This book uses the social transformation that has taken place in Ireland from the decriminalisation of homosexuality in 1993 to the repeal of the 8th amendment in 2018 as backdrop to examine relationships between activism and contemporary Irish theatre and performance.

It studies art explicitly intended to create social and political change for marginalised constituencies. It asks what happens to theatre aesthetics when artists’ aims are political and argues that activist commitments can create new modes of beauty, meaning, and affect. Categories of race, class, sexuality, and gender frame chapters, provide social context, and identify activist artists’ social targets. This book provides in depth analysis of: Arambe – Ireland’s first African theatre company; THEATREclub – an experimental collective with issues of class at its heart; The International Dublin Gay Theatre Festival; and feminist artists working to Repeal the 8th amendment. It highlights the aesthetic strategies that emerge when artists set their sights on justice. Aesthetic debates, both historical and contemporary, are laid out from first principles, inviting readers to situate themselves – whether as artists, activists, or scholars – in the delicious tension between art and life.

This book will be a vital guide to students and scholars interested in theatre and performance studies, gender studies, Irish history, and activism.

This book uses the social transformation that has taken place in Ireland from the decriminalisation of homosexuality in 1993 to the repeal of the 8th amendment in 2018 as backdrop to examine relationships between activism and contemporary Irish theatre and performance.

It studies art explicitly intended to create social and political change for marginalised constituencies. It asks what happens to theatre aesthetics when artists’ aims are political and argues that activist commitments can create new modes of beauty, meaning, and affect. Categories of race, class, sexuality, and gender frame chapters, provide social context, and identify activist artists’ social targets. This book provides in depth analysis of: Arambe – Ireland’s first African theatre company; THEATREclub – an experimental collective with issues of class at its heart; The International Dublin Gay Theatre Festival; and feminist artists working to Repeal the 8th amendment. It highlights the aesthetic strategies that emerge when artists set their sights on justice. Aesthetic debates, both historical and contemporary, are laid out from first principles, inviting readers to situate themselves – whether as artists, activists, or scholars – in the delicious tension between art and life.

This book will be a vital guide to students and scholars interested in theatre and performance studies, gender studies, Irish history, and activism.

''Part autobiography, part heartfelt plea to change the way we look at gender, Girls will be Girls is an excellent primer on feminist theory. Every teenage girl should be given a copy'' HOT PRESSBeing a woman is, largely, about performance - how we dress and modify our bodies, what we say, the roles we play, and how we conform to expectations. Gender stereotypes are still deeply embedded in our society, but Emer O''Toole is on a mission to re-write the old script and bend the rules of gender - and she shows how and why we should all be joining in.Exploring what it means to ''act like a girl'', Emer takes us on a hilarious and thought-provoking journey through her life (including singing ''Get Your Pits Out for the Lads'' on national TV after growing out her body hair). Cross-dressing, booty-shaking, sexual disasters, family dinners and full-body waxing are all lovingly dissected in search of wisdom.With game-changing ideas, academic intelligence and laugh-out-loud humour, this book will open your mind and revolutionise the way that you think about gender.

This book uses the social transformation that has taken place in Ireland from the decriminalisation of homosexuality in 1993 to the repeal of the 8th amendment in 2018 as backdrop to examine relationships between activism and contemporary Irish theatre and performance.

It studies art explicitly intended to create social and political change for marginalised constituencies. It asks what happens to theatre aesthetics when artists’ aims are political and argues that activist commitments can create new modes of beauty, meaning, and affect. Categories of race, class, sexuality, and gender frame chapters, provide social context, and identify activist artists’ social targets. This book provides in depth analysis of: Arambe – Ireland’s first African theatre company; THEATREclub – an experimental collective with issues of class at its heart; The International Dublin Gay Theatre Festival; and feminist artists working to Repeal the 8th amendment. It highlights the aesthetic strategies that emerge when artists set their sights on justice. Aesthetic debates, both historical and contemporary, are laid out from first principles, inviting readers to situate themselves – whether as artists, activists, or scholars – in the delicious tension between art and life.

This book will be a vital guide to students and scholars interested in theatre and performance studies, gender studies, Irish history, and activism.

This book uses the social transformation that has taken place in Ireland from the decriminalisation of homosexuality in 1993 to the repeal of the 8th amendment in 2018 as backdrop to examine relationships between activism and contemporary Irish theatre and performance.

It studies art explicitly intended to create social and political change for marginalised constituencies. It asks what happens to theatre aesthetics when artists’ aims are political and argues that activist commitments can create new modes of beauty, meaning, and affect. Categories of race, class, sexuality, and gender frame chapters, provide social context, and identify activist artists’ social targets. This book provides in depth analysis of: Arambe – Ireland’s first African theatre company; THEATREclub – an experimental collective with issues of class at its heart; The International Dublin Gay Theatre Festival; and feminist artists working to Repeal the 8th amendment. It highlights the aesthetic strategies that emerge when artists set their sights on justice. Aesthetic debates, both historical and contemporary, are laid out from first principles, inviting readers to situate themselves – whether as artists, activists, or scholars – in the delicious tension between art and life.

This book will be a vital guide to students and scholars interested in theatre and performance studies, gender studies, Irish history, and activism.

''Part autobiography, part heartfelt plea to change the way we look at gender, Girls will be Girls is an excellent primer on feminist theory. Every teenage girl should be given a copy'' HOT PRESSBeing a woman is, largely, about performance - how we dress and modify our bodies, what we say, the roles we play, and how we conform to expectations. Gender stereotypes are still deeply embedded in our society, but Emer O''Toole is on a mission to re-write the old script and bend the rules of gender - and she shows how and why we should all be joining in.Exploring what it means to ''act like a girl'', Emer takes us on a hilarious and thought-provoking journey through her life (including singing ''Get Your Pits Out for the Lads'' on national TV after growing out her body hair). Cross-dressing, booty-shaking, sexual disasters, family dinners and full-body waxing are all lovingly dissected in search of wisdom.With game-changing ideas, academic intelligence and laugh-out-loud humour, this book will open your mind and revolutionise the way that you think about gender.