Eve Ng – författare

Queer Women’s Fandoms: Across Screens, Borders, and Desires brings together new research that rethinks what queer women’s fandoms are and why they matter now.

Fan communities where homoeroticism is created by, for, or about women have flourished across streaming platforms, social media, and transnational pop culture. Yet these cultures are still often treated as marginal—or explained through narrow frames that reduce them to national contexts, fixed identities, or supposedly “derivative” forms of fandom. Moving beyond restrictive definitions of both ‘queer’ and ‘female fandom,’ the volume offers an innovative framework for understanding fan cultures shaped by globalization, platformized digital life, and shifting LGBTQ+ politics. Drawing on digital media studies, television studies, celebrity and fan studies, visual and sound studies, lesbian and feminist scholarship, queer theory, and globalization studies, contributors trace how images, personas, desires, identities, and subjectivities are produced, negotiated, and contested in and through fandom. Case studies range across television, trans and queer celebrities, K-pop idols, platform influencers, anime productions, and gossip networks. Clear, ambitious, and globally attuned, this collection highlights the complexity of queer women’s fandoms today, laying theoretical and analytical grounds for future research.

The book will be an important resource for researchers of gender, media and culture, as well as celebrity and fan studies and digital humanities. It was originally published as a special issue of Popular Communication.

Queer Women’s Fandoms: Across Screens, Borders, and Desires brings together new research that rethinks what queer women’s fandoms are and why they matter now.

Fan communities where homoeroticism is created by, for, or about women have flourished across streaming platforms, social media, and transnational pop culture. Yet these cultures are still often treated as marginal—or explained through narrow frames that reduce them to national contexts, fixed identities, or supposedly “derivative” forms of fandom. Moving beyond restrictive definitions of both ‘queer’ and ‘female fandom,’ the volume offers an innovative framework for understanding fan cultures shaped by globalization, platformized digital life, and shifting LGBTQ+ politics. Drawing on digital media studies, television studies, celebrity and fan studies, visual and sound studies, lesbian and feminist scholarship, queer theory, and globalization studies, contributors trace how images, personas, desires, identities, and subjectivities are produced, negotiated, and contested in and through fandom. Case studies range across television, trans and queer celebrities, K-pop idols, platform influencers, anime productions, and gossip networks. Clear, ambitious, and globally attuned, this collection highlights the complexity of queer women’s fandoms today, laying theoretical and analytical grounds for future research.

The book will be an important resource for researchers of gender, media and culture, as well as celebrity and fan studies and digital humanities. It was originally published as a special issue of Popular Communication.

“Cancel culture” has become one of the most charged concepts in contemporary culture and politics, but mainstream critiques from both the left and the right provide only snapshots of responses to the phenomenon. Takinga media and cultural studies perspective, this book traces the origins of cancel practices and discourses, and discusses their subsequent evolution within celebrity and fan cultures, consumer culture, and national politics in the U.S. and China. Moving beyond popular press accounts about the latest targets of cancelling or familiar free speech debates, this analysis identifies multiple lineages for both cancelling and criticisms about cancelling, underscoring the various configurations of power associated with “cancel culture” in particular cultural and political contexts.