Eve Ng – författare

Queer Women’s Fandoms: Across Screens, Borders, and Desires brings together new research that rethinks what queer women’s fandoms are and why they matter now.Fan communities where homoeroticism is created by, for, or about women have flourished across streaming platforms, social media, and transnational pop culture. Yet these cultures are still often treated as marginal—or explained through narrow frames that reduce them to national contexts, fixed identities, or supposedly “derivative” forms of fandom. Moving beyond restrictive definitions of both ‘queer’ and ‘female fandom,’ the volume offers an innovative framework for understanding fan cultures shaped by globalization, platformized digital life, and shifting LGBTQ+ politics. Drawing on digital media studies, television studies, celebrity and fan studies, visual and sound studies, lesbian and feminist scholarship, queer theory, and globalization studies, contributors trace how images, personas, desires, identities, and subjectivities are produced, negotiated, and contested in and through fandom. Case studies range across television, trans and queer celebrities, K-pop idols, platform influencers, anime productions, and gossip networks. Clear, ambitious, and globally attuned, this collection highlights the complexity of queer women’s fandoms today, laying theoretical and analytical grounds for future research.The book will be an important resource for researchers of gender, media and culture, as well as celebrity and fan studies and digital humanities. It was originally published as a special issue of Popular Communication.

Mainstreaming Gays discusses a key transitional period linking the eras of legacy and streaming, analyzing how queer production and interaction that had earlier occurred outside the mainstream was transformed by multiple converging trends: the emergence of digital media, the rising influence of fan cultures, and increasing interest in LGBTQ content within commercial media. The U.S. networks Bravo and Logo broke new ground in the early 2000s and 2010s with their channel programming, as well as bringing in a new cohort of LGBTQ digital content creators, providing unprecedented opportunities for independent queer producers, and hosting distinctive spaces for queer interaction online centered on pop culture and politics rather than dating. These developments constituted the ground from which recent developments for LGBTQ content and queer sociality online have emerged. Mainstreaming Gays is critical reading for those interested in media production, fandom, subcultures, and LGBTQ digital media.

Mainstreaming Gays discusses a key transitional period linking the eras of legacy and streaming, analyzing how queer production and interaction that had earlier occurred outside the mainstream was transformed by multiple converging trends: the emergence of digital media, the rising influence of fan cultures, and increasing interest in LGBTQ content within commercial media. The U.S. networks Bravo and Logo broke new ground in the early 2000s and 2010s with their channel programming, as well as bringing in a new cohort of LGBTQ digital content creators, providing unprecedented opportunities for independent queer producers, and hosting distinctive spaces for queer interaction online centered on pop culture and politics rather than dating. These developments constituted the ground from which recent developments for LGBTQ content and queer sociality online have emerged. Mainstreaming Gays is critical reading for those interested in media production, fandom, subcultures, and LGBTQ digital media.

Moving beyond popular press accounts about the latest targets of cancelling or familiar free speech debates, this analysis identifies multiple lineages for both cancelling and criticisms about cancelling, underscoring the various configurations of power associated with “cancel culture” in particular cultural and political contexts.