Eugen Bacon – författare

In this engaging and accessible guide, Eugen Bacon explores writing speculative fiction as a creative practice, drawing from her own work, and the work of other writers and theorists, to interrogate its various subgenres. Through analysis of writers such as Stephen King, J.R.R. Tolkien and J. K. Rowling, this book scrutinises the characteristics of speculative fiction, considers the potential of writing cross genre and covers the challenges of targeting young adults. It connects critical and cultural theories to the practice of creative writing, examining how they might apply to the process of writing speculative fiction. Both practical and critical in its evaluative gaze, it also looks at e-publishing as a promising publishing medium for speculative fiction.This is essential reading for undergraduate and postgraduate students of creative writing, looking to develop a critical awareness of, and practical skills for, the writing of speculative fiction. It is also a valuable resource for creators, commentators and consumers of contemporary speculative fiction. Chapter 8, 'Horror and the Paranormal' was shortlisted for the Australasian Horror Writers Association (AHWA)'s 2019 Australian Shadows Awards.

In this engaging and accessible guide, Eugen Bacon explores writing speculative fiction as a creative practice, drawing from her own work, and the work of other writers and theorists, to interrogate its various subgenres. Through analysis of writers such as Stephen King, J.R.R. Tolkien and J. K. Rowling, this book scrutinises the characteristics of speculative fiction, considers the potential of writing cross genre and covers the challenges of targeting young adults. It connects critical and cultural theories to the practice of creative writing, examining how they might apply to the process of writing speculative fiction. Both practical and critical in its evaluative gaze, it also looks at e-publishing as a promising publishing medium for speculative fiction.This is essential reading for undergraduate and postgraduate students of creative writing, looking to develop a critical awareness of, and practical skills for, the writing of speculative fiction. It is also a valuable resource for creators, commentators and consumers of contemporary speculative fiction. Chapter 8, 'Horror and the Paranormal' was shortlisted for the Australasian Horror Writers Association (AHWA)'s 2019 Australian Shadows Awards.

Foreword INDIES - 2023 Finalist Science FictionSomething is happening to Green. He is an ordinary guy, time-jumping forward at a startling, uncontainable rate. He is grappling to understand his present; his relationship is wholly tattered; his ultimate destination is a colossal question mark. Zada is a scientist in the future. She is mindful of Green's conundrum and seeks to unravel it by going backwards in time. Can she stop him from jumping to infinity? Their point of intersection is fleeting but memorable, each one's travel impacting the other's past or future. And one of them doesn't even know it yet. Secondhand Daylight is a reverse story in alternate timelines between two protagonists whose lives must one day intersect. A titillating offering from World Fantasy Award-finalist Eugen Bacon, an Otherwise Fellowships honouree for ‘doing exciting work in gender and speculative fiction'. In collaboration with three-time British Fantasy Society Award-winner Andrew Hook.

Co-editors Eugen Bacon, Stephen Embleton and Cheryl S. Ntumy bring us a powerful and haunting collection of short stories from the groundbreaking Sauútiverse, following the success of Mothersound: The Sauútiverse Anthology. Sauúti Terrors tells of the doomed, the damned, the shunned, the cunning, the destroyers, the noxious, and more, in the worlds of the living, the in-between and the dead. Unravel the darkest stories in the deepest parts of the Sauúti five-planet system with its two suns, and orbiting a binary star. Bringing together African and African diaspora writers, the collection features five-time Bram Stoker Award winner and recipient of the Bram Stoker Lifetime Achievement Award Linda D. Addison and other prominent speculative fiction authors, including T.L. Huchu, Xan van Rooyen, Jamal Hodge, Ishola Abdulwasiu Ayodele, Wole Talabi, Mazi Nwonwu, Kofi Nyameye, D.S. Falowo, Shingai Njeri Kagunda, J. Umeh, Moustapha Mbacké Diop, Miguel O. Mitchell, DaVaun Sanders and Nerine Dorman.The Flame Tree Beyond and Within short story collections bring together tales of myth and imagination by modern and contemporary writers, carefully selected by anthologists, and sometimes featuring short stories from a single author. Overall, the series presents a wide range of diverse and inclusive voices with myth, folkloric-inflected short fiction, and an emphasis on the supernatural, science fiction, the mysterious and the speculative. The books themselves are gorgeous, with foiled covers, printed edges and published only in hardcover editions, offering a lifetime of reading pleasure.

Black Dingo is a cross-genre miscellany that embraces multi-award-winning author Eugen Bacon’s hybridity as an African Australian who is ‘betwixt’, ‘a sum of parts’ – she is a mother, a daughter, a sister, a woman, a writer, an author, an editor, a scholar and a friend. She is many, and it reflects in this collection that transverses transformative stories of longing and belonging, unlimited futures, a collision of worlds, mythology, and more. Featuring a black heroine, in each story is a cameo or secondary character of a dingo. Black Dingo is sponsored through Eugen’s Otherwise Fellowship awarded by the Otherwise Motherboard; this speculative fiction cases black people in bold and evocative text, at times deeply flawed but potentially redeemable protagonists in rich hues of blackness and light. The literary strange unravels in these genre-bending Afro-irreal tales of longing and belonging, unlimited futures, a collision of worlds and everything in between: rich hues of shadow and light.The Flame Tree Beyond and Within short story collections bring together tales of myth and imagination by modern and contemporary writers, carefully selected by anthologists, and sometimes featuring short stories from a single author. Overall, the series presents a wide range of diverse and inclusive voices with myth, folkloric-inflected short fiction, and an emphasis on the supernatural, science fiction, the mysterious and the speculative. The books themselves are gorgeous, with foiled covers, printed edges and published only in hardcover editions, offering a lifetime of reading pleasure.

· 2025 Locus Awards Winner, Non-Fiction· 2025 Ignyte Awards Winner, Outstanding Creative Nonfiction· 2025 Next Generation Indie Book Awards Finalist, African American Non-Fiction· 2024 Foreword INDIES Book of the Year Awards Finalist· 2024 British Science Fiction Association Award (BSFA) Shortlist, Best Short Non-Fiction · 2024 BSFA Award Longlist, Best Long Non-Fiction· One of Brittle Paper's 100 Notable African Books of 2024· One of Open Country Mag's 60 Notable African Books of 2024In this vibrant and approachable book, award-winning writers of black speculative fiction bring together excerpts from their work and creative reflections on futurisms with original essays.Features an introduction by Suyi Okungbowa.Afro-Centered Futurisms in Our Speculative Fiction showcases creative-critical essays that negotiate genre bending and black speculative fiction with writerly practice. As Afrodecendant peoples with lived experience from the continent, award-winning authors use their intrinsic voices in critical conversations on Afrofuturism and Afro-centered futurisms. By engaging with difference, they present a new kind of African study that is an evaluative gaze at African history, African spirituality, Afrosurrealism, "becoming," black radical imagination, cultural identity, decolonizing queerness, myths, linguistic cosmologies, and more.Contributing authors – Aline-Mwezi Niyonsenga, Cheryl S. Ntumy, Dilman Dila, Eugen Bacon, Nerine Dorman, Nuzo Onoh, Shingai Njeri Kagunda, Stephen Embleton, Suyi Okungbowa, Tobi Ogundiran and Xan van Rooyen – offer boldly hybrid chapters (both creative and scholarly) that interface Afrocentric artefacts and exegesis. Through ethnographic reflections and intense scrutinies of African fiction, these writers contribute open and diverse reflections of Afro-centered futurisms.The authors in Afro-Centered Futurisms in Our Speculative Fiction feature in major genre and literary awards, including the Bram Stoker, World Fantasy, British Fantasy, Locus, Ignyte, Nommo, Philip K. Dick, Shirley Jackson and Otherwise Awards, among others. They are also intrinsic partners in a vital conversation on the rise of black speculative fiction that explores diversity and social (in)justice, charting poignant stories with black hero/ines who remake their worlds in color zones of their own image.

· 2025 Locus Awards Winner, Non-Fiction· 2025 Ignyte Awards Winner, Outstanding Creative Nonfiction· 2025 Next Generation Indie Book Awards Finalist, African American Non-Fiction· 2024 Foreword INDIES Book of the Year Awards Finalist· 2024 British Science Fiction Association Award (BSFA) Shortlist, Best Short Non-Fiction · 2024 BSFA Award Longlist, Best Long Non-Fiction· One of Brittle Paper's 100 Notable African Books of 2024· One of Open Country Mag's 60 Notable African Books of 2024In this vibrant and approachable book, award-winning writers of black speculative fiction bring together excerpts from their work and creative reflections on futurisms with original essays.Features an introduction by Suyi Okungbowa.Afro-Centered Futurisms in Our Speculative Fiction showcases creative-critical essays that negotiate genre bending and black speculative fiction with writerly practice. As Afrodecendant peoples with lived experience from the continent, award-winning authors use their intrinsic voices in critical conversations on Afrofuturism and Afro-centered futurisms. By engaging with difference, they present a new kind of African study that is an evaluative gaze at African history, African spirituality, Afrosurrealism, "becoming," black radical imagination, cultural identity, decolonizing queerness, myths, linguistic cosmologies, and more.Contributing authors – Aline-Mwezi Niyonsenga, Cheryl S. Ntumy, Dilman Dila, Eugen Bacon, Nerine Dorman, Nuzo Onoh, Shingai Njeri Kagunda, Stephen Embleton, Suyi Okungbowa, Tobi Ogundiran and Xan van Rooyen – offer boldly hybrid chapters (both creative and scholarly) that interface Afrocentric artefacts and exegesis. Through ethnographic reflections and intense scrutinies of African fiction, these writers contribute open and diverse reflections of Afro-centered futurisms.The authors in Afro-Centered Futurisms in Our Speculative Fiction feature in major genre and literary awards, including the Bram Stoker, World Fantasy, British Fantasy, Locus, Ignyte, Nommo, Philip K. Dick, Shirley Jackson and Otherwise Awards, among others. They are also intrinsic partners in a vital conversation on the rise of black speculative fiction that explores diversity and social (in)justice, charting poignant stories with black hero/ines who remake their worlds in color zones of their own image.