Eva Pelayo Sanudo – författare

Examining the family saga as an instrument of literary analysis of writing by Italian American women, this book argues that the genre represents a key strategy for Italian American female writers as a form which distinctly allows them to establish cultural, gender and literary traditions.

Spaces are inherently marked by the ideology of the societies that create and practice them, and this volume engages with spaces of cultural and gendered identity, particularly those of the ‘mean streets’ in Italian American fiction, which provide a method of critically analyzing the configurations and representations of identity associated with the Italian American community. Key authors examined include Julia Savarese, Marion Benasutti, Tina De Rosa, Helen Barolini, Melania Mazzucco and Laurie Fabiano.

This book is suitable for students and scholars in Literature, Italian Studies, Cultural Studies and Gender Studies.

Examining the family saga as an instrument of literary analysis of writing by Italian American women, this book argues that the genre represents a key strategy for Italian American female writers as a form which distinctly allows them to establish cultural, gender and literary traditions.

Spaces are inherently marked by the ideology of the societies that create and practice them, and this volume engages with spaces of cultural and gendered identity, particularly those of the ‘mean streets’ in Italian American fiction, which provide a method of critically analyzing the configurations and representations of identity associated with the Italian American community. Key authors examined include Julia Savarese, Marion Benasutti, Tina De Rosa, Helen Barolini, Melania Mazzucco and Laurie Fabiano.

This book is suitable for students and scholars in Literature, Italian Studies, Cultural Studies and Gender Studies.

Reading Kazuo Ishiguro’s Never Let Me Go: The Alternative Dystopian Imagination aims to offer innovative perspectives for the analysis of Nobel-prize winner Kazuo Ishiguro’s oeuvre through a focus on the genre of science fiction, particularly the novel Never Let Me Go (2005). The study proposes the term "intimate dystopia" to reflect on the passage from totalitarian or external oppressive forces to more "subtle" systems of power. Its interdisciplinary approach combines, apart from literary theory on different genres such as science fiction and memory, race studies, feminism and ecocriticism. It is based on an exhaustive critical and textual analysis that allows for a thorough and nuanced understanding of Ishiguro’s multi-layered novel, covering themes such as the ethical dimensions and gender implications of caregiving, the dystopian portrayal of the environment, the significance of art in the existence of marginalized groups and the genre-related complexities of the text.

Reading Kazuo Ishiguro’s Never Let Me Go: The Alternative Dystopian Imagination aims to offer innovative perspectives for the analysis of Nobel-prize winner Kazuo Ishiguro’s oeuvre through a focus on the genre of science fiction, particularly the novel Never Let Me Go (2005). The study proposes the term "intimate dystopia" to reflect on the passage from totalitarian or external oppressive forces to more "subtle" systems of power. Its interdisciplinary approach combines, apart from literary theory on different genres such as science fiction and memory, race studies, feminism and ecocriticism. It is based on an exhaustive critical and textual analysis that allows for a thorough and nuanced understanding of Ishiguro’s multi-layered novel, covering themes such as the ethical dimensions and gender implications of caregiving, the dystopian portrayal of the environment, the significance of art in the existence of marginalized groups and the genre-related complexities of the text.