Emily Cooper – författare

This is not a diet book. It's a book about the pure science behind why diets don't work for the majority of people. Forget everything you have ever heard about dieting and being overweight! The Metabolic Storm addresses the science that obliterates those myths about diets and weight gain.

She tried to end the world…now they want her to save it. Heavenly Bodies meets Divine Rivals in this star-lit romantasy about a girl who, after trying to end the world, now has to save it. In Velandor, where magic is ruled by the constellations, Celestine Savareau rots in prison after a failed attempt to end the world. All she wants is destruction and domination.When she is offered a freedom deal, Celestine has little choice but to accept, even if it means going after her ex-lover and accomplice Aire. Alone, he is trying to complete their monstrous plan. So Celestine joins the Nightguard, the protectors of Velandor, even as she plots to reunite with Aire and finish what they started.Nightguard Kivessin would rather die than work with Celestine. His mother was killed during her arrest, and he’s not about to forgive and forget. But when he learns that helping Celestine means taking her down if she goes rogue, he manages to set his razor-sharp morals aside.As they commence training, Celestine must exploit her relationship with Aire to stay one step ahead. If she fails, the world will end—and she’d hate to die without exploring the undeniable tension which lingers between her and Kivessin.In doing so, they discover something neither of them wants to acknowledge: she might not be the monster they thought…

Heavenly Bodies meets Divine Rivals in this star-lit romantasy about a girl who, after trying to end the world, now has to save it. In Velandor, where magic is ruled by the constellations, Celestine Savareau rots in prison after a failed attempt to end the world. All she wants is destruction and domination.When she is offered a freedom deal, Celestine has little choice but to accept, even if it means going after her ex-lover and accomplice Aire. Alone, he is trying to complete their monstrous plan. So Celestine joins the Nightguard, the protectors of Velandor, even as she plots to reunite with Aire and finish what they started.Nightguard Kivessin would rather die than work with Celestine. His mother was killed during her arrest, and he’s not about to forgive and forget. But when he learns that helping Celestine means taking her down if she goes rogue, he manages to set his razor-sharp morals aside.As they commence training, Celestine must exploit her relationship with Aire to stay one step ahead. If she fails, the world will end—and she’d hate to die without exploring the undeniable tension which lingers between her and Kivessin.In doing so, they discover something neither of them wants to acknowledge: she might not be the monster they thought…

'A beguiling dark fantasy debut that smoulders like hearth-fire' AVA REID, author of A Study in Drowning'Strikes the perfect balance between fairytale and terror' JAMISON SHEA, author of I Feed Her to the Beast'A vividly imagined page-turner with a thought-provoking take on gender inequality' KATHRYN FOXFIELD, author of Good Girls Die FirstInspired by Bavarian folklore, Season of Fear is a beautifully dark feminist fairytale for fans of Ava Reid and Hannah Whitten, which features a seductive lesbian romance and explores the power in being different and accepting yourself for who you are.​BLOOD SPILLS FROM VEINS, SKIN STARTS TO CRACK, IGNORE THE FOREST; TURN BACK, TURN BACK...In the village of Heulensee, Ilse Odenwald dreams of being afraid. Because in Heulensee, fearfulness is next to godliness.A monstrous forest borders the village – the Hexenwald. Its horrors attack every time the sky turns blood-red. The townsfolk’s only defence comes from the gruesome, ancient Saint of Fear, who demands the women and girls offer up their terror in return for its protection.Born without the ability to feel fear, Ilse is an outsider. As hard as she tries, she cannot bring forth the dread that the Saint of Fear demands. When it discovers her divergence, the Saint levels a threat: Ilse must find her fear, or it will devour her sister.Unable to lose Thea, the only person who understands her, Ilse enters the Hexenwald, hoping that the monsters it harbours will finally scare her. But the forest is hiding a multitude of secrets and Ilse is about to discover that there’s much more than fear to be found within...

'A beguiling dark fantasy debut that smoulders like hearth-fire' AVA REID, author of A Study in Drowning'Strikes the perfect balance between fairytale and terror' JAMISON SHEA, author of I Feed Her to the Beast'A vividly imagined page-turner with a thought-provoking take on gender inequality' KATHRYN FOXFIELD, author of Good Girls Die FirstInspired by Bavarian folklore, Season of Fear is a beautifully dark feminist fairytale for fans of Ava Reid and Hannah Whitten, which features a seductive lesbian romance and explores the power in being different and accepting yourself for who you are.​BLOOD SPILLS FROM VEINS, SKIN STARTS TO CRACK, IGNORE THE FOREST; TURN BACK, TURN BACK...In the village of Heulensee, Ilse Odenwald dreams of being afraid. Because in Heulensee, fearfulness is next to godliness.A monstrous forest borders the village – the Hexenwald. Its horrors attack every time the sky turns blood-red. The townsfolk’s only defence comes from the gruesome, ancient Saint of Fear, who demands the women and girls offer up their terror in return for its protection.Born without the ability to feel fear, Ilse is an outsider. As hard as she tries, she cannot bring forth the dread that the Saint of Fear demands. When it discovers her divergence, the Saint levels a threat: Ilse must find her fear, or it will devour her sister.Unable to lose Thea, the only person who understands her, Ilse enters the Hexenwald, hoping that the monsters it harbours will finally scare her. But the forest is hiding a multitude of secrets and Ilse is about to discover that there’s much more than fear to be found within...

'A beguiling dark fantasy debut that smoulders like hearth-fire' AVA REID, author ofA Study in Drowning'Strikes the perfect balance between fairytale and terror'JAMISON SHEA, author of I Feed Her to the Beast'A vividly imagined page-turner with a thought-provoking take on gender inequality' KATHRYN FOXFIELD, author ofGood Girls Die FirstInspired by Bavarian folklore,Season of Fearis a beautifully dark feminist fairytale for fans of Ava Reid and Hannah Whitten, which features a seductive lesbian romance and explores the power in being different and accepting yourself for who you are.?BLOOD SPILLS FROM VEINS, SKIN STARTS TO CRACK,IGNORE THE FOREST; TURN BACK, TURN BACK...In the village of Heulensee, Ilse Odenwald dreams of being afraid. Because in Heulensee, fearfulness is next to godliness.A monstrous forest borders the village the Hexenwald. Its horrors attack every time the sky turns blood-red. The townsfolk's only defence comes from the gruesome, ancient Saint of Fear, who demands the women and girls offer up their terror in return for its protection.Born without the ability to feel fear, Ilse is an outsider. As hard as she tries, she cannot bring forth the dread that the Saint of Fear demands. When it discovers her divergence, the Saint levels a threat: Ilse must find her fear, or it will devour her sister.Unable to lose Thea, the only person who understands her, Ilse enters the Hexenwald, hoping that the monsters it harbours will finally scare her. But the forest is hiding a multitude of secrets and Ilse is about to discover that there's much more than fear to be found within...

'A beguiling dark fantasy debut that smoulders like hearth-fire' AVA REID, author of A Study in Drowning'Strikes the perfect balance between fairytale and terror' JAMISON SHEA, author of I Feed Her to the Beast'A vividly imagined page-turner with a thought-provoking take on gender inequality' KATHRYN FOXFIELD, author of Good Girls Die FirstInspired by Bavarian folklore, Season of Fear is a beautifully dark feminist fairytale for fans of Ava Reid and Hannah Whitten, which features a seductive lesbian romance and explores the power in being different and accepting yourself for who you are.​BLOOD SPILLS FROM VEINS, SKIN STARTS TO CRACK, IGNORE THE FOREST; TURN BACK, TURN BACK...In the village of Heulensee, Ilse Odenwald dreams of being afraid. Because in Heulensee, fearfulness is next to godliness.A monstrous forest borders the village – the Hexenwald. Its horrors attack every time the sky turns blood-red. The townsfolk’s only defence comes from the gruesome, ancient Saint of Fear, who demands the women and girls offer up their terror in return for its protection.Born without the ability to feel fear, Ilse is an outsider. As hard as she tries, she cannot bring forth the dread that the Saint of Fear demands. When it discovers her divergence, the Saint levels a threat: Ilse must find her fear, or it will devour her sister.Unable to lose Thea, the only person who understands her, Ilse enters the Hexenwald, hoping that the monsters it harbours will finally scare her. But the forest is hiding a multitude of secrets and Ilse is about to discover that there’s much more than fear to be found within...

'Most lighthouses are a promise of sanctuary. My lighthouse is a threat.' The beam from Guinevere's lighthouse fends off the horrors lurking in the ocean surrounding the isolated Ynys Halen. Guin has one job: keep the light on.So, when Guin slips up, monsters are free to ravage the island and terror ensues for all who live there. No longer confident that the lighthouse can protect them, the islanders are all too keen to return to the ritual sacrifices that once sated the sea. As punishment, first in the firing line is Guin’s more-than-a-friend, Catrin Morgan. In a month, Catrin will be thrown to the ocean to be devoured by the secrets beneath the waves. But Guin won’t let that happen. She can't. Because it’s not just Catrin’s life at stake; it will mean the floodgates for future sacrifices will be flung open, and anyone could be forced to pay the cost. To succeed against the island’s rapidly forming cult, Guin and the eerie Morgan sisters must take a stand, using the lighthouse as their fortress. And as the community descends into depravity, the women must unearth the pestilence beneath the waves and determine who the real enemy is.Whatever you do, don't let the light go out…

'Most lighthouses are a promise of sanctuary. My lighthouse is a threat.' The beam from Guinevere's lighthouse fends off the horrors lurking in the ocean surrounding the isolated Ynys Halen. Guin has one job: keep the light on.So, when Guin slips up, monsters are free to ravage the island and terror ensues for all who live there. No longer confident that the lighthouse can protect them, the islanders are all too keen to return to the ritual sacrifices that once sated the sea. As punishment, first in the firing line is Guin’s more-than-a-friend, Catrin Morgan. In a month, Catrin will be thrown to the ocean to be devoured by the secrets beneath the waves. But Guin won’t let that happen. She can't. Because it’s not just Catrin’s life at stake; it will mean the floodgates for future sacrifices will be flung open, and anyone could be forced to pay the cost. To succeed against the island’s rapidly forming cult, Guin and the eerie Morgan sisters must take a stand, using the lighthouse as their fortress. And as the community descends into depravity, the women must unearth the pestilence beneath the waves and determine who the real enemy is.Whatever you do, don't let the light go out…

In 'Glass', Emily Cooper's poetics masterfully create a compelling space that deliberately excludes wide views-instead bringing her pen up close to a dilapidated house in a small rural town with its own personality. The traces and presence of those who have existed in those spaces-real and imagined-become interdependent in the narrative.

This book draws together interdisciplinary perspectives to examine the legal, moral, and socio-spatial regulation of sex work in the contemporary context. With a thematic focus on the gendered landscape of sex work, formal and informal methods of socio-spatial control, and (in)access to justice, this book explores the role of space in the regulation of sex work in diverse contexts, from the local to the global. The chapters collectively bring together complex, inter-related issues that impact the lives of sex workers throughout the world, providing evidence of the impacts of regulation on sex workers and subsequent barriers to accessing justice and rights. This collection centres the regulated lives of sex workers, using an intersectional lens that highlights the gendered and racialised impacts of stigma. Incorporating knowledge derived from both academic research and lived experience, this book provides a unique contribution that will be of interest to academics and policy-makers globally.