Mothering Performance is a combination of scholarly essays and creative responses which focus on maternal performance and its applications from a variety of interdisciplinary perspectives. This collection extends the concept and action of ‘performance’ and connects it to the idea of ‘mothering’ as activity. Mothering, as a form of doing, is a site of never-ending political and personal production; it is situated in a specific place, and it is undertaken by specific bodies, marked by experience and context. The authors explore the potential of a maternal sensibility to move us towards maternal action that is explicitly political, ethical, and in relation to our others. Presented in three sections, Exchange, Practice, and Solidarity, the book includes international contributions from scholars and artists covering topics including ecology, migration, race, class, history, incarceration, mental health, domestic violence, intergenerational exchange, childcare, and peacebuilding. The collection gathers diverse maternal performance practices and methodologies which address aesthetics, dramaturgy, activism, pregnancy, everyday mothering, and menopause. The book is a great read for artists, maternal health and care professionals, and scholars. Researchers with an interest in feminist performance and motherhood, within the disciplines of performance studies, maternal studies, and women’s studies, and all those who wish to gain a deeper understanding of maternal experience, will find much of interest.The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. Funded by University of South Wales

Mothering Performance is a combination of scholarly essays and creative responses which focus on maternal performance and its applications from a variety of interdisciplinary perspectives. This collection extends the concept and action of ‘performance’ and connects it to the idea of ‘mothering’ as activity. Mothering, as a form of doing, is a site of never-ending political and personal production; it is situated in a specific place, and it is undertaken by specific bodies, marked by experience and context. The authors explore the potential of a maternal sensibility to move us towards maternal action that is explicitly political, ethical, and in relation to our others. Presented in three sections, Exchange, Practice, and Solidarity, the book includes international contributions from scholars and artists covering topics including ecology, migration, race, class, history, incarceration, mental health, domestic violence, intergenerational exchange, childcare, and peacebuilding. The collection gathers diverse maternal performance practices and methodologies which address aesthetics, dramaturgy, activism, pregnancy, everyday mothering, and menopause. The book is a great read for artists, maternal health and care professionals, and scholars. Researchers with an interest in feminist performance and motherhood, within the disciplines of performance studies, maternal studies, and women’s studies, and all those who wish to gain a deeper understanding of maternal experience, will find much of interest.The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. Funded by University of South Wales

Storytelling Research Methods establishes the methods, subject matter, tonal qualities, and philosophical underpinnings of Storytelling Research, while distinguishing it from its close relatives in Narrative Research, Narrative Inquiry, Performance Research, Autoethnography, and Qualitative Methods. The book includes philosophical discussion of Storytelling Research alongside practical advice on how to conduct storytelling research and international case studies from storytellers, scholars, and thinkers from Africa, Asia, Europe, and North America examining how storytelling methods have been used in practice.The distinctive emphasis in Storytelling Research is on the telling of stories—that is, on the vibrant moments in which stories are summoned into the psycho-cultural space between individuals and groups. The creation, documentation, and analysis of such moments are tasks of activism as well as pure research—their intention is to bring the world to a renewed condition, while advancing our understanding of such artful interactions. The book traces the interdisciplinary genealogies of storytelling research in Folklore, Performance Studies, Theatre, Communication Studies, Literature, Socio-linguistics, Sociology, History, and other contemporary lenses, while making the case for storytelling as its own uniquely rooted formation. It establishes holistic connections between storytelling as performing art and storytelling as a tool for generating data and social change.The book will be useful as a textbook for advanced undergraduate and graduate courses in Storytelling, as well as those who wish to expand their understanding of qualitative methods across the Arts, Humanities, and Social Sciences.

Storytelling Research Methods establishes the methods, subject matter, tonal qualities, and philosophical underpinnings of Storytelling Research, while distinguishing it from its close relatives in Narrative Research, Narrative Inquiry, Performance Research, Autoethnography, and Qualitative Methods. The book includes philosophical discussion of Storytelling Research alongside practical advice on how to conduct storytelling research and international case studies from storytellers, scholars, and thinkers from Africa, Asia, Europe, and North America examining how storytelling methods have been used in practice.The distinctive emphasis in Storytelling Research is on the telling of stories—that is, on the vibrant moments in which stories are summoned into the psycho-cultural space between individuals and groups. The creation, documentation, and analysis of such moments are tasks of activism as well as pure research—their intention is to bring the world to a renewed condition, while advancing our understanding of such artful interactions. The book traces the interdisciplinary genealogies of storytelling research in Folklore, Performance Studies, Theatre, Communication Studies, Literature, Socio-linguistics, Sociology, History, and other contemporary lenses, while making the case for storytelling as its own uniquely rooted formation. It establishes holistic connections between storytelling as performing art and storytelling as a tool for generating data and social change.The book will be useful as a textbook for advanced undergraduate and graduate courses in Storytelling, as well as those who wish to expand their understanding of qualitative methods across the Arts, Humanities, and Social Sciences.

Storytelling Research Methods establishes the methods, subject matter, tonal qualities, and philosophical underpinnings of Storytelling Research, while distinguishing it from its close relatives in Narrative Research, Narrative Inquiry, Performance Research, Autoethnography, and Qualitative Methods. The book includes philosophical discussion of Storytelling Research alongside practical advice on how to conduct storytelling research and international case studies from storytellers, scholars, and thinkers from Africa, Asia, Europe, and North America examining how storytelling methods have been used in practice.The distinctive emphasis in Storytelling Research is on the telling of stories-that is, on the vibrant moments in which stories are summoned into the psycho-cultural space between individuals and groups. The creation, documentation, and analysis of such moments are tasks of activism as well as pure research-their intention is to bring the world to a renewed condition, while advancing our understanding of such artful interactions. The book traces the interdisciplinary genealogies of storytelling research in Folklore, Performance Studies, Theatre, Communication Studies, Literature, Socio-linguistics, Sociology, History, and other contemporary lenses, while making the case for storytelling as its own uniquely rooted formation. It establishes holistic connections between storytelling as performing art and storytelling as a tool for generating data and social change.The book will be useful as a textbook for advanced undergraduate and graduate courses in Storytelling, as well as those who wish to expand their understanding of qualitative methods across the Arts, Humanities, and Social Sciences.

Storytelling Research Methods establishes the methods, subject matter, tonal qualities, and philosophical underpinnings of Storytelling Research, while distinguishing it from its close relatives in Narrative Research, Narrative Inquiry, Performance Research, Autoethnography, and Qualitative Methods. The book includes philosophical discussion of Storytelling Research alongside practical advice on how to conduct storytelling research and international case studies from storytellers, scholars, and thinkers from Africa, Asia, Europe, and North America examining how storytelling methods have been used in practice.The distinctive emphasis in Storytelling Research is on the telling of stories-that is, on the vibrant moments in which stories are summoned into the psycho-cultural space between individuals and groups. The creation, documentation, and analysis of such moments are tasks of activism as well as pure research-their intention is to bring the world to a renewed condition, while advancing our understanding of such artful interactions. The book traces the interdisciplinary genealogies of storytelling research in Folklore, Performance Studies, Theatre, Communication Studies, Literature, Socio-linguistics, Sociology, History, and other contemporary lenses, while making the case for storytelling as its own uniquely rooted formation. It establishes holistic connections between storytelling as performing art and storytelling as a tool for generating data and social change.The book will be useful as a textbook for advanced undergraduate and graduate courses in Storytelling, as well as those who wish to expand their understanding of qualitative methods across the Arts, Humanities, and Social Sciences.

Maternal Performance: Feminist Relations bridges the fields of performance, feminism, maternal studies, and ethics. It loosely follows the life course with chapters on maternal loss, pregnancy, birth, aftermath, maintenance, generations, and futures. Performance and the maternal have an affinity as both are lived through the body of the mother/artist, are played out in real time, and are concerned with creating ethical relationships with an other – be that other the child, the theatrical audience, or our wider communities. The authors contend that maternal performance takes the largely hidden, private and domestic work of mothering and makes it worthy of consideration and contemplation within the public sphere.

Mothering Performance is a combination of scholarly essays and creative responses which focus on maternal performance and its applications from a variety of interdisciplinary perspectives. This collection extends the concept and action of ‘performance’ and connects it to the idea of ‘mothering’ as activity. Mothering, as a form of doing, is a site of never-ending political and personal production; it is situated in a specific place, and it is undertaken by specific bodies, marked by experience and context. The authors explore the potential of a maternal sensibility to move us towards maternal action that is explicitly political, ethical, and in relation to our others. Presented in three sections, Exchange, Practice, and Solidarity, the book includes international contributions from scholars and artists covering topics including ecology, migration, race, class, history, incarceration, mental health, domestic violence, intergenerational exchange, childcare, and peacebuilding. The collection gathers diverse maternal performance practices and methodologies which address aesthetics, dramaturgy, activism, pregnancy, everyday mothering, and menopause. The book is a great read for artists, maternal health and care professionals, and scholars. Researchers with an interest in feminist performance and motherhood, within the disciplines of performance studies, maternal studies, and women’s studies, and all those who wish to gain a deeper understanding of maternal experience, will find much of interest.The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. Funded by University of South Wales

Mothering Performance is a combination of scholarly essays and creative responses which focus on maternal performance and its applications from a variety of interdisciplinary perspectives. This collection extends the concept and action of ‘performance’ and connects it to the idea of ‘mothering’ as activity. Mothering, as a form of doing, is a site of never-ending political and personal production; it is situated in a specific place, and it is undertaken by specific bodies, marked by experience and context. The authors explore the potential of a maternal sensibility to move us towards maternal action that is explicitly political, ethical, and in relation to our others. Presented in three sections, Exchange, Practice, and Solidarity, the book includes international contributions from scholars and artists covering topics including ecology, migration, race, class, history, incarceration, mental health, domestic violence, intergenerational exchange, childcare, and peacebuilding. The collection gathers diverse maternal performance practices and methodologies which address aesthetics, dramaturgy, activism, pregnancy, everyday mothering, and menopause. The book is a great read for artists, maternal health and care professionals, and scholars. Researchers with an interest in feminist performance and motherhood, within the disciplines of performance studies, maternal studies, and women’s studies, and all those who wish to gain a deeper understanding of maternal experience, will find much of interest.The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. Funded by University of South Wales

Storytelling Research Methods establishes the methods, subject matter, tonal qualities, and philosophical underpinnings of Storytelling Research, while distinguishing it from its close relatives in Narrative Research, Narrative Inquiry, Performance Research, Autoethnography, and Qualitative Methods. The book includes philosophical discussion of Storytelling Research alongside practical advice on how to conduct storytelling research and international case studies from storytellers, scholars, and thinkers from Africa, Asia, Europe, and North America examining how storytelling methods have been used in practice.The distinctive emphasis in Storytelling Research is on the telling of stories—that is, on the vibrant moments in which stories are summoned into the psycho-cultural space between individuals and groups. The creation, documentation, and analysis of such moments are tasks of activism as well as pure research—their intention is to bring the world to a renewed condition, while advancing our understanding of such artful interactions. The book traces the interdisciplinary genealogies of storytelling research in Folklore, Performance Studies, Theatre, Communication Studies, Literature, Socio-linguistics, Sociology, History, and other contemporary lenses, while making the case for storytelling as its own uniquely rooted formation. It establishes holistic connections between storytelling as performing art and storytelling as a tool for generating data and social change.The book will be useful as a textbook for advanced undergraduate and graduate courses in Storytelling, as well as those who wish to expand their understanding of qualitative methods across the Arts, Humanities, and Social Sciences.

Storytelling Research Methods establishes the methods, subject matter, tonal qualities, and philosophical underpinnings of Storytelling Research, while distinguishing it from its close relatives in Narrative Research, Narrative Inquiry, Performance Research, Autoethnography, and Qualitative Methods. The book includes philosophical discussion of Storytelling Research alongside practical advice on how to conduct storytelling research and international case studies from storytellers, scholars, and thinkers from Africa, Asia, Europe, and North America examining how storytelling methods have been used in practice.The distinctive emphasis in Storytelling Research is on the telling of stories—that is, on the vibrant moments in which stories are summoned into the psycho-cultural space between individuals and groups. The creation, documentation, and analysis of such moments are tasks of activism as well as pure research—their intention is to bring the world to a renewed condition, while advancing our understanding of such artful interactions. The book traces the interdisciplinary genealogies of storytelling research in Folklore, Performance Studies, Theatre, Communication Studies, Literature, Socio-linguistics, Sociology, History, and other contemporary lenses, while making the case for storytelling as its own uniquely rooted formation. It establishes holistic connections between storytelling as performing art and storytelling as a tool for generating data and social change.The book will be useful as a textbook for advanced undergraduate and graduate courses in Storytelling, as well as those who wish to expand their understanding of qualitative methods across the Arts, Humanities, and Social Sciences.

Storytelling Research Methods establishes the methods, subject matter, tonal qualities, and philosophical underpinnings of Storytelling Research, while distinguishing it from its close relatives in Narrative Research, Narrative Inquiry, Performance Research, Autoethnography, and Qualitative Methods. The book includes philosophical discussion of Storytelling Research alongside practical advice on how to conduct storytelling research and international case studies from storytellers, scholars, and thinkers from Africa, Asia, Europe, and North America examining how storytelling methods have been used in practice.The distinctive emphasis in Storytelling Research is on the telling of stories-that is, on the vibrant moments in which stories are summoned into the psycho-cultural space between individuals and groups. The creation, documentation, and analysis of such moments are tasks of activism as well as pure research-their intention is to bring the world to a renewed condition, while advancing our understanding of such artful interactions. The book traces the interdisciplinary genealogies of storytelling research in Folklore, Performance Studies, Theatre, Communication Studies, Literature, Socio-linguistics, Sociology, History, and other contemporary lenses, while making the case for storytelling as its own uniquely rooted formation. It establishes holistic connections between storytelling as performing art and storytelling as a tool for generating data and social change.The book will be useful as a textbook for advanced undergraduate and graduate courses in Storytelling, as well as those who wish to expand their understanding of qualitative methods across the Arts, Humanities, and Social Sciences.

Storytelling Research Methods establishes the methods, subject matter, tonal qualities, and philosophical underpinnings of Storytelling Research, while distinguishing it from its close relatives in Narrative Research, Narrative Inquiry, Performance Research, Autoethnography, and Qualitative Methods. The book includes philosophical discussion of Storytelling Research alongside practical advice on how to conduct storytelling research and international case studies from storytellers, scholars, and thinkers from Africa, Asia, Europe, and North America examining how storytelling methods have been used in practice.The distinctive emphasis in Storytelling Research is on the telling of stories-that is, on the vibrant moments in which stories are summoned into the psycho-cultural space between individuals and groups. The creation, documentation, and analysis of such moments are tasks of activism as well as pure research-their intention is to bring the world to a renewed condition, while advancing our understanding of such artful interactions. The book traces the interdisciplinary genealogies of storytelling research in Folklore, Performance Studies, Theatre, Communication Studies, Literature, Socio-linguistics, Sociology, History, and other contemporary lenses, while making the case for storytelling as its own uniquely rooted formation. It establishes holistic connections between storytelling as performing art and storytelling as a tool for generating data and social change.The book will be useful as a textbook for advanced undergraduate and graduate courses in Storytelling, as well as those who wish to expand their understanding of qualitative methods across the Arts, Humanities, and Social Sciences.

Maternal Performance: Feminist Relations bridges the fields of performance, feminism, maternal studies, and ethics. It loosely follows the life course with chapters on maternal loss, pregnancy, birth, aftermath, maintenance, generations, and futures. Performance and the maternal have an affinity as both are lived through the body of the mother/artist, are played out in real time, and are concerned with creating ethical relationships with an other – be that other the child, the theatrical audience, or our wider communities. The authors contend that maternal performance takes the largely hidden, private and domestic work of mothering and makes it worthy of consideration and contemplation within the public sphere.