Emily Hughes - Böcker

This book reconstructs Heidegger’s philosophy of time by reading his work with and against a series of key interlocutors that he nominates as being central to his own critical history of time. In doing so, it explains what makes time of such significance for Heidegger and argues that Heidegger can contribute to contemporary debates in the philosophy of time.Time is a central concern for Heidegger, yet his thinking on the subject is fragmented, making it difficult to grasp its depth, complexity, and promise. Heidegger traces out a history that focuses on the conceptualisations of time put forward by Aristotle, Plotinus, Augustine, Kant, Hegel, Bergson, and Husserl – an “alternative history of time” that challenges how time has been defined and studied within both philosophy and the sciences. This book explores what happens when we take seriously Heidegger’s claim that these seven figures are essential to any understanding of time, setting out what this can tell us about existence, possibility, and philosophy as a historical discipline.Heidegger’s Alternative History of Time will appeal to scholars and advanced students working on Heidegger, phenomenology, the philosophy of time, and the history of philosophy.

This book reconstructs Heidegger’s philosophy of time by reading his work with and against a series of key interlocutors that he nominates as being central to his own critical history of time. In doing so, it explains what makes time of such significance for Heidegger and argues that Heidegger can contribute to contemporary debates in the philosophy of time.Time is a central concern for Heidegger, yet his thinking on the subject is fragmented, making it difficult to grasp its depth, complexity, and promise. Heidegger traces out a history that focuses on the conceptualisations of time put forward by Aristotle, Plotinus, Augustine, Kant, Hegel, Bergson, and Husserl – an “alternative history of time” that challenges how time has been defined and studied within both philosophy and the sciences. This book explores what happens when we take seriously Heidegger’s claim that these seven figures are essential to any understanding of time, setting out what this can tell us about existence, possibility, and philosophy as a historical discipline.Heidegger’s Alternative History of Time will appeal to scholars and advanced students working on Heidegger, phenomenology, the philosophy of time, and the history of philosophy.

This open access volume is an interdisciplinary anthology on loneliness that brings together for the first time a variety of disciplines to provide a comprehensive overview of research into a defining condition of our age.Loneliness is currently a widely debated topic in intellectual and public discourse that is occasionally, though controversially, seen to be an important public health hazard and that is often, and also controversially, said to be a marker of our digital and post-pandemic age. The volume brings together the contributions from leading researchers in philosophy, literature, psychology, cognitive science, history, anthropology, health science and business studies. Despite the wide scope of topics and differences in methodology, the contributors all investigate, in various forms, conceptual and empirical questions as they arise in the attempt to understand what loneliness is and whether we should think of it as the signifier of our time. The collection brings together chapters that investigate loneliness from a conceptual standpoint such as philosophy, psychoanalysis, or literature. They prepare the ground for a second section in which loneliness is investigated as it manifests itself in old age and at the end of life, as posing crucial problems for contemporary society. The contributions to the third section then research concrete manifestations of loneliness, such as loneliness amongst asylum seekers, in the workplace, and during the Covid-19 pandemic. Together these chapters offer a unique portrait of loneliness in our time that presents this hotly debated phenomenon in a multi-faceted, novel, and nuanced way.The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the University of Exeter, Maynooth University, UCLA and Bentley University.

Isamu Noguchi is one of the most important sculptors of all time. You know his work without even knowing you know: His Akari lamps changed the way modern buildings light their space. But before he was important, he was a kid. This is his story.Noguchi was a Japanese American artist who gave the world light. The world, however, was not always so giving in return. Growing up mixed-race, born in the United States but raised in Japan, Noguchi found himself perceived as an outsider who did not belong in either country. Unable to identify fully as either Japanese or American, he conceived of himself as a snail, capable of retreating into his creative shell when the world did not embrace him. Through his art, the Snail could shape, hold, and create light—to conquer the darkness without.Poetic and searing, heart-wrenching and exquisite, Emily Hughes’s paean to creativity explores emotions ravaged by a history of Japanese incarceration, the effects of personal isolation, and the power of art to heal those wounds.

Talk to Her (2002) is a hugely rich and interesting though ambiguous film that met with both popular success and critical acclaim. The film won an Oscar for best original screenplay and has been hailed by some critics as Pedro Almodóvar's masterpiece. Yet like most of Almodóvar's films, little is clear cut. The characters are complex and our affinity and empathy for them shifts throughout the film. In Studying Talk to Her, Emily Hughes provides an in-depth analysis of both the formal elements of the film (its narrative, genre, and auteur study) and the themes and issues it raises, discussing the social context of modern Spain and its old, traditional iconography; shifting attitudes towards gender; and, crucially, the film's uneasy, morally ambiguous depiction of rape and the spectator's reaction to it.

You cannot tame something so happily wild...In this beautiful picture book by Hawaiian artist Emily Hughes we meet a little girl who has known nothing but nature from birth – she was taught to talk by birds, to eat by bears and to play by foxes – she is unashamedly, irrefutably, irrepressibly wild. That is, until she is snared by some very strange animals that look oddly like her, but they don't talk right, eat right, or play correctly, she's puzzled by their behaviour and their insistence to live in these strange concrete structures known as 'apartments' there's no green here, no animals, no trees, no rivers. Now she lives in the comfort of civilization. But will civilization get comfortable with her?