F. Kersten – författare

This book has two parts. The first part is chiefly concerned with critically establishing the universally necessary order of the various steps of transcendental phenomenological method; the second part provides specific cases of phenomenological analysis that illustrate and test the method established in the first part. More than this, and perhaps even more important in the long run, the phenomeno­ logical analyses reported in the second part purport a foundation for drawing phenomenological-philosophical conclusions about prob­ lems of space perception, "other minds," and time perception. The non-analytical, that is, the literary, sources of this book are many. Principal among them are the writings of Husserl (which will be accorded a special methodological function) as well as the writings of his students of the Gottingen and Freiburg years. Of the latter especially important are the writings and, when memory serves, the lectures of Dorion Cairns and Aron Gurwitsch. Of the former especially significant are the writings of Heinrich Hofmann, Wilhelm Schapp, and Hedwig COlilrad-Martius.

Following the thematic divisions of the first three volumes of Alfred Schutz's "Collected Papers" into "The Problem of Social Reality", "Studies in Social Theory" and "Phenomenological Philosophy", this fourth volume contains drafts of unfinished writings, drafts of published writings, translations of essays previously published in German, and some largely unpublished correspondence. The drafts of published writings contain material omitted from the published versions, and the unfinished writings offer insights into Schutz's otherwise unpublished ideas about economic and political theory as well as the theory of law and the state. In addition, a large group contains Schutz's reflections on problems in phenomenological philosophy, including music, which both supplement and add new dimensions to his published thought. All together, the writings in this volume cover Schutz's last 15 years in Europe as well as manuscripts written after his arrival in the USA in 1939.

Intended for scholars in the fields of philosophy, history of science and music, this text examines the legacy of the historical coincidence of the emergence of science and opera in the early modern period. Instead of regarding them as finished products or examining their genesis, or "common ground", or "parallel" ideas, opera and science are explored by a phenomenology of the formulations of consciousness (Gurwitsch) as compossible tasks to be accomplished in common (Schutz) which share an ideal possibility or "essence" (Husserl). Although the ideas of Galileo and Monteverdi form the parameters of the domain of phenomenological clarification, the scope of discussion extends from Classical ideas of science and music down to the beginning of the 19th century, but always with reference to the experience of sharing the sociality of a common world from which they are drawn (Plessner) and to which those ideas have given shape, meaning and even substance.

Under the title of "Phenomenology: Continuation and Crit­ icism," the group of essays in this volume are presented in honor of Dorion Cairns on his 70th birthday. The contributors comprise friends, colleagues and former students of Dorion Cairns who, each in his own way, share the interest of Dorion Cairns in Husserlian phenomenology. That interest itself may be best defined by these words of Edmund Husserl: "Philosophy - wis­ dom (sagesse) - is the philosopher's quite personal affair. It must arise as his wisdom, as his self-acquired knowledge tending toward universality, a knowledge for which he can answer from the beginning . . . " 1 It is our belief that only in the light of these words can phenomenology and phenomenological philosophy be continued, but always reflexively, critically. For over forty years Dorion Cairns has, through his teaching and writing, selflessly worked to bring the idea expressed by Husserl's words into self­ conscious exercise. In so doing he has, to the benefit of those who share his interest, confirmed Husserl's judgement of him that he is "among the rare ones who have penetrated into the deepest sense of my phenomenology, . . . who had the energy and persist­ ence not to desist until he had arrived at real understanding.

The articles collected in the present volume were written during a period of more than 30 years, the ?rst having been published in 1929, the last in 1961.

Following the thematic divisions of the first three volumes of Alfred Schutz's Collected Papers into The Problem of Social Reality, Studies in Social Theory and Phenomenological Philosophy, this fourth volume contains drafts of unfinished writings, drafts of published writings, translations of essays previously published in German, and some largely unpublished correspondence. The drafts of published writings contain important material omitted from the published versions, and the unfinished writings offer important insights into Schutz's otherwise unpublished ideas about economic and political theory as well as the theory of law and the state. In addition, a large group contains Schutz's reflections on problems in phenomenological philosophy, including music, which both supplement and add new dimensions to his published thought. All together, the writings in this volume cover Schutz's last 15 years in Europe as well as manuscripts written after his arrival in the USA in 1939. Audience: Students and scholars of phenomenology, social theory and the human sciences in general.

Intended for scholars in the fields of philosophy, history of science and music, this book examines the legacy of the historical coincidence of the emergence of science and opera in the early modern period. But instead of regarding them as finished products or examining their genesis, or `common ground', or `parallel' ideas, opera and science are explored by a phenomenology of the formulations of consciousness (Gurwitsch) as compossible tasks to be accomplished in common (Schutz) which share an ideal possibility or `essence' (Husserl). Although the ideas of Galileo and Monteverdi form the parameters of the domain of phenomenological clarification, the scope of discussion extends from Classical ideas of science and music down to the beginning of the nineteenth century, but always with reference to the experience of sharing the sociality of a common world from which they are drawn (Plessner) and to which those ideas have given shape, meaning and even substance. At the same time, this approach provides a non-historicist alternative to understanding the arts and science of the modern period by critically clarifying the idea of whether their compossibility can rest on any other formulation of consciousness.

The articles collected in the present volume were written during a period of more than 30 years, the ?rst having been published in 1929, the last in 1961.

Under the title of "Phenomenology: Continuation and Crit­ icism," the group of essays in this volume are presented in honor of Dorion Cairns on his 70th birthday. The contributors comprise friends, colleagues and former students of Dorion Cairns who, each in his own way, share the interest of Dorion Cairns in Husserlian phenomenology. That interest itself may be best defined by these words of Edmund Husserl: "Philosophy - wis­ dom (sagesse) - is the philosopher's quite personal affair. It must arise as his wisdom, as his self-acquired knowledge tending toward universality, a knowledge for which he can answer from the beginning . . . " 1 It is our belief that only in the light of these words can phenomenology and phenomenological philosophy be continued, but always reflexively, critically. For over forty years Dorion Cairns has, through his teaching and writing, selflessly worked to bring the idea expressed by Husserl's words into self­ conscious exercise. In so doing he has, to the benefit of those who share his interest, confirmed Husserl's judgement of him that he is "among the rare ones who have penetrated into the deepest sense of my phenomenology, . . . who had the energy and persist­ ence not to desist until he had arrived at real understanding.