Ewen MacDonald – författare
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‘He held the detached tooth in front of his face. It was white and cracked, with roots dangling beneath, festering in gore… then he placed the tooth back into his mouth and rolled it around, before swallowing it whole.’
The Painter awakes naked and injured. Where are his clothes, what is his name, and, more importantly, why is the chair talking to him?
So begins The Painter’s disquieting journey into the heart of darkness at the centre of the contemporary art world.
After suffering a traumatic epiphany, The Painter turns his back on his former existence and becomes a living artwork. His life is his canvas, his materials bodily matters and fluids. His creations are the remnants of all he tastes, touches and feels.
But how will those who feed off his talent feel about this change?
As the corpses mount up, their tableaux ever more macabre, the finger begins to point inexorably in The Painter’s direction. Pitted against amoral art collectors, corrupt critics and homicidal gangsters, his sole ally is a beautiful young gallerist, who has her own demons to wrestle.
The Painter is Raymond Chandler meets Francis Bacon in purgatory.
139 kr
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The man inside of this crepuscular husk is being methodically erased. Yet the rudiments are still glinting behind the frozen veneer of an impenetrable death mask.
Memories from the End of the World focuses on the present condition and past life of a mysterious, seemingly nameless man. Trapped within the confines of his deathbed, the protagonist’s former existence is played out in incremental impressions from his childhood, through adolescence into adulthood, and on to his present state of disintegration.
We witness the individual artist grappling with success, excess, failure, fear, guilt, love and addiction via a cavalcade of international locations.
The novel’s ultimate inquiry is what is to be gained through the experience of living, and what is destroyed through the incomprehensibility of death.