Emanuele Coccia – författare
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19 produkter
19 produkter
449 kr
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This book documents Lerin/Hystad s meetings with more than a hundred different plants through sketches, text, and music. The otherness of the non-human is by nature inexpugnable. The baseline of our sharing the planet with them, at this point in its evolutional history, entails making kin while negotiating distance. In line with the mounting environmental concerns, artists began to nurture the desire to present less mediated encounters with nature. Central to Lerin/Hystad s modus operandi is a principle of ecological interconnectedness that manifests the undeniable presence of more than human worlds. The main objective has been that of dismantling the anthropocentric view that humans are the most perfect and intelligent species on this planet while inviting us to reconsider non-human intelligences and complexities as valuable diversity. Lerin connects sensors to the plants that Hystad has carefully drawn in their environment. The sensors register electrical currents that plants produce through their biological rhythms and that form a communicational network with animals, bacteria, and fungi.
Genom teckning, text och musik, samlar den här boken Lerin/Hystads möten med över hundra olika växter. Det icke-mänskliga är, till sin natur, ofrånkomligen annorlunda oss. För att vi ska kunna samexistera på jorden krävs det därför, vid denna punkt i evolutionshistorien, att vi knyter an till det främmande samtidigt som vi också aktivt förhåller oss till dess ofrånkomliga annanhet. I takt med att miljöhoten har ökat har också konstnärerna uttryckt en ökad vilja att genom konsten möta naturen direkt. Lerin/Hystads modus operandi vilar på den ekologiska sammankopplingens princip och förutsätter att det existerar fler världar än människans. Viktigast av allt har varit att nedmontera den antropocentriska bilden av människan som planetens intelligentaste och mest fulländade varelse för att i stället lyfta fram det icke-mänskligas många komplexa intelligenser som delar av en rik mångfald. Lerin kopplar sensorer till de växter som Hystad så noggrant har tecknat i det vilda. Dessa sensorer känner sedan av alla de elektriska impulser som orsakas av växternas egen biologiska rytm och som bildar kommunikationsnätverk tillsammans med djuren, bakterierna och svamparna.
122 kr
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A bedroom, a kitchen, a bathroom - are these rooms all that make a home? Not at all, argues Emanuele Coccia. The buildings we inhabit are of immense psychological and cultural significance. They play a decisive role in human flourishing and, for hundreds of years, their walls and walkways, windows and doorways have guided our relationships with others and with ourselves. They reflect and reinforce social inequalities; they allow us to celebrate and cherish those we love. They are the places of return that allow us to venture out into the world.In this intimate, elegantly argued account, Coccia shows how the architecture of home has shaped, and continues to shape, our psyches and our societies, before then masterfully leading us towards a more creative, ecological way of dwelling in the world.
Risquons-Tout
Planetary Artists Venture into Risk, Unpredictability, and Transgression
Häftad, Engelska, 2021
439 kr
Skickas inom 5-8 vardagar
The work of 38 established and emerging artists explore the creative potential of risk-taking and transgression in contemporary lifeThe unconventional theme underlying the art featured in this book is the struggle between risk-taking and the prediction algorithms that have become a feature of contemporary life. Does the influence of machine intelligence, and the coincident avoidance of risk, homogenize creative thought? These ideas are explored in the work of 38 established and emerging artists in a variety of media including painting, drawing, sculpture, sculpture, video art, computer art, and performance. Featured artists include Joëlle Tuerlinckx, Ed Atkins, Esther Ferrer, Mounira Al Solh, and Shezad Dawoud. The book takes its title from a town on the French-Belgian border with a history as a well-known customs outpost.Distributed for MercatorfondsExhibition Schedule:WIELS Museum for Contemporary Art Brussels(September 12, 2020–February 10, 2021)
929 kr
Skickas inom 11-20 vardagar
We like to imagine ourselves as rational beings who think and speak, yet to live means first and foremost to look, taste, feel, or smell the world around us. But sensibility is not just a faculty: We are sensible objects both to ourselves and to others, and our life is through and through a sensible life.This book, now translated into five languages, rehabilitates sensible existence from its marginalization at the hands of modern philosophy, theology, and politics. Coccia begins by defining the ontological status of images. Not just an internal modification of our consciousness, an image has an intermediate ontological status that differs from that of objects or subjects. The book's second part explores our interactions with images in dream, fashion, and biological facts like growth and generation. Our life, Coccia argues, is the life of images.
282 kr
Skickas
We like to imagine ourselves as rational beings who think and speak, yet to live means first and foremost to look, taste, feel, or smell the world around us. But sensibility is not just a faculty: We are sensible objects both to ourselves and to others, and our life is through and through a sensible life.This book, now translated into five languages, rehabilitates sensible existence from its marginalization at the hands of modern philosophy, theology, and politics. Coccia begins by defining the ontological status of images. Not just an internal modification of our consciousness, an image has an intermediate ontological status that differs from that of objects or subjects. The book's second part explores our interactions with images in dream, fashion, and biological facts like growth and generation. Our life, Coccia argues, is the life of images.
1 033 kr
Skickas inom 10-15 vardagar
Objects are all around us – and images of objects, advertisements for objects. Things are no longer merely purely physical or economic entities: within the visual economy of advertising, they are inescapably moral. Any object, regardless of its nature, can for at least a moment aspire to be "good," can become not just an object of value but a complex of possible happiness, a moral source of perfection for any one of us.Our relation to things, Coccia, argues in this provocative book, is what makes us human, and the object world must be conceived as an ultimate artifact in order for it to be the site of what the philosophical tradition has considered "the good." Thinking a radical political praxis against a facile materialist critique of things, Coccia shows how objects become the medium through which a city enunciates its ethos, making available an ethical life to those who live among them.When we acknowledge that our notion of "the good" resides within a world of things, we must grant that in advertising, humans have revealed themselves as organisms that are ethically inseparable from the very things they produce, exchange, and desire. In the advertising imaginary, to be human is to be a moral cyborgs whose existence attains ethical perfection only via the universe of things. The necessary alienation which commodities cause and express is moral rather than economic or social; we need our own products not just to survive biologically or to improve the physical conditions of our existence, but to live morally. Ultimately, Coccia's provocative book offers a radically political rethinking of the power of images. The problem of contemporary politics is not the anesthetization of words but the excess power we invest in them. Within images, we already live in another form of political life, which has very little to do with the one invented and formalized by the ancient and modern legal tradition. All we need to do is to recognize it. Advertising and fashion are just the primitive, sometimes grotesque, but ultimately irrepressible prefiguration of the new politics to come.
358 kr
Skickas inom 10-15 vardagar
Objects are all around us – and images of objects, advertisements for objects. Things are no longer merely purely physical or economic entities: within the visual economy of advertising, they are inescapably moral. Any object, regardless of its nature, can for at least a moment aspire to be "good," can become not just an object of value but a complex of possible happiness, a moral source of perfection for any one of us.Our relation to things, Coccia, argues in this provocative book, is what makes us human, and the object world must be conceived as an ultimate artifact in order for it to be the site of what the philosophical tradition has considered "the good." Thinking a radical political praxis against a facile materialist critique of things, Coccia shows how objects become the medium through which a city enunciates its ethos, making available an ethical life to those who live among them.When we acknowledge that our notion of "the good" resides within a world of things, we must grant that in advertising, humans have revealed themselves as organisms that are ethically inseparable from the very things they produce, exchange, and desire. In the advertising imaginary, to be human is to be a moral cyborgs whose existence attains ethical perfection only via the universe of things. The necessary alienation which commodities cause and express is moral rather than economic or social; we need our own products not just to survive biologically or to improve the physical conditions of our existence, but to live morally. Ultimately, Coccia's provocative book offers a radically political rethinking of the power of images. The problem of contemporary politics is not the anesthetization of words but the excess power we invest in them. Within images, we already live in another form of political life, which has very little to do with the one invented and formalized by the ancient and modern legal tradition. All we need to do is to recognize it. Advertising and fashion are just the primitive, sometimes grotesque, but ultimately irrepressible prefiguration of the new politics to come.
654 kr
Skickas inom 5-8 vardagar
We barely talk about them and seldom know their names. Philosophy has always overlooked them; even biology considers them as mere decoration on the tree of life. And yet plants give life to the Earth: they produce the atmosphere that surrounds us, they are the origin of the oxygen that animates us. Plants embody the most direct, elementary connection that life can establish with the world. In this highly original book, Emanuele Coccia argues that, as the very creator of atmosphere, plants occupy the fundamental position from which we should analyze all elements of life. From this standpoint, we can no longer perceive the world as a simple collection of objects or as a universal space containing all things, but as the site of a veritable metaphysical mixture. Since our atmosphere is rendered possible through plants alone, life only perpetuates itself through the very circle of consumption undertaken by plants. In other words, life exists only insofar as it consumes other life, removing any moral or ethical considerations from the equation. In contrast to trends of thought that discuss nature and the cosmos in general terms, Coccia’s account brings the infinitely small together with the infinitely big, offering a radical redefinition of the place of humanity within the realm of life.
220 kr
Skickas inom 5-8 vardagar
We barely talk about them and seldom know their names. Philosophy has always overlooked them; even biology considers them as mere decoration on the tree of life. And yet plants give life to the Earth: they produce the atmosphere that surrounds us, they are the origin of the oxygen that animates us. Plants embody the most direct, elementary connection that life can establish with the world. In this highly original book, Emanuele Coccia argues that, as the very creator of atmosphere, plants occupy the fundamental position from which we should analyze all elements of life. From this standpoint, we can no longer perceive the world as a simple collection of objects or as a universal space containing all things, but as the site of a veritable metaphysical mixture. Since our atmosphere is rendered possible through plants alone, life only perpetuates itself through the very circle of consumption undertaken by plants. In other words, life exists only insofar as it consumes other life, removing any moral or ethical considerations from the equation. In contrast to trends of thought that discuss nature and the cosmos in general terms, Coccia’s account brings the infinitely small together with the infinitely big, offering a radical redefinition of the place of humanity within the realm of life.
540 kr
Skickas inom 5-8 vardagar
Throughout modernity there has been a clear divide between art and commerce. Objects could either be consumed as commerce or contemplated as art. Today, as museums are facing increasing financial pressure and as stores have become inventive locations for new modes of display, this clear divide has begun to dissolve.There is one place that represents a key stage in this evolution: 10 Corso Como. It was founded in Milan, at that very address, by fashion editor Carla Sozzani and has since expanded to Seoul, Beijing, Shanghai, and New York. The name “concept store”, which has now spread across our globalized world, was originally coined to describe this new form.This book is the first philosophical inquiry into this new form of store and it sheds new light on how categories that have governed our modern lives, such as commerce, art, fashion, and museum, are being redefined today.
140 kr
Skickas inom 5-8 vardagar
Throughout modernity there has been a clear divide between art and commerce. Objects could either be consumed as commerce or contemplated as art. Today, as museums are facing increasing financial pressure and as stores have become inventive locations for new modes of display, this clear divide has begun to dissolve.There is one place that represents a key stage in this evolution: 10 Corso Como. It was founded in Milan, at that very address, by fashion editor Carla Sozzani and has since expanded to Seoul, Beijing, Shanghai, and New York. The name “concept store”, which has now spread across our globalized world, was originally coined to describe this new form.This book is the first philosophical inquiry into this new form of store and it sheds new light on how categories that have governed our modern lives, such as commerce, art, fashion, and museum, are being redefined today.
654 kr
Skickas inom 5-8 vardagar
We are all fascinated by the mystery of metamorphosis – of the caterpillar that transforms itself into a butterfly. Their bodies have almost nothing in common. They don’t share the same world: one crawls on the ground and the other flutters its wings in the air. And yet they are one and the same life.Emanuele Coccia argues that metamorphosis – the phenomenon that allows the same life to subsist in disparate bodies – is the relationship that binds all species together and unites the living with the non-living. Bacteria, viruses, fungi, plants, animals: they are all one and the same life. Each species, including the human species, is the metamorphosis of all those that preceded it – the same life, cobbling together a new body and a new form in order to exist differently. And there is no opposition between the living and the non-living: life is always the reincarnation of the non-living, a carnival of the telluric substance of a planet – the Earth – that continually draws new faces and new ways of being out of even the smallest particle of its disparate body.By highlighting what joins humans together with other forms of life, Coccia’s brilliant reflection on metamorphosis encourages us to abandon our view of the human species as static and independent and to recognize instead that we are part of a much larger and interconnected form of life.
220 kr
Skickas inom 5-8 vardagar
We are all fascinated by the mystery of metamorphosis – of the caterpillar that transforms itself into a butterfly. Their bodies have almost nothing in common. They don’t share the same world: one crawls on the ground and the other flutters its wings in the air. And yet they are one and the same life.Emanuele Coccia argues that metamorphosis – the phenomenon that allows the same life to subsist in disparate bodies – is the relationship that binds all species together and unites the living with the non-living. Bacteria, viruses, fungi, plants, animals: they are all one and the same life. Each species, including the human species, is the metamorphosis of all those that preceded it – the same life, cobbling together a new body and a new form in order to exist differently. And there is no opposition between the living and the non-living: life is always the reincarnation of the non-living, a carnival of the telluric substance of a planet – the Earth – that continually draws new faces and new ways of being out of even the smallest particle of its disparate body.By highlighting what joins humans together with other forms of life, Coccia’s brilliant reflection on metamorphosis encourages us to abandon our view of the human species as static and independent and to recognize instead that we are part of a much larger and interconnected form of life.
167 kr
Skickas inom 3-6 vardagar
237 kr
Skickas inom 3-6 vardagar
237 kr
Skickas inom 3-6 vardagar
296 kr
Skickas inom 3-6 vardagar
262 kr
Skickas inom 3-6 vardagar
424 kr
Kommande
Patricia Urquiola (Oviedo, 1961) is a globally acclaimed architect, art director, and industrial designer, celebrated for her innovative work with leading brands such as Flos, Cassina, Kettal, Kvadrat, BMW, Boeing, Louis Vuitton, and Missoni. Her designs are imaginative, eclectic, playful, and often experimental, with a strong commitment to sustainability. The exhibition Meta-Morphosa at CID Grand-Hornu, part of Europalia Espana, highlights Studio Patricia Urquiola’s research from the past five years. In a world increasingly shaped by climate change and artificial intelligence, the exhibition explores transformation—how materials, aesthetics, and perceptions of beauty evolve. Featuring functional objects, visionary projects, and experiments with innovative materials and unexpected combinations, Meta-Morphosa presents a new aesthetic characterised by formal and cultural mutation. The exhibition invites visitors to embrace change, celebrating creativity, adaptability, and the beauty of transformation, reflecting Urquiola’s boundless imagination and her commitment to shaping design for a rapidly changing world.Text in English and French.