Emily McAvan – författare

From The Matrix and Harry Potter to Stargate SG:1 and The X-Files, recent science fiction and fantasy offerings both reflect and produce a sense of the religious. This work examines this pop-culture spirituality, or "postmodern sacred," showing how consumers use the symbols contained in explicitly "unreal" texts to gain a secondhand experience of transcendence and belief. Topics include how media technologies like CGI have blurred the lines between real and unreal, the polytheisms of Buffy and Xena, the New Age Gnosticism of The DaVinci Code, the Islamic "Other" and science fiction's response to 9/11, and the Christian Right and popular culture. Today's pervasive, saturated media culture, this work shows, has utterly collapsed the sacred/profane binary, so that popular culture is not only powerfully shaped by the discourses of religion, but also shapes how the religious appears and is experienced in the contemporary world.

Since the publication of her first novel, Oranges Are Not the Only Fruit, Jeanette Winterson quickly established herself as a powerful and insightful writer on sexuality and gender. However, the profound and persistent religious themes of her work have received much less critical attention. Jeanette Winterson and Religion is the first in-depth study of the ways in which Winterson navigates the sacred and the profane in the full range of her writing, from her first novel to later works such as The PowerBook and The Stone Gods. This book reads the author's work alongside the theological turn in the thought of such theorists as Alain Badiou, John D. Caputo and Julia Kristeva as well as feminist and queer theologians such as Catherine Keller and Marcella Althaus-Reid. In this way, Jeanette Winterson and Religion reveals how Jeanette Winterson stakes out a unique and intriguing post-secular literary form of the sacred.

Since the publication of her first novel, Oranges Are Not the Only Fruit, Jeanette Winterson quickly established herself as a powerful and insightful writer on sexuality and gender. However, the profound and persistent religious themes of her work have received much less critical attention. Jeanette Winterson and Religion is the first in-depth study of the ways in which Winterson navigates the sacred and the profane in the full range of her writing, from her first novel to later works such as The PowerBook and The Stone Gods. This book reads the author''s work alongside the theological turn in the thought of such theorists as Alain Badiou, John D. Caputo and Julia Kristeva as well as feminist and queer theologians such as Catherine Keller and Marcella Althaus-Reid. In this way, Jeanette Winterson and Religion reveals how Jeanette Winterson stakes out a unique and intriguing post-secular literary form of the sacred.

Since the publication of her first novel, Oranges Are Not the Only Fruit, Jeanette Winterson quickly established herself as a powerful and insightful writer on sexuality and gender. However, the profound and persistent religious themes of her work have received much less critical attention. Jeanette Winterson and Religion is the first in-depth study of the ways in which Winterson navigates the sacred and the profane in the full range of her writing, from her first novel to later works such as The PowerBook and The Stone Gods. This book reads the author''s work alongside the theological turn in the thought of such theorists as Alain Badiou, John D. Caputo and Julia Kristeva as well as feminist and queer theologians such as Catherine Keller and Marcella Althaus-Reid. In this way, Jeanette Winterson and Religion reveals how Jeanette Winterson stakes out a unique and intriguing post-secular literary form of the sacred.

Since the publication of her first novel, Oranges Are Not the Only Fruit, Jeanette Winterson quickly established herself as a powerful and insightful writer on sexuality and gender. However, the profound and persistent religious themes of her work have received much less critical attention. Jeanette Winterson and Religion is the first in-depth study of the ways in which Winterson navigates the sacred and the profane in the full range of her writing, from her first novel to later works such as The PowerBook and The Stone Gods. This book reads the author's work alongside the theological turn in the thought of such theorists as Alain Badiou, John D. Caputo and Julia Kristeva as well as feminist and queer theologians such as Catherine Keller and Marcella Althaus-Reid. In this way, Jeanette Winterson and Religion reveals how Jeanette Winterson stakes out a unique and intriguing post-secular literary form of the sacred.

What does it feel like to experience the sacred today? Examining in detail many of this century’s most significant writers, including Margaret Atwood, Salman Rushdie, Elizabeth Strout, Marilynne Robinson, Mohsin Hamid, Michael Chabon, Howard Jacobson and Don DeLillo, Divinity, Hospitality and the Posthuman in 21st-Century Literature: The Material Sacred argues that contemporary social and cultural forms, most especially those of 21st century literature, are marked by what Emily McAvan calls a material sacred.Placing Christian, Jewish and Muslim writers in conversation with the new materialisms, this book shows how secular and sacred mix unpredictably in contemporary writing. In this important contribution to the understanding of religion, materialism and literature, McAvan maps new territory, arguing that the material sacred shows us that the human and non-human, the divine and the profane, have been interwoven from the start.

What does it feel like to experience the sacred today? Examining in detail many of this century''s most significant writers, including Margaret Atwood, Salman Rushdie, Elizabeth Strout, Marilynne Robinson, Mohsin Hamid, Michael Chabon, Howard Jacobson and Don DeLillo, Divinity, Hospitality and the Posthuman in 21st-Century Literature: The Material Sacred argues that contemporary social and cultural forms, most especially those of 21st century literature, are marked by what Emily McAvan calls a material sacred. Placing Christian, Jewish and Muslim writers in conversation with the new materialisms, this book shows how secular and sacred mix unpredictably in contemporary writing. In this important contribution to the understanding of religion, materialism and literature, McAvan maps new territory, arguing that the material sacred shows us that the human and non-human, the divine and the profane, have been interwoven from the start.

What does it feel like to experience the sacred today? Examining in detail many of this century''s most significant writers, including Margaret Atwood, Salman Rushdie, Elizabeth Strout, Marilynne Robinson, Mohsin Hamid, Michael Chabon, Howard Jacobson and Don DeLillo, Divinity, Hospitality and the Posthuman in 21st-Century Literature: The Material Sacred argues that contemporary social and cultural forms, most especially those of 21st century literature, are marked by what Emily McAvan calls a material sacred. Placing Christian, Jewish and Muslim writers in conversation with the new materialisms, this book shows how secular and sacred mix unpredictably in contemporary writing. In this important contribution to the understanding of religion, materialism and literature, McAvan maps new territory, arguing that the material sacred shows us that the human and non-human, the divine and the profane, have been interwoven from the start.

What does it feel like to experience the sacred today? Examining in detail many of this century’s most significant writers, including Margaret Atwood, Salman Rushdie, Elizabeth Strout, Marilynne Robinson, Mohsin Hamid, Michael Chabon, Howard Jacobson and Don DeLillo, Divinity, Hospitality and the Posthuman in 21st-Century Literature: The Material Sacred argues that contemporary social and cultural forms, most especially those of 21st century literature, are marked by what Emily McAvan calls a material sacred.Placing Christian, Jewish and Muslim writers in conversation with the new materialisms, this book shows how secular and sacred mix unpredictably in contemporary writing. In this important contribution to the understanding of religion, materialism and literature, McAvan maps new territory, arguing that the material sacred shows us that the human and non-human, the divine and the profane, have been interwoven from the start.