Esther M. K. Cheung – författare

A Companion to Hong Kong Cinema provides the first comprehensive scholarly exploration of this unique global cinema. By embracing the interdisciplinary approach of contemporary film and cultural studies, this collection navigates theoretical debates while charting a new course for future research in Hong Kong film. Examines Hong Kong cinema within an interdisciplinary context, drawing connections between media, gender, and Asian studies, Asian regional studies, Chinese language and cultural studies, global studies, and critical theoryHighlights the often contentious debates that shape current thinking about film as a medium and its possible futureInvestigates how changing research on gender, the body, and sexual orientation alter the ways in which we analyze sexual difference in Hong Kong cinemaCharts how developments in theories of colonialism, postcolonialism, globalization, neoliberalism,  Orientalism, and nationalism transform our understanding of the economics and politics of the Hong Kong film industryExplores how the concepts of diaspora, nostalgia, exile, and trauma offer opportunities to rethink accepted ways of understanding Hong Kong’s popular cinematic genres and stars

A Companion to Hong Kong Cinema provides the first comprehensive scholarly exploration of this unique global cinema. By embracing the interdisciplinary approach of contemporary film and cultural studies, this collection navigates theoretical debates while charting a new course for future research in Hong Kong film. Examines Hong Kong cinema within an interdisciplinary context, drawing connections between media, gender, and Asian studies, Asian regional studies, Chinese language and cultural studies, global studies, and critical theoryHighlights the often contentious debates that shape current thinking about film as a medium and its possible futureInvestigates how changing research on gender, the body, and sexual orientation alter the ways in which we analyze sexual difference in Hong Kong cinemaCharts how developments in theories of colonialism, postcolonialism, globalization, neoliberalism,  Orientalism, and nationalism transform our understanding of the economics and politics of the Hong Kong film industryExplores how the concepts of diaspora, nostalgia, exile, and trauma offer opportunities to rethink accepted ways of understanding Hong Kong’s popular cinematic genres and stars

Global connections and screen innovations drive Hong Kong screenscapes that flow with transnational cultural production, circulation and consumption, highlighting innovations, interactions, disjunctures, differences, and ruptures therein. Focusing on the film clubs of the 1960s and 1970s, the successive new waves since the 1980s and the post-handover digital revolution, this book offers a timely and refreshing look at the shifts and changes in Hong Kong's multifaceted screenscapes.

Written by Leung Ping-kwan in the 1980s and 1990s, this volume of poetry evokes the complexity of Hong Kong city life in the critical moments preceding the 1997 handover. The poet muses upon the problems of cultural identity and the passing of time, and explores the relationship between poetry and other genres and media within a cross-cultural and cross-border context. An introduction by Ackbar Abbas in the original edition relates Leung's writing to the cultural and political space of Hong Kong in the 1990s. This expanded bilingual version adds a new essay by Esther Cheung, and also a recent conversation between Leung and three critics, which provides insights on how Leung's poetry still resonates powerfully after two decades. The book invites readers to look afresh at Leung's meditative poetry and probe into the contradictory realities of this changing postcolonial city.