Evans Lansing Smith – författare

This book provides an overview of the hero journey theme in literature, from antiquity to the present, with a focus on the imagery of the rites of passage in human life (initiation at adolescence, mid-life, and death). This is the only book to focus on the major works of the literary tradition, detailing discussions of the hero journey in major literary texts.

This book provides an overview of the hero journey theme in literature, from antiquity to the present, with a focus on the imagery of the rites of passage in human life (initiation at adolescence, mid-life, and death). This is the only book to focus on the major works of the literary tradition, detailing discussions of the hero journey in major literary texts. Included are chapters on the literature of Antiquity (Sumerian, Egyptian, Biblical, Greek, and Roman), the Middle Ages (with emphasis on the Arthurian Romance), the Renaissance to the Enlightenment (Shakespeare, Milton, Marvell, Pope, Fielding, the Arabian Nights, and Alchemical Illustration), Romanticism and Naturalism (Coleridge, Selected Grimm's Tales, BrontÎ, Bierce, Whitman, Twain, Hawthorne, E.T.A. Hoffman, Rabindranath Tagore), and Modernism to Contemporary (Joyce, Gilman, Alifa Rifaat, Bellow, Lessing, Pynchon, Eudora Welty).

An exploration of the myth of descent into the underworld as it informs and shapes a wide range of modern fictions. The author discovers in a series of close readings of works by Strindberg, Yeats, Conrad, Eliot, Lawrence, Mann, Lowry, Broch, and Pynchon the precipitating biographical and cultural crises leading to the symbolic association of death and the imagination. The readings are steeped in Jungian thought, but not enslaved by it. The conclusion yields insights into the essence of modernism that extend our understanding beyond literature into the arts. Contents: Introduction: The Four Chambers of the Underworld; Demon and Daimon: Strindberg, Yeats, and Conrad; T.S. Eliot: Pattern and Purgatory; Soul Making in D.H. Lawrence; Thomas Mann and the "Cult of the Sepulchre"; The Persistence of the Hades Complex; Three Contemporary Books of the Dead; Re-Visioning the Elysian Fields: Physics, Painting and Thanatology.

Thomas Pynchon and the Postmodern Mythology of the Underworld is devoted to the work of one of the most highly acclaimed writers of the post-World War II period of American literature, Thomas Pynchon. Through close readings and broad amplification, this book illustrates that the descent to the underworld is the single most important myth in Pynchon’s work, conferring shape and significance upon each of his novels. This book also offers a unique perspective on postmodernism, which is characterized by ludic syncretism – the playful synthesis of myths from a variety of cultures. In addition, Thomas Pynchon and the Postmodern Mythology of the Underworld is a major contribution to the study of myth and literature as a whole, through the definition of what Evans Lansing Smith calls necrotypes – archetypal images catalyzed by the mythology of the underworld.This book employs an interdisciplinary methodology that will be of critical interest to scholars of comparative literature, mythology, and religion; to theorists and critics of modernism and postmodernism; to depth psychologists in the traditions of Jung, Freud, and James Hillman; as well as to the broad base of Pynchon enthusiasts and exponents of popular culture.