Eric Harvey – författare

Reality first appeared in the late 1980s—in the sense not of real life but rather of the TV entertainment genre inaugurated by shows such as Cops and America's Most Wanted; the daytime gabfests of Geraldo, Oprah, and Donahue; and the tabloid news of A Current Affair. In a bracing work of cultural criticism, Eric Harvey argues that reality TV emerged in dialog with another kind of entertainment that served as its foil while borrowing its techniques: gangsta rap. Or, as legendary performers Ice Cube and Ice-T called it, "reality rap."Reality rap and reality TV were components of a cultural revolution that redefined popular entertainment as a truth-telling medium. Reality entertainment borrowed journalistic tropes but was undiluted by the caveats and context that journalism demanded. While N.W.A.'s "Fuck tha Police" countered Cops' vision of Black lives in America, the reality rappers who emerged in that group's wake, such as Snoop Doggy Dogg and Tupac Shakur, embraced reality's visceral tabloid sensationalism, using the media's obsession with Black criminality to collapse the distinction between image and truth. Reality TV and reality rap nurtured the world we live in now, where politics and basic facts don't feel real until they have been translated into mass-mediated entertainment.

A beautifully written and fully illustrated experience of the Great War from a participant . . .Though the United States was late to enter the Great War, a number of idealistic young Americans wished to take part from the beginning. One of these was Avery Royce Wolf, a highly educated scion of a family in America’s burgeoning industrial heartland.Volunteering as an ambulance driver with the French Army in the Verdun sector, Royce sent back a constant stream of highly detailed letters describing the experience of frontline combat, not excluding comments on strategy, the country he encountered, and the Allies’ prospects for success. This treasure trove of brilliant letters, only recently discovered, is accompanied by several albums worth of rare, high-quality photos depicting aspects of the Great War in France never previously published. The book contains expert overviews to set the reader in Royce’s time and place; however, the narrative is most gripping with his own day-to-day perceptions, analytical and emotional in turn. The reader can sympathize with Royce’s dilemma when his original term of service expires and he wonders whether to return home. But then the American army begins to arrive and he decides to continue on. We hear firsthand how the U.S. troops are first kept out of battle, then take casualties no veteran unit would have sustained, because of their fresh-faced audacity. When the Ludendorff Offensive unfolds in spring 1918 there is nothing but disaster to report, as each day witnesses a new collapse before the seemingly unstoppable Germans. Royce believes that the entire Allied war effort is doomed. But then somehow the Allies hold on and the war is nearly at an end.Full of exciting experiences as well as interesting firsthand analyses such as comparing French and German trench works (the latter were far better), Letters from Verdun brings the reader amazingly close to the frontlines of the Great War, almost as if in person.