Eric Jager – författare

Implement a basic Enterprise Architecture from start to finish using a four-stage, wheel-based approach. Aided by real-world examples, this book shows what elements are needed for the initial implementation of a fundamental Enterprise Architecture.The book's pragmatic approach keeps existing architecture frameworks and methodologies in mind while providing instructions that are readable and applicable to all. The Enterprise Architecture Implementation Wheel builds on the methodology of existing architecture frameworks and allows you to apply the theory more pragmatically and closer to the reality that an architect encounters in daily practice.While the main focus of the book is on the actual steps taken to design an Enterprise Architecture, other important topics include architecture origin, definition, domains, visualization, and roles. Getting Started with Enterprise Architecture is the ideal handbook for the architect who is asked to implement an Enterprise Architecture in an existing organization.What You'll LearnIdentify a company's needs and develop an appropriate strategy to satisfy those needsImplement measurable goals and objectives for a baseline architectureCreate meaningful catalogues, diagrams, and maps to communicate the architecture to an organizationMeasure the progress of implementing the architectureWho This Book Is ForNovice (Enterprise and Business) architectsSenior managementExecutives

In today's increasingly electronic world, we say our personality traits are "hard-wired" and we "replay" our memories. But we use a different metaphor when we speak of someone "reading" another's mind or a desire to "turn over a new leaf" - these phrases refer to the "book of the self", an idea that dates from the beginnings of Western culture. Eric Jager taces the history and psychology of the self-as-text concept from antiquity to the modern day. He focuses especially on the Middle Ages, when the metaphor of a "book of the heart" modelled on the manuscript codex attained its most vivid expressions in literature and art. For instance, mediaeval saints' legends tell of martyrs whose hearts recorded divine inscriptions; lyrics and romances feature lovers whose hearts are inscribed with their passion; paintings depict hearts as books; and mediaeval scribes even produced manuscript codices shaped like hearts. In a far-reaching conclusion, Jager considers what the much-prophesied "death of the book" might portend for 21st-century conceptions of the post-textual self.

In today's increasingly electronic world, we say our personality traits are "hard-wired" and we "replay" our memories. But we use a different metaphor when we speak of someone "reading" another's mind or a desire to "turn over a new leaf" - these phrases refer to the "book of the self", an idea that dates from the beginnings of Western culture. Eric Jager traces the history and psychology of the self-as-text concept from antiquity to the modern day. He focuses especially on the Middle Ages, when the metaphor of a "book of the heart" modelled on the manuscript codex attained its most vivid expressions in literature and art. For instance, mediaeval saints' legends tell of martyrs whose hearts recorded divine inscriptions; lyrics and romances feature lovers whose hearts are inscribed with their passion; paintings depict hearts as books; and mediaeval scribes even produced manuscript codices shaped like hearts. In a far-reaching conclusion, Jager considers what the much-prophesied "death of the book" might portend for 21st-century conceptions of the post-textual self.

NEW YORK TIMES BESTSELLER • NOW A MAJOR MOTION PICTURE • “A taut page-turner with all the hallmarks of a good historical thriller.”—Orlando Sentinel The gripping true story of the duel to end all duels in medieval France as a resolute knight defends his wife’s honor against the man she accuses of a heinous crime In the midst of the devastating Hundred Years’ War between France and England, Jean de Carrouges, a Norman knight fresh from combat in Scotland, returns home to yet another deadly threat. His wife, Marguerite, has accused squire Jacques Le Gris of rape. A deadlocked court decrees a trial by combat between the two men that will also leave Marguerite’s fate in the balance. For if her husband loses the duel, she will be put to death as a false accuser. While enemy troops pillage the land, and rebellion and plague threaten the lives of all, Carrouges and Le Gris meet in full armor on a walled field in Paris. What follows is the final duel ever authorized by the Parlement of Paris, a fierce fight with lance, sword, and dagger before a massive crowd that includes the teenage King Charles VI, during which both combatants are wounded—but only one fatally. Based on extensive research in Normandy and Paris, The Last Duel brings to life a colorful, turbulent age and three unforgettable characters caught in a fatal triangle of crime, scandal, and revenge. The Last Duel is at once a moving human drama, a captivating true crime story, and an engrossing work of historical intrigue with themes that echo powerfully centuries later.

Why was the story of Adam, Eve, and the Serpent so important to medieval literary culture? Eric Jager argues that during the Middle Ages the story of the Fall was incorporated into a comprehensive myth about language. Drawing on a wide range of texts, Jager shows how patristic and medieval authors used the Fall to confront practical and theoretical problems in many areas of life and thought—including education, hermeneutics, rhetoric, feudal politics, and gender relations. Jager explores the Fall's meaning for clergy and laity, nobles and commoners, men and women.Among the works Jager discusses are texts by Ambrose, Augustine, the early Christian poet Avitus, and scholastic authors; Old English biblical epics; Middle English spiritual writings; French courtesy books; and the poetry of Dante and Chaucer. Examples from the visual arts are included as well. Jager links medieval interpretations of the Fall to underlying cultural anxieties about the ambiguity of the sign, the instability of oral tradition, the pleasure of the text, and the many rhetorical guises of the tempter's voice. He also assesses the modern and postmodern legacy of the Fall, showing how this myth continues to embody central ideas concerning language.The Tempter's Voice will be essential reading for scholars and students in such fields as medieval studies, literary theory, gender theory, comparative literature, cultural history, and the history of religion.

Why was the story of Adam, Eve, and the Serpent so important to medieval literary culture? Eric Jager argues that during the Middle Ages the story of the Fall was incorporated into a comprehensive myth about language. Drawing on a wide range of texts, Jager shows how patristic and medieval authors used the Fall to confront practical and theoretical problems in many areas of life and thought—including education, hermeneutics, rhetoric, feudal politics, and gender relations. Jager explores the Fall's meaning for clergy and laity, nobles and commoners, men and women.Among the works Jager discusses are texts by Ambrose, Augustine, the early Christian poet Avitus, and scholastic authors; Old English biblical epics; Middle English spiritual writings; French courtesy books; and the poetry of Dante and Chaucer. Examples from the visual arts are included as well. Jager links medieval interpretations of the Fall to underlying cultural anxieties about the ambiguity of the sign, the instability of oral tradition, the pleasure of the text, and the many rhetorical guises of the tempter's voice. He also assesses the modern and postmodern legacy of the Fall, showing how this myth continues to embody central ideas concerning language.The Tempter's Voice will be essential reading for scholars and students in such fields as medieval studies, literary theory, gender theory, comparative literature, cultural history, and the history of religion.

THE NEW YORK TIMES BESTSELLERNow a major motion picture directed by Ridley Scott starring Matt Damon, Adam Driver and Jodie Comer.In 1386, a few days after Christmas, a massive crowd gathered at a Paris monastery to watch two men fight a duel to the death. A trial by combat to prove which man's cause was right in God's sight.The dramatic story of the knight, the squire and the lady unfolds during the tumultuous fourteenth century. A time of war, plague and anarchy, as well as of honour, chivalry, and courtly love.The notorious quarrel appears in many histories of France, but no writer has recounted it in full, until now._______________________________________________________________'Succeeds brilliantly in combining page-turning intensity with eye-opening insights' Sunday Times'Suspenseful and well written' Spectator