Erich Goode – författare

The new 2022 edition of the most widely taught deviance text brings us into a changing political era. A new chapter on political deviance includes a section that defines political deviance, emphasizing a sociological and not an ideological definition. It also covers which sectors of the society define what constitutes political deviance; and political deviance and its relation to social change. In addition, the chapter on substance abuse provides more discussion of marijuana legalization and decriminalization. Although disease as potential deviance has been covered, the COVID-19 pandemic greatly expands discussions on this topic. Updated throughout, this new edition includes expanded coverage of Black Lives Matter, sexual harassment, the social construction of immigration, and other topics. A new section on logic, reasoning, and verification of facts is an important new feature for student critical thinking while it addresses the recent politics of truth and lying, including QAnon.

The new 2022 edition of the most widely taught deviance text brings us into a changing political era. A new chapter on political deviance includes a section that defines political deviance, emphasizing a sociological and not an ideological definition. It also covers which sectors of the society define what constitutes political deviance; and political deviance and its relation to social change. In addition, the chapter on substance abuse provides more discussion of marijuana legalization and decriminalization. Although disease as potential deviance has been covered, the COVID-19 pandemic greatly expands discussions on this topic. Updated throughout, this new edition includes expanded coverage of Black Lives Matter, sexual harassment, the social construction of immigration, and other topics. A new section on logic, reasoning, and verification of facts is an important new feature for student critical thinking while it addresses the recent politics of truth and lying, including QAnon.

Celluloid Mischief examines the portrayal of wrongdoing and “deviant” behavior in film. The premise is that films are material products of both individual and collective imagination that reflect the values and norms of the society that produce them. On this basis, it is possible to perceive how society understands and classifies particular kinds of behavior and assigns or designates classes of people and actions as “good” or “bad.” So-called “wrongdoing” in movies, then, tells us about real-life norms, the violation of those norms, and the efforts to punish and control the perpetrators of those violators.

Motion pictures embody information about the social world; they constitute a universe of raw particulars that await excavation and analysis. By applying the appropriate approach, what happens on the screen can guide us to an understanding of society and culture. Films are commercial products; the people who make them are members of a society, influenced by that society, who attempt to appeal to lots of other members of that society by producing something that they want to see. A society''''s films tell us a great deal about the taste and proclivities of the society that produce and consume them. Using postwar and contemporary Hollywood cinema as case studies, this book demonstrates the complex and evolving nature of modern America''''s social, economic, and political values.

Celluloid Mischief examines the portrayal of wrongdoing and “deviant” behavior in film. The premise is that films are material products of both individual and collective imagination that reflect the values and norms of the society that produce them. On this basis, it is possible to perceive how society understands and classifies particular kinds of behavior and assigns or designates classes of people and actions as “good” or “bad.” So-called “wrongdoing” in movies, then, tells us about real-life norms, the violation of those norms, and the efforts to punish and control the perpetrators of those violators.

Motion pictures embody information about the social world; they constitute a universe of raw particulars that await excavation and analysis. By applying the appropriate approach, what happens on the screen can guide us to an understanding of society and culture. Films are commercial products; the people who make them are members of a society, influenced by that society, who attempt to appeal to lots of other members of that society by producing something that they want to see. A society''''s films tell us a great deal about the taste and proclivities of the society that produce and consume them. Using postwar and contemporary Hollywood cinema as case studies, this book demonstrates the complex and evolving nature of modern America''''s social, economic, and political values.

Contributor to the SAGE Teaching Innovations and Professional Development Award