Eran Guter - Böcker
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3 produkter
3 produkter
274 kr
Skickas inom 11-20 vardagar
A concise yet thorough introduction to aesthetics in the form of an alphabetic guide.Written in a clear and engaging style, Aesthetics A-Z provides authoritative coverage of the main concepts, arguments, problems and key figures in aesthetics and the philosophy of art. Informative entries - extensively cross-referenced and supplemented with carefully chosen suggestions for further reading - provide a layered treatment of both historical background and contemporary debates in aesthetics, and underline points of intersection between aesthetics and other branches of philosophy or other fields that study the arts. Aesthetics A-Z is an ideal first guide for newcomers to the field of aesthetics, as well as a handy and useful reference work for more advanced students of philosophy, art history, education, media studies and the performing arts.
234 kr
Skickas inom 7-10 vardagar
In this Element, the author set out to answer a twofold question concerning the importance of music to Wittgenstein's philosophical progression and the otherness of this sort of philosophical importance vis-...-vis philosophy of music as practiced today in the analytic tradition. The author starts with the idea of making music together and with Wittgenstein's master simile of language-as-music. The author traces these themes as they play out in Wittgenstein early, middle, and later periods. The author argues that Wittgenstein's overarching reorientation of the concept of depth pertaining to music in the aftermath of his anthropological turn, and against the backdrop of the outlook of German Romanticism, culminates in his unique view of musical profundity as 'knowledge of people.' This sets Wittgenstein's view in sharp contrast with certain convictions and debates that typify current analytically inclined philosophy of music.
753 kr
Skickas inom 7-10 vardagar
In this Element, the author set out to answer a twofold question concerning the importance of music to Wittgenstein's philosophical progression and the otherness of this sort of philosophical importance vis-...-vis philosophy of music as practiced today in the analytic tradition. The author starts with the idea of making music together and with Wittgenstein's master simile of language-as-music. The author traces these themes as they play out in Wittgenstein early, middle, and later periods. The author argues that Wittgenstein's overarching reorientation of the concept of depth pertaining to music in the aftermath of his anthropological turn, and against the backdrop of the outlook of German Romanticism, culminates in his unique view of musical profundity as 'knowledge of people.' This sets Wittgenstein's view in sharp contrast with certain convictions and debates that typify current analytically inclined philosophy of music.