Eoin McNamee – författare

Time travel adventure in which a boy joins a rebel uprising against a sinister enemy – ‘The Harsh’ – in order to repair the fabric of time.Owen's ordinary life is turned upside-down the day he gets involved with the Resisters and their centuries-long feud with an ancient, evil race. The Harsh, with their icy blasts and relentless onslaught, have a single aim – to turn back time and eliminate all life. Unless they are stopped, everything Owen knows will vanish as if it has never been…But all is not as it seems in the rebel ranks. While Owen is accepted by new friends Cati and Wesley, and the eccentric Dr Diamond, others are suspicious of his motives. Could there be a Harsh spy in their midst? Where and what is the mysterious Mortmain, vital to their cause? And what was Owen’s father’s role in all this many years before?As he journeys to the frozen North on a mission of destruction, Owen comes to understand his own history and to face his destiny.

LONGLISTED FOR THE BOOKER PRIZE At 2.20am in the morning of the 13th November 1952 the body of 19 year old Patricia Curran was carried into the surgery belonging to the family doctor. At first Dr Kenneth Wilson thought she had been the victim of an accidental shooting. In fact a subsequent post-mortem revealed that she had been stabbed thirty seven times.Eoin McNamee's searing novel, based on one of the greatest miscarriages of justice in recent history, is at once a gripping thriller and a macabre dance through a shadowy world of corruption and sexual intrigue - a darkly lyric narrative of white mischief in post-war Ireland, of false accusation and savage murder, presided over by the haunted, tragic figure of Patricia Curran.

Taking his cue from the true-life story of Special Forces Operative Captain Robert Nairac, Eoin McNamee has in The Ultras weaved a compelling fictional narrative through the backwaters of history. Set in the Ireland of the 1970s, it brings to life the dangerous shadowy margins of society in which Nairac immersed himself before his disappearance - the dangerous world of heretic plotters, outcasts, para-militarists and intelligence agencies alike.

'An extraordinary book, illuminating not only the political map of Belfast but also the dark ring-roads of collective memory and the secret blueprints inside our heads.' Daily TelegraphVictor Kelly is the resurrection man, a violent and ruthless Protestant killer roaming the streets of Belfast in the 1970s. In this, his brilliant and shocking debut novel, Eoin McNamee announced his arrival as one of the leading chroniclers of Ireland's fractured past.'Achingly exquisite prose as concentrated as poetry, as unfailing an ear for the cadences and quirks of Belfast dialogue as Roddy Doyle has for Dublin and a fatalistic sense of suspense.' Sunday Times'McNamee's stunningly dreamlike prose conjures up images of marvellous precision and intensity . . . An awesomely impressive debut.' Time Out'Impressively confident . . . as lean and grimly purposeful a book as the demon-driven terrorist it sets out to explore.' Jonathan Coe'One of the most outstanding pieces of Irish fiction to come along in years.' Irish Times

August 1997. As the century grinds to a close, Diana Spencer and her Egyptian lover are visiting Paris. An international fixer puts a team in place to watch the princess. Former Special Branch man John Harper is recruited as part of the team. Ritz hotel Deputy Director of Security Henri Paul and paparazzo supreme James Andanson are their surveillance targets. But they are not the only ones watching Spencer, and soon much more sinister forces are on the move . . .

January 1961, and the beaten, stabbed and strangled body of a nineteen year old Pearl Gambol is discovered, after a dance the previous night at the Newry Orange Hall. Returning from London to investigate the case, Detective Eddie McCrink soon suspects that their may be people wielding influence over affairs, and that the accused, the enigmatic Robert McGladdery, may struggle to get a fair hearing. Presiding over the case is Lord Justice Curran, a man who nine years previously had found his own family in the news, following the murder of his nineteen year old daughter, Patricia.In a spectacular return to the territory of his acclaimed, Booker longlisted The Blue Tango, Eoin McNamee's new novel explores and dissects this notorious murder case which led to the final hanging on Northern Irish soil.

1949. Lance Curran is set to prosecute a young man for a brutal murder, in the 'Robert the Painter' case, one which threatens to tear society apart. In the searing July heat, corruption and justice vie as Harry Ferguson, Judge Curran's fixer, contemplates the souls of men adrift, and his own fall from grace with the beautiful and wilful Patricia. Within three years, Curran will be a judge, his nineteen year old daughter dead, at the hands of a still unknown murderer, and his wife Doris condemned to an asylum for the rest of her days. In Blue Is the Night, it is Doris who finally emerges from the fog of deceit and blame to cast new light into the murder of her daughter - as McNamee once again explores and dramatizes a notorious and nefarious case.

LONGLISTED FOR THE GORDON BURN PRIZE 2019'A wonderfully eerie, tragic read. I read it with my heart in my mouth.' Anna Burns, Man Booker Prize-winning author of Milkman'A captivating tale about secrets, repression and the falsity of history.' Guardian Books of the YearLate 1944: two teenagers dance the Vogue in silence on the floor of the Pirnmill Aerodrome. She is the minister's daughter and should be at home; he loses the bet they make that night. Decades later, a ghost returns to Morne to identify a body found in the shifting sands. Names have long since changed and children long since cast out, but some things refuse to be forgotten. Set against an eerie coastal landscape awash with secrets, The Vogue is an unforgettable novel of ghosts, lies and vengeance.

'Some of the most beautiful prose being written in Ireland today' Irish TimesLorraine would say afterwards that she was smitten straight off with Paddy Farrell. You could tell that he was occupying the room in a different way, he found the spaces that fitted him. She was the kind of girl the papers called vivacious, always a bit of dazzle to her.Could she not see there was death about him? Could he not see there was death about her? Paddy worked the border, a place of road closures, hijackings, sudden death. Everything bootleg and tawdry, nobody is saying that the law is paid off but it is. This is strange terrain, unsolid, ghosted through.There's illicit cash coming across the border and Brendan's backstreet Bureau de Change is the place to launder it. Brendan knows the rogue lawyers, the nerve shot policemen, the alcoholic judges and he doesn't care about getting caught. For the Bureau crew getting caught is only the start of the game.Paddy and his associates were a ragged band and honourless and their worth to themselves was measured in thievery and fraud. But Lorraine was not a girl to be treated lightly. She's cast as a minx, a criminal's moll but she's bought a shotgun. And she's bought a grave.

'Some of the most beautiful prose being written in Ireland today' Irish TimesA Harper's most talked-about thriller novel 2025A Irish Times Book of the Year 2025A Critic Book of the Year 2025A Guardian Crime Book of the Year 2025Lorraine would say afterwards that she was smitten straight off with Paddy Farrell. You could tell that he was occupying the room in a different way, he found the spaces that fitted him. She was the kind of girl the papers called vivacious, always a bit of dazzle to her.Could she not see there was death about him? Could he not see there was death about her? Paddy worked the border, a place of road closures, hijackings, sudden death. Everything bootleg and tawdry, nobody is saying that the law is paid off but it is. This is strange terrain, unsolid, ghosted through.There's illicit cash coming across the border and Brendan's backstreet Bureau de Change is the place to launder it. Brendan knows the rogue lawyers, the nerve shot policemen, the alcoholic judges and he doesn't care about getting caught. For the Bureau crew getting caught is only the start of the game.Paddy and his associates were a ragged band and honourless and their worth to themselves was measured in thievery and fraud. But Lorraine was not a girl to be treated lightly. She's cast as a minx, a criminal's moll but she's bought a shotgun. And she's bought a grave.

'Achingly exquisite prose as concentrated as poetry, as unfailing an ear for the cadences and quirks of Belfast dialogue as Roddy Doyle has for Dublin and a fatalistic sense of suspense' Sunday Times'Impressively confident . . . as lean and grimly purposeful a book as the demon-driven terrorist it sets out to explore' Jonathan Coe'One of the most outstanding pieces of Irish fiction to come along in years' Irish TimesIn this harrowing, haunting debut novel by one of Ireland's most acclaimed writers, Eoin McNamee conjures a dreamlike appraisal of the roots of violence, in a city where reality has long since succumbed to the lure of conspiracy and paranoia.The central character is Victor Kelly, an Irish Protestant with a Catholic last name, a man with an artistic sense of violence and a fondness for John Dillinger movies. He is a killer in Belfast, a city of shadowed streets, abandoned alleyways, and dark, deserted spaces, a city that is as familiar and strange as any other - Los Angeles, Sarajevo, Paris, or Berlin. A city threatened and defined by invisible boundaries, where geography is the key to survival, and every sensory detail assumes the utmost importance.Victor's works of art are found kneeling, hands raised in supplication, the ragged lines of death cut deeply into their bodies. Kelly works under the protection of his own political organization, but as his murders become more terrifying and extreme, and the police investigation intensifies, he finds himself caught in a web of allegiance and betrayal.