Eray Çayli – författare

Focuses on contemporary art and media to examine the role of visuals in environmental violence and war in Northern Kurdistan. Extractivism-exploiting the earth for resources-has long driven racial capitalism and colonialism. And yet, how does extractivism operate in a world where ecological and humanitarian sensibilities are unprecedentedly widespread? Eray Çaylı argues it does so by mobilizing these sensibilities in new ways. Extractivism is no longer only about moving the earth-displacing peoples, fossils, minerals, and waters-but also leaving those who witness this violent displacement sentimentally moved. Earthmoving conceptualizes this duality. Derived from Çaylı’s years-long work in Northern Kurdistan, home to the world’s largest stateless nation-rendered stateless by colonial policies since the nineteenth century-Earthmoving focuses on the 2010s, a decade that began with peace talks between Turkey and the Kurdish liberation movement but ended with war. The decade saw extractivism intensify in the region and images of its harm proliferate across art and media. Together with contemporary artists, Çaylı shows that images challenge extractivism both by making its harm visible and fostering self-reflexive and reciprocal collaboration that breaks with its valuation of the colonized and the racialized only in quantifiable and marketable terms.

Challenging existing political analyses of the state of emergency in Turkey, this volume argues that such states are not merely predetermined by policy and legislation but are produced, regulated, distributed and contested through the built environment in both embodied and symbolic ways.Contributors use empirical critical-spatial research carried out in Turkey over the past decade, exploring heritage, displacement and catastrophes. Contributing to the broader literature on the related concepts of exception, risk, crisis and uncertainty, the book discusses the ways in which these phenomena shape and are shaped by the built environment, and provides context-specific empirical substance to it by focusing on contemporary Turkey. In so doing, it offers nuanced insight into the debate around emergency as well as into recent urban-architectural affairs in Turkey.

Commemoration is considered essential to any project of confronting a nation’s violent past. Opinions on commemoration tend to focus on representation and reception: how the commemoration narrates the violence and how the public responds to it. However, this focus ignores the reality of violence’s continuing presence, including in the very public spaces of commemoration. The urgency of rethinking this focus has been nowhere more salient than in the case of contemporary Turkey, whose image on the world stage has rapidly descended from a regional beacon of democratization and prosperity to a hotbed of conflict and oppression within the space of a few recent years.In Victims of Commemoration, Çayli explores both activist and official commemorations at sites of state-endorsed violence in Turkey. Çayli unpacks the reverberations of these commemorative acts and artifacts across the everyday life of the city where each site is located. The first comprehensive account of space’s centrality to confronting state-endorsed violence, this volume draws upon ethnographic research gathered throughout the first half of the 2010s, the period of Turkey’s quickly deteriorating global image. Victims of Commemoration challenges our tendency to understand the cultural practice of commemoration as distinct from violence, revealing the ways in which these memorial sites often exist alongside and at times exacerbate the violence itself.

Commemoration is considered essential to any project of confronting a nation’s violent past. Opinions on commemoration tend to focus on representation and reception: how the commemoration narrates the violence and how the public responds to it. However, this focus ignores the reality of violence’s continuing presence, including in the very public spaces of commemoration. The urgency of rethinking this focus has been nowhere more salient than in the case of contemporary Turkey, whose image on the world stage has rapidly descended from a regional beacon of democratization and prosperity to a hotbed of conflict and oppression within the space of a few recent years.In Victims of Commemoration, Çayli explores both activist and official commemorations at sites of state-endorsed violence in Turkey. Çayli unpacks the reverberations of these commemorative acts and artifacts across the everyday life of the city where each site is located. The first comprehensive account of space’s centrality to confronting state-endorsed violence, this volume draws upon ethnographic research gathered throughout the first half of the 2010s, the period of Turkey’s quickly deteriorating global image. Victims of Commemoration challenges our tendency to understand the cultural practice of commemoration as distinct from violence, revealing the ways in which these memorial sites often exist alongside and at times exacerbate the violence itself.