Erik Jensen – författare

A love story. An artistic journey. A matter of life and death... In 2000, Jessica Blank and Erik Jensen embarked on a tour across America -- one that would give them a glimpse of the darker side of the justice system and, at the same time, reveal to them just how resilient the human spirit can be. They were a pair of young actors from New York who wanted to learn more about our country's exonerated -- men and women who had been sentenced to die for crimes they didn't commit, who spent anywhere from two to twenty-two years on death row, and who were freed amidst overwhelming evidence of their innocence. The result of their journey was The Exonerated, New York Times number one play of 2002, which was embraced by such acting luminaries as Ossie Davis, Richard Dreyfuss, Danny Glover, Tim Robbins, Susan Sarandon, and Robin Williams. Living Justice is Jessica and Erik's fascinating, behind-the-scenes account of the creation of their play. A tale of artistic expression and political awakening, innocence lost and wisdom won, this is above all a story about two people who fall in love while pursuing their passion and learn -- through the stories of the exonerated -- what freedom truly means.

Once headhunters under the rule of White Rajahs and briefly colonised before independence within Malaysia, the Iban Dayaks of Borneo are one of the world's most extraordinary indigenous tribes, possessing ancient traditions and a unique way of life. As a young man Erik Jensen settled in Sarawak where he lived with the Iban for seven years, learning their language and the varied rites and practices of their lives. He was also witness to the great and often shattering changes they faced then and continue to face today. The plentiful harvests, abundant game and rivers teeming with fish of their remembered past have long since disappeared - destroyed by restrictions on settlement and, ironically, by forest conservation. The Iban's animist beliefs are slowly being replaced by the imported religions of Christianity and Islam and their traditional ways by modern schooling and medicine.In this compelling and beautifully-wrought memoir, Erik Jensen reveals the challenges facing the Iban as they adapt to another century, whilst fighting to preserve their identity and singular place in the world. Haunting, yet hopeful, Where Hornbills Fly opens a window onto a vanishing world and paints a remarkable portrait of this fragile tribe, which continues to survive deep in the heart of Borneo.

A study of the relationship between the United Kingdom and the United Nations. Topics covered include the UK''s involvement in the United Nations peace-keeping forces and co-operation and confrontation between the UK and the UN over the subject of decolonisation.

A study of the relationship between the United Kingdom and the United Nations. Topics covered include the UK's involvement in the United Nations peace-keeping forces and co-operation and confrontation between the UK and the UN over the subject of decolonisation.

A love story. An artistic journey. A matter of life and death... In 2000, Jessica Blank and Erik Jensen embarked on a tour across America -- one that would give them a glimpse of the darker side of the justice system and, at the same time, reveal to them just how resilient the human spirit can be. They were a pair of young actors from New York who wanted to learn more about our country''s exonerated -- men and women who had been sentenced to die for crimes they didn''t commit, who spent anywhere from two to twenty-two years on death row, and who were freed amidst overwhelming evidence of their innocence. The result of their journey was The Exonerated, New York Times number one play of 2002, which was embraced by such acting luminaries as Ossie Davis, Richard Dreyfuss, Danny Glover, Tim Robbins, Susan Sarandon, and Robin Williams. Living Justice is Jessica and Erik''s fascinating, behind-the-scenes account of the creation of their play. A tale of artistic expression and political awakening, innocence lost and wisdom won, this is above all a story about two people who fall in love while pursuing their passion and learn -- through the stories of the exonerated -- what freedom truly means.

What did the ancient Greeks and Romans think of the peoples they referred to as barbari?  Did they share the modern Western conception—popularized in modern fantasy literature and role-playing games—of "barbarians" as brutish, unwashed enemies of civilization? Or our related notion of "the noble savage?"  Was the category fixed or fluid? How did it contrast with the Greeks and Romans' conception of their own cultural identity?  Was it based on race?   In accessible, jargon-free prose, Erik Jensen addresses these and other questions through a copiously illustrated introduction to the varied and evolving ways in which the ancient Greeks and Romans engaged with, and thought about, foreign peoples—and to the recent historical and archaeological scholarship that has overturned received understandings of the relationship of Classical civilization to its "others."

Hackett's Passages: Key Moments in History series titles include original-source documents in accessible editions, intended for the student-user or general audience. This edition, The Greco-Persian Wars, taps our knowledge of the Persian Empire and its interactions with the Greek world. The sources examined were created in different times and places, for different purposes, and with different intended audiences. Using these sources effectively requires recognizing their distinct characteristics. A general introduction about the Greco-Persian wars is included to provide historical background and an overview of the information contained in the original-source documents. Also included are a glossary of terms, a chronology, insightful headnotes to each document, and an index.

A dazzling and insightful look at the Australian federal election 2019

What went wrong for Labor and how did Scott Morrison achieve his remarkable victory? In this dazzling report from the campaign trail, Erik Jensen homes in on the insecurities that drive Bill Shorten and the certainties that helped Scott Morrison win. He considers how each man reflects, challenges and comforts the national character.

Who are Morrison's "quiet Australians"? What did Shorten Labor fail to see? And will fear always trump hope in politics? The Prosperity Gospel sheds new light on the politics of a divided nation.

"Arthur Sinodinos says the election is a crapshoot. He's in a car park in Nowra, waiting for Morrison. 'The momentum has been with us at different times, especially in Queensland,' he says. 'Central Queensland, even the outer suburbs of Brisbane. It's a narrow pathway to victory, with the odds going the other way. But it ain't over until it's over.' Despite everything, Arthur Sinodinos has an honest face. He does not look confident." –Erik Jensen, The Prosperity Gospel

This issue also contains correspondence discussing Quarterly Essay 73, Australia Fair, from Susan Carland, James Walter, Carol Johnson, Travers McLeod, Isabelle Reinecke, and Rebecca Huntley

A fragmentary account of life and its complexities, I said the sea was folded charts the first three years of Erik Jensen's relationship with his partner, Evelyn Ida Morris. These are love poems, written against the difficulty of understanding another person. They are startling in their simplicity and their frankness. A full, honest, brave, overflowing heart. Australia has her Emily Dickinson. Kate Jennings

Some of Australia's best political writing: a dazzling chronicle from the editor of The Saturday Paper

Drawn from the first ten years of The Saturday Paper, these editorials tell the story of a country in trouble. They are a penetrating account of the people who have led Australia, fusing character studies with political insights and unvarnished rage. Taken together, they form a sparkling portrait of a lost decade. This is writing that is witty, curious and sharp-eyed.

'These editorials are my guiding light in these terrible times.' —Marcia Langton AO

Sweet, fragile poems about intimacy and separation

'In these sweet, fresh, fragile poems, Jensen demonstrates courage and skill at the arts of poetry and of love, and makes the sly suggestion that the one might be a metaphor for the other.' – The Weekend Australian on I said the sea was folded

A sequel to Erik Jensen's first collection of memoir poems, A lick of fireweed takes a spare and unflinching look at love and landscape. These poems are the diary of a relationship ending and the story of how small details can make the world beautiful and whole.

Once headhunters under the rule of White Rajahs and briefly colonised before independence within Malaysia, the Iban Dayaks of Borneo are one of the world's most extraordinary indigenous tribes, possessing ancient traditions and a unique way of life. As a young man Erik Jensen settled in Sarawak where he lived with the Iban for seven years, learning their language and the varied rites and practices of their lives. He was also witness to the great and often shattering changes they faced then and continue to face today. The plentiful harvests, abundant game and rivers teeming with fish of their remembered past have long since disappeared - destroyed by restrictions on settlement and, ironically, by forest conservation. The Iban's animist beliefs are slowly being replaced by the imported religions of Christianity and Islam and their traditional ways by modern schooling and medicine. In this compelling and beautifully-wrought memoir, Erik Jensen reveals the challenges facing the Iban as they adapt to another century, whilst fighting to preserve their identity and singular place in the world.Haunting, yet hopeful, Where Hornbills Fly opens a window onto a vanishing world and paints a remarkable portrait of this fragile tribe, which continues to survive deep in the heart of Borneo.

The dispute over Western Sahara between Morocco and the Polisario Front evolved into full-scale war and after four decades remains unresolved. UN military observers separate the Polisario forces from Morocco’s vast army but progress towards a settlement has been halting and the UN mission in Western Sahara is now among the longest running peace-keeping operations in the world.Here, Jensen provides a unique insider's account of the UN's involvement in Western Sahara, how the UN Settlement Plan was, after numerous obstacles, eventually put into operation and why it stalled. The Polisario is now adamant that only a referendum of self-determination with the option of independence is acceptable while Morocco offers a compromise settlement based on regional autonomy under Moroccan sovereignty. Both entrenched positions are constantly reaffirmed and unlikely to vary without major political change in the region.

The dispute over Western Sahara between Morocco and the Polisario Front evolved into full-scale war and after four decades remains unresolved. UN military observers separate the Polisario forces from Morocco’s vast army but progress towards a settlement has been halting and the UN mission in Western Sahara is now among the longest running peace-keeping operations in the world.Here, Jensen provides a unique insider's account of the UN's involvement in Western Sahara, how the UN Settlement Plan was, after numerous obstacles, eventually put into operation and why it stalled. The Polisario is now adamant that only a referendum of self-determination with the option of independence is acceptable while Morocco offers a compromise settlement based on regional autonomy under Moroccan sovereignty. Both entrenched positions are constantly reaffirmed and unlikely to vary without major political change in the region.

Winner, 2015 Nib Waverley Library Award for LiteratureAcute Misfortune is an unflinching portrait of talent and addiction.In 2008, the artist Adam Cullen invited journalist Erik Jensen to stay in his spare room and write his biography. A publisher wanted it, Cullen said. He was sick and ready to talk. Everything would be on the record. What followed were four years of intense honesty and a relationship that became increasingly dangerous. At one point Cullen shot Jensen, to see how committed he was to the book. At another, he threw Jensen from a speeding motorbike.Eventually, Jensen realised the contract did not exist. Cullen had invented it to get to know the writer. The book became an investigation of Cullen’s psychology and the decline of his final years. In Acute Misfortune, we have a riveting account of the life and death of one of Australia’s most celebrated artists. The figure famous for his Archibald Prize-winning portrait of David Wenham is followed through drug deals and periods of deep self-reflection, onward into his trial for weapon possession and finally his death in 2012 at the age of 46.The story is by turns tender and horrifying: a spare tale of art, sex, drugs and childhood, told at close quarters and without judgment.Shortlisted, 2015 Victorian Premier''s Literary AwardsShortlisted, 2015 Walkley Book Award‘Fierce and spellbinding’ —David Marr‘The terrible force of the painter’s rush to self-destruction is matched all the way by the writer’s calm mastery of his story.’ —Helen Garner‘A teasing and complex ode to a man who defied attempts to categorise him or to understand him. Jensen’s portrait dares to be both beautiful and ugly - that is, he is both tender and forensic. This is a marvellous, propulsive, intelligent read.’ —Christos Tsiolkas‘Jensen has delivered a lucid portrait of a deeply complicated talent; one of the best nonfiction releases of 2014 to date’ —Books+Publishing Online‘If biography is the art of dismantling your subject, while pretending to be a mere scribe, then Jensen is superb as both beautician and mortician’ —Charles Waterstreet‘Acute Misfortune is a fascinating, non-judgmental exploration of the forces that shaped Cullen’s life … It’s a pacy, absorbing read. Jensen has a wonderfully light touch that balances the extremities of the story.’ —Australian‘Brave, expressive, funny, pungent, revelatory, and at times very sad’ —Sydney Review of Books‘A sober book about a man who was anything but. A clear-eyed, careful account of a squandered life that is generous and unusual in Jensen’s refusal to condemn or opine about a man who was a stew of wretched characteristics common to an addict.’ —Kate Jennings‘Like the painter himself, [Jensen] eschews a conventional form and tone for one that is compressed, nonjudgmental, and mostly impressionistic.’ —the Age‘Raw and uncompromising’ —Herald SunErik Jensen is the founding editor of the Saturday Paper. He has worked as a writer and editor at the Sydney Morning Herald, where he won the Walkley Award for Young Print Journalist of the Year and the United Nations Association of Australia’s Media Peace Prize. His work has appeared in various publications, including the Monthly and New Statesman.

Kate says she doesn’t know what to say about writing. When people ask, she tells them to prepare for a life of failure.Award-winning writer Erik Jensen plunges the reader into the world of acclaimed novelist, poet and pioneering feminist Kate Jennings. Weaving in his interviews with Jennings in New York, he shows how poetry, politics and family were transmuted into her first novel, Snake – a work of art that depicts rural Australia in a funny, cutting and unforgettable way. This is a biography of a book and the life that made it.In the Writers on Writers series, leading authors reflect on an Australian writer who has inspired and fascinated them. Provocative and crisp, these books start a fresh conversation between past and present, shed new light on the craft of writing, and introduce some intriguing and talented authors and their work.Published by Black Inc. in association with the University of Melbourne and State Library Victoria.