Emília Barna - Böcker
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5 produkter
5 produkter
652 kr
Skickas inom 10-15 vardagar
Emília Barna is Assistant Professor at the Budapest University of Technology and Economics. She is a founding member and Chair of IASPM Hungary, editor of Zenei Hálózatok Folyóirat (Music Networks Journal), and Advisory Board Member of IASPM@Journal.Tamás Tófalvy is Assistant Professor at the Budapest University of Technology and Economics. He was the founding Chair and is the current Vice-Chair of IASPM Hungary.
2 299 kr
Skickas inom 10-15 vardagar
Emília Barna is Assistant Professor at the Budapest University of Technology and Economics. She is a founding member and Chair of IASPM Hungary, editor of Zenei Hálózatok Folyóirat (Music Networks Journal), and Advisory Board Member of IASPM@Journal.Tamás Tófalvy is Assistant Professor at the Budapest University of Technology and Economics. He was the founding Chair and is the current Vice-Chair of IASPM Hungary.
Popular Music, Technology, and the Changing Media Ecosystem
From Cassettes to Stream
Inbunden, Engelska, 2020
1 210 kr
Skickas inom 10-15 vardagar
The first section provides a critical overview of theories addressing popular music and digital technology, while the second section offers an analysis of the relationship between musical cultures, taste, constructions of authenticity, and technology.
Popular Music, Technology, and the Changing Media Ecosystem
From Cassettes to Stream
Häftad, Engelska, 2021
1 210 kr
Skickas inom 10-15 vardagar
The first section provides a critical overview of theories addressing popular music and digital technology, while the second section offers an analysis of the relationship between musical cultures, taste, constructions of authenticity, and technology.
Working in Music on the Semiperiphery
Local Cultural Production and Global Capitalism
Inbunden, Engelska, 2025
1 549 kr
Skickas inom 10-15 vardagar
While music as labor feeds into the capitalist cultural industries, this book proves that in this sector informality greatly permeates and governs power relations and the allocations of resources. The significant level of informal involvement of the household in the creative and reproductive processes is also explored. It is particularly in the semiperipheral context that the relationship between home-based work and paid work is unbalanced: Emilia Barna's field data are from Hungary and range from 2018 to 2021. The same context also implies considerable involvement of the state and its subsidies, as well as the important role of gatekeepers' political capital.This book embraces the widest possible range of workers in the music industry. It deals with all music genres from high-flying to commercial and observes various workers in the production chain beyond musicians. Niche segments of the sector, such as YouTube-based commercial hip hop, are given special treatment. Using a variety of empirical research methods, the study examines the trends as workers are pushed towards digital entrepreneurship and platform work, on the one hand, and live performance, on the other. The focus on domestic work and informality offers a feminist analysis of work in music. This approach sheds light on gendered divisions of labor and forms of (self-)exploitation that usually remain invisible. The book proposes a new model of cultural autonomy that takes account of the semiperipheral relationship of music industry workers and institutions to both the market and the state.