Evert Jan Van Leeuwen – författare
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3 produkter
3 produkter
Haunted Europe
Continental Connections in English-Language Gothic Writing, Film and New Media
Inbunden, Engelska, 2019
2 658 kr
Skickas inom 10-15 vardagar
Haunted Europe offers the first comprehensive account of the British and Irish fascination with a Gothic vision of continental Europe, tracing its effect on British intellectual life from the birth of the Gothic novel, to the eve of Brexit, and the symbolic recalibration of the UK’s relationship to mainland Europe. By focusing on the development of the relationship between Britain and Ireland and continental Europe over more than two-hundred years, this collection marks an important departure from standard literary critical narratives, which have tended to focus on a narrow time-period and have missed continuities and discontinuities in our ongoing relationship with the mainland.
Haunted Europe
Continental Connections in English-Language Gothic Writing, Film and New Media
Häftad, Engelska, 2021
725 kr
Skickas inom 10-15 vardagar
Haunted Europe offers the first comprehensive account of the British and Irish fascination with a Gothic vision of continental Europe, tracing its effect on British intellectual life from the birth of the Gothic novel, to the eve of Brexit, and the symbolic recalibration of the UK’s relationship to mainland Europe. By focusing on the development of the relationship between Britain and Ireland and continental Europe over more than two-hundred years, this collection marks an important departure from standard literary critical narratives, which have tended to focus on a narrow time-period and have missed continuities and discontinuities in our ongoing relationship with the mainland.
- Nyhet
2 069 kr
Skickas inom 5-8 vardagar
Houses have a long history in horror. They often figure as the locus of hauntings, or play significant allegorical roles as embodiments of their proprietors’ minds. Such houses belong to the spectral English and Dutch language Gothic. Horror House Film takes a different approach and analyses a collection of horror films – in different subgenres – in which the house is a solid, massive and often overbearing presence in the lives of the protagonists. These films are about the potentially pernicious effects of houses as material objects of ownership, possession and exploitation. The analyses reveal a strong link between a drive for home-ownership and a drive to possess and exploit other people. They locate this drive within a hegemonic masculinist culture that is closely related to what Erich Fromm has termed the having = being mode of human identity formation in contemporary materialistic Western societies, in which a people’s possessions define their selves. The grim and tragic stories told in these horror house films often revolve around the need to possess property as a means of shoring up ontological security, whilst the house owned proves to be no haven but a drain on both socioeconomic and psychological wellbeing.