Erin Knight - Böcker

‘A very cleverly woven story … You'll finish this, wondering – who do I REALLY know?’ Teresa DriscollDiscover the gripping new novel about powerful secrets and big lies, perfect for fans of Liane Moriarty and Tracy Buchanan. Everyone is allowed their secrets … aren’t they? Isobel arrives in the quiet Cornish town of Fallenbay determined to find peace – and answers – after her most intimate secrets have been splashed across the internet.Cleo thinks she’s happy running a small coastal café but has no idea of the trouble her children are getting themselves mixed up in.Sarah has finally put her horrible ex behind her and found the man of her dreams. Or has she?All three women have no idea how powerful their darkest secrets can be, and how they will change the town of Fallenbay forever. Readers can’t put down Perfect Strangers! ‘Has you hooked and turning pages frantically to get to the end. Great read’ ⭐⭐⭐⭐⭐‘[I] was gripped from start to finish’ ⭐⭐⭐⭐⭐‘Stonkingly good holiday read’ ⭐⭐⭐⭐⭐‘Loved it! Clever, witty, sad and gripping!’ ⭐⭐⭐⭐⭐‘Kept me guessing right to the end. Loved it’ ⭐⭐⭐⭐⭐‘I was kept completely hooked’ ⭐⭐⭐⭐⭐

This unique resource expertly details the design, installation, and maintenance of sustainable children's landscapes and play areas

Numerous case studies cover projects including storybook courtyards, music and barnyard gardens, nature trails, wildlife habitats, memorial, and edible gardens.

Key features

This is the only resource for planning, designing, installing and maintaining children's landscapes and play yardsCase studies cover projects ranging from storybook and barnyard courtyards to nature trails, wildlife habitats, and memorial and edible gardens

With a supple, meditative approach, Erin Knight explores the complexity of beauty in this first collection by an astonishing new talent. The Sweet Fuels also reflects on the notion of orientation — whether in terms of magnetic north or street signs, the entrails of an animal or the vowels in a name — as a task of translation.Of the more than four dozen poems in the book, some are written in English, others are rendered from Spanish. Still others perform a high-wire act — written in English, converted to Spanish, and then back into English. The practise of translation allows for a direction that does not try to reorder or simplify the world, but rather emphasizes the promise of continuous engagement with our points of reference.