Emily Garside – författare

Angels in America was one of the most significant pieces of American theatre in the 20th Century. Much has been written on Tony Kushner's epic drama. However, the National Theatre of Great Britain's productions of the show are relatively under-discussed. Not only was the National Theatre responsible for helping to originate the play in the early 1990s, but it helped revitalize interest in 2018 with Marianne Elliott's reimagined version starring Andrew Garfield and Nathan Lane.This book considers the role of the National in the play's history, and how Elliott's production reframed the play 25 years after the original; it chronicles the tumultuous first production and the play's successes in London and New York. The book also looks at the key features of the play: its representation of AIDS, its status as an iconic gay play and its searing political commentary. Concluding with an in-depth analysis of Marianne Elliott's reimagining of the play, this book is an up-to-date history of Angels in America and a reflection on its continued importance.

With its groundbreaking score, unabashed romanticism, and scrappy sensibility, Rent was like a firecracker thrown into a hushed theater, turning heads and upending conventions. But if its unexpected success was the stuff of theatrical legend, the story of its making was a bittersweet one, with composer Jonathan Larson, a student of Sondheim's finally making his Off-Broadway debut, tragically dying on the night of the final dress rehearsal.Even decades later, Rent lives on as a warmly remembered chapter in Broadway history, yet the show is too often trivialized, reduced to parody, or dissected in the service of an arid cultural politics. In light of this, journalist and theater expert Emily Garside has some questions. Chief among them: Why is Rent taken less seriously than other musicals of its caliber? And should it be?In Seasons of Love, Garside brings both a fan's devotion and a scholar's critical eye to reassess the legacy of this Pulitzer Prize–winning musical a quarter-century after its premiere. Even as the show memorably captured the experience of life on the margins in the late '90s, Garside argues that it remains an important and relevant work today. She explores the influence it had on diverse casting, immersive set design, and queer representation in the works that followed in its wake. And she dives into the world of past and present "Rentheads" who share their formative experiences with the musical, which coincided with the dawn of online fan culture. Ultimately, Rent was an uncommonly innovative and prescient musical, and as we survey past works for inspiration and look for ways to fill our theaters, there's much to learn from its example.

With its groundbreaking score, unabashed romanticism, and scrappy sensibility, Rent was like a firecracker thrown into a hushed theater, turning heads and upending conventions. But if its unexpected success was the stuff of theatrical legend, the story of its making was a bittersweet one, with composer Jonathan Larson, a student of Sondheim''s finally making his Off-Broadway debut, tragically dying on the night of the final dress rehearsal.Even decades later, Rent lives on as a warmly remembered chapter in Broadway history, yet the show is too often trivialized, reduced to parody, or dissected in the service of an arid cultural politics. In light of this, journalist and theater expert Emily Garside has some questions. Chief among them: Why is Rent taken less seriously than other musicals of its caliber? And should it be?In Seasons of Love, Garside brings both a fan''s devotion and a scholar''s critical eye to reassess the legacy of this Pulitzer Prize–winning musical a quarter-century after its premiere. Even as the show memorably captured the experience of life on the margins in the late ''90s, Garside argues that it remains an important and relevant work today. She explores the influence it had on diverse casting, immersive set design, and queer representation in the works that followed in its wake. And she dives into the world of past and present "Rentheads" who share their formative experiences with the musical, which coincided with the dawn of online fan culture. Ultimately, Rent was an uncommonly innovative and prescient musical, and as we survey past works for inspiration and look for ways to fill our theaters, there''s much to learn from its example.

From the show's modest beginnings to its massive Emmy sweep, You Are My Happy Ending tells the story of how Schitt’s Creek became the surprise hit that changed the way we think about LGBTQ relationships. Cultural analyst Emily Garside shows how this series fused classic romcom and sitcom tropes to create a world with a queer love story at its core, starting with Daniel Levy, the co-creator who plays David. She examines the show’s Canadian identity and its diverse incorporation of references from literature (Brideshead Revisited) to cinema (Hitchcock’s The Birds), as well as numerous romantic comedy texts. Schitt’s Creek is an homage to all these elements of the past literary and cinematic canon while also creating an important contemporary narrative of its own. Most importantly, Garside delves into the references to queer icons and culture—from Cabaret to drag.How did this supposedly light comedy embrace an activist perspective? And how does it use (and subvert) its romantic-comedy genre in order to make that activism even more powerful? Combining a fan's affection with a scholar's insight, Garside explains how this “little show that could” is the product of a long history of queer activism, breaking down barriers and marking a turning point in future representation of LGBTQ stories.

From the show''s modest beginnings to its massive Emmy sweep, You Are My Happy Ending tells the story of how Schitt’s Creek became the surprise hit that changed the way we think about LGBTQ relationships. Cultural analyst Emily Garside shows how this series fused classic romcom and sitcom tropes to create a world with a queer love story at its core, starting with Daniel Levy, the co-creator who plays David. She examines the show’s Canadian identity and its diverse incorporation of references from literature (Brideshead Revisited) to cinema (Hitchcock’s The Birds), as well as numerous romantic comedy texts. Schitt’s Creek is an homage to all these elements of the past literary and cinematic canon while also creating an important contemporary narrative of its own. Most importantly, Garside delves into the references to queer icons and culture—from Cabaret to drag.How did this supposedly light comedy embrace an activist perspective? And how does it use (and subvert) its romantic-comedy genre in order to make that activism even more powerful? Combining a fan''s affection with a scholar''s insight, Garside explains how this “little show that could” is the product of a long history of queer activism, breaking down barriers and marking a turning point in future representation of LGBTQ stories.

A celebration of queer TV’s past, present and exciting future.In Out of the box, Emily Garside takes the reader on a tour through the colourful, complicated world of queer television – where representation is never just entertainment. Examining a wide array of programmes, from Queer as Folk and Buffy the Vampire Slayer to Schitt’s Creek and Heartstopper, she explores how queer viewers find themselves in the stories TV tells.Part I dives into the genres that have shaped queer visibility on screen, from the closeted tensions of TV drama to the evolving landscape of sitcoms, musicals, sci-fi and period pieces. Whether it’s gay aliens, campy dance numbers or the queerness hidden in historical narratives, these chapters reveal how genre both limits and liberates LGBTQ+ storytelling.Part II turns to the stories themselves: queer teens navigating first love, coming-out arcs, the thorny politics of sex on screen and the lasting need for AIDS narratives. The book also tackles the negative sides of queer TV, from queerbaiting to the ‘bury your gays’ trope, and looks at how fans push back through creativity and fanfiction.

Who are the Queer figures, past and present, who have made, and continue to make, Welsh history?  Discover the diverse array of LGBTQ+ figures influencing Wales – and the world – in an exploration of the household names and hidden icons who have shaped their fields and driven forward Queer representation.   From Jan Morris to Ivor Novello, Kenneth Williams to Callum Scott Howells, Jess Fishlock to Lauren Price, via Terrence Higgins, The Vivienne and Owain Wyn Evans, Welsh people have marked the breadth and variety of Queer achievement. Rainbow Wales is an exciting, inspiring tour of figures from culture and sport to politics and activism, and a jubilant exploration of the rich tapestry of Queer identity in Wales.

Love That Journey For Me dives deep into the cultural sensation of Canadian comedy drama Schitt’s Creek. Considering the fusion of existing sitcom traditions, references and tropes, this Inkling analyses the nuance of the show and its surrounding cultural and societal impact as a queer revolution.By discussing how the show reshapes LGBTQ+ narratives from the crafting of the town itself, and celebratory influences including Cabaret, to how writer creator Dan Levy utilised and subverted expectations throughout his work, Emily Garside will showcase how one TV show became a watershed moment in queer representation and gay relationships on screen. Part analysis of Schitt’s Creek’s importance, part homage to a cultural landmark, this is a show that – in the words of David Rose himself – needs to be celebrated. This book is that celebration. This book is unofficial, and unaffiliated with Schitt’s Creek and its brand.

Love That Journey For Me dives deep into the cultural sensation of Canadian comedy drama Schitt''s Creek. Considering the fusion of existing sitcom traditions, references and tropes, this Inkling analyses the nuance of the show and its surrounding cultural and societal impact as a queer revolution.By discussing how the show reshapes LGBTQ+ narratives from the crafting of the town itself, and celebratory influences including Cabaret, to how writer creator Dan Levy utilised and subverted expectations throughout his work, Emily Garside will showcase how one TV show became a watershed moment in queer representation and gay relationships on screen.Part analysis of Schitt''s Creek''s importance, part homage to a cultural landmark, this is a show that – in the words of David Rose himself – needs to be celebrated. This book is that celebration.This book is unofficial, and unaffiliated with Schitt''s Creek and its brand.

The television writing of Russell T Davies defies easy categorisation, ranging from children’s programmes, across Shakespeare, historical drama and comedy, to the landmark series that have made him a household name: Queer As Folk, Doctor Who and It’s a Sin.Gay Aliens and Queer Folk takes a deep dive into the queer narratives Russell T Davies has brought to our screens, exploring how each work created new space for LGBTQ+ stories to enter our living rooms and looking at their impact on the people who saw themselves reflected on mainstream television, often for the first time.Covering Russell T Davies’ career from his earliest work to his highly anticipated return to the TARDIS for Doctor Who’s 60th anniversary, and highlighting key themes such as politics, sex, AIDS and the role of Wales in his writing, Emily Garside reveals how Davies broke down barriers, showing gay characters unapologetically living their lives to the full and celebrating the complexity and joy of queer identities.