 2027)
Events of the Social: Portraiture and Collective Agency
African Photography from The Walther Collection
Häftad, Engelska, 2022
338 kr
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Curating Context describes a field where the curatorial practice is extended beyond curating exhibitions into working with entire contexts. It articulates the why and how of curating art projects that gain their meaning in relation to a surrounding context, or which need a specific structure in order to play out. In this practice, curatorial considerations are interwoven with the production, and the intentions of artists and curators lead the way rather than institutional structures. The texts and conversations in this book reflect on how these curatorial methodologies not only situate works in different places, but also transfer curatorial methods into other fields, such as the contexts of law, urban development, and constructions of the civic. This exciting curatorial approach where each project sets new demands, requires very specific skills rarely taught in curatorial programs. Curating Context is an attempt to share a sustained conversation among practitioners in the field.