Emmanuel S. Nelson – författare

Adopting the concept of diaspora--literally dispersal, or the scattering of a people--to the historical and contemporary presence of people of Indian subcontinental origin in other areas of the world, Emmanuel Nelson uses this paradigm to analyze Indian expatriate writing. In Reworlding, Nelson has commissioned fourteen critical essays by as many scholars to examine major areas of the diaspora--among them Britain, the United States, Canada, Trinidad, Fiji, Singapore, East and South Africa--and prominent literary figures, including Salman Rushdie, V. S. Naipaul, Kamala Markandaya, Bharati Mukherjee, and Raja Rao.Collectively, the essays demonstrate that the various literary traditions within the Indian diaspora share certain common resonances engendered by historical connections, spiritual affinities, and racial memories. Individually, they provide challenging insights into the particular experiences and writers. At the core of the diasporic writing is the haunting presence of India and the shared anguish of personal loss that generate the aesthetics of reworlding underlying and unifying this body of literature. This collection will be of value to scholars and students of Indian writing in English, postcolonial writing in general, and the literature of exile and immigration.

Publication of this sourcebook on important gay American fiction writers grants legitimacy and recognition to this rapidly emerging area of literary studies. Though wary of canon-formation in this groundbreaking work, editor Nelson has selected fifty-seven writers whose works have received serious critical acclaim and/or have won large audiences or, in a few cases, are worthy of greater attention. Included are representative writers of detective fiction and science fiction, but not authors of erotic fiction or pulp novels. Also excluded are a few novelists whose expressed wishes for privacy were respected. Writers and their works are examined in the gay literary context, and a majority of the contributing essayists are themselves gay male scholars and writers who bring with them a level of personal and political sensitivity that is generally lacking in non-gay assessments of this literature.Each entry begins with biographical information, proceeds to an interpretive summary of major works and themes, provides an overview of critical reception accorded the author, and concludes with bibliographies of primary and secondary materials. In a lively and perceptive introductory essay, Bredbeck inquires into what we mean by gay literature and the inherent tensions in these terms. Conceding the impossibility of speaking conclusively of gay literature, he nevertheless stresses the importance of the task and ends with a survey of critical studies of the gay male novel and works of gay male criticism.

During the last two decades, African American writers have emerged as a distinct and dominant force in world literature. This force has been gathering momentum since the 1950s, when James Baldwin published some of his most compelling works and Ralph Ellison stunned the literary establishment with his dazzling Invisible Man (1952). Empowered by the Civil Rights Movement and revitalized by the Black Arts Movement of the 1960s, this force became more potent and pervasive. The publication of Toni Morrison's The Bluest Eye in 1970 was a major event in the literary history of the United States. With a voice as original as America itself, she began to conquer the English language and redefine the international literary landscape. Along with Morrison, scores of African American writers have mapped bold new territories and firmly entrenched themselves in the forefront of contemporary American literature. This reference book is a guide to the lives, works, and achievements of 79 contemporary African American novelists.Through alphabetically arranged entries written by expert contributors, this volume offers lively, concise, and current information about these writers. Each entry begins with a biographical sketch of the author, provides a judicious critical assessment of the author's major works and themes, gives a representative sample of the critical responses the author's novels have elicited, and concludes with a selected bibliography that lists the author's publications as well as useful secondary material. Included are major figures, such as Toni Morrison, Alice Walker, James Baldwin, and Ralph Ellison. There are also entries for many noteworthy but lesser known figures, such as Tina McElroy Ansa, Bebe Moore Campbell, Randall Kenan, Reginald McKnight, Marita Golden, and Arthur Flowers. Some are popular writers with mass appeal, such as Terri McMillan and Frank Yerby; others, such as Octavia E. Butler, are known for their science fiction. Still others are distinguished poets or playwrights who have also published one or more significant novels. Of the 79 novelists profiled, 41 are women, and roughly a dozen have identified themselves as gay, lesbian, or bisexual. Thus the volume demonstrates the enormous diversity of these writers and the breadth of their contribution to world literature.

There has been a dramatic resurgence of interest in early African American writing. Since the accidental rediscovery and republication of Harriet Wilson's Our Nig in 1983, the works of dozens of 19th and early 20th century black writers have been recovered and reprinted. There is now a significant revival of interest in the Harlem Renaissance of the 1920s; and in the last decade alone, several major assessments of 18th and 19th century African American literature have been published. Early African American literature builds on a strong oral tradition of songs, folktales, and sermons. Slave narratives began to appear during the late 18th and early 19th century, and later writers began to engage a variety of themes in diverse genres.A central objective of this reference book is to provide a wide-ranging introduction to the first 200 years of African American literature. Included are alphabetically arranged entries for 78 black writers active between 1745 and 1945. Among these writers are essayists, novelists, short story writers, poets, playwrights, and autobiographers. Each entry is written by an expert contributor and provides a biography, a discussion of major works and themes, an overview of the author's critical reception, and primary and secondary bibliographies. The volume concludes with a selected, general bibliography.

As a distinct area of literary study, Asian American literature now enjoys a level of critical recognition that was unimaginable when academic interest in the field began modestly some 25 years ago. Part of this recognition stems from the increasing contributions of Asian American novelists, whose works continue to capture growing levels of popular attention. By the early 1970s, anthologies of creative writing by Asian Americans began to appear, and there are now almost two dozen of them. Since then, numerous Asian American writers, such as Amy Tan, Michael Ondaatje, and Bharati Mukherjee, have gained considerable critical and commercial success.The publication of this reference work reflects the new academic status of Asian American literature. Included are alphabetically arranged entries for 70 Asian American novelists. Since the historical and current experiences of Asians in Canada and the United States are substantially similar, the volume covers authors from both countries. While the majority of the writers profiled in the volume have East Asian backgrounds, some have South Asian or West Asian origins. Each entry is written by an expert contributor and provides a short biography, a discussion of major works and themes, a summary of the novelist's critical reception, and separate bibliographies of primary and secondary sources. The volume concludes with a selected, general bibliography.

There is growing popular and scholarly interest in autobiography, along with increasing regard for the achievements of African American writers. The first reference of its kind, this volume chronicles the autobiographical tradition in African American literature. Included are alphabetically arranged entries for 66 African American authors who present autobiographical material in their works. The volume profiles major figures, such as Frederick Douglass, Zora Neale Hurston, Richard Wright, Maya Angelou, James Baldwin, and Malcolm X, along with many lesser known autobiographers who deserve greater attention. While some are known primarily for their literary accomplishments, others have gained acclaim for their diverse contributions to society.The entries are written by expert contributors and provide authoritative information about their subjects. Each begins with a concise biography, which summarizes the life and achievements of the autobiographer. This is followed by a discussion of major autobiographical works and themes, along with an overview of the autobiographer's critical reception. The entries close with primary and secondary bibliographies, and a selected, general bibliography concludes the volume. Together, the entries provide a detailed portrait of the African American autobiographical tradition from the 18th century to the present.

Gay presence is nothing new to American verse and theater. Homoerotic themes are discernible in American poetry as early as the 19th century, and identifiably gay characters appeared on the American stage more than 70 years ago. But aside from a few notable exceptions, gay artists of earlier generations felt compelled to avoid sexual candor in their writings. Conversely, most contemporary gay poets and playwrights are free from such constraints and have created a remarkable body of work. This reference is a guide to their creative achievements. Alphabetically arranged entries present 62 contemporary gay American poets and dramatists.While the majority of included writers are younger artists who came of age in the post-Stonewall U.S., some are older authors whose work has continued or persisted into recent decades. A number of these writers are well known, including Edward Albee, Harvey Fierstein, and Allen Ginsberg. Others, such as Alan Bowne, Timothy Liu, and Robert O'Hara, merit wider recognition. Each entry is written by an expert contributor and includes a biography, a discussion of major works and themes, an overview of the author's critical reception, and primary and secondary bibliographies.

The twelve essays that form this book, first published in 1993, interpret Bharati Mukherjee’s oeuvre from a variety of critical perspectives. The authors’ approaches range from the biographical to the poststructuralist, from cultural analysis to comparative commentary to deconstructive reading. Such diversity in the contributors’ theoretical stances and interpretive strategies enables this collection of essays to serve a key purpose: to offer not only multiple but conflicting perspectives on Mukherjee’s art and achievement.

The twelve essays that form this book, first published in 1993, interpret Bharati Mukherjee’s oeuvre from a variety of critical perspectives. The authors’ approaches range from the biographical to the poststructuralist, from cultural analysis to comparative commentary to deconstructive reading. Such diversity in the contributors’ theoretical stances and interpretive strategies enables this collection of essays to serve a key purpose: to offer not only multiple but conflicting perspectives on Mukherjee’s art and achievement.